Anna Massey, Esmond Knight, Karlheinz Bohm

Mark Lewis, assistant cameraman at a London film studio, aspiring movie director, part-time taker of pornographic pictures, and amateur documentary film-maker, has begun murdering women. He kills them...( read more  read more... ), literally, with his camera and films the attacks and the murders. He also surrepititiously films what he can of the police investigation. At night he carefully screens and edits the footage. This is his great documentary, his life's work. Mark leads the police closer and closer so that he can film the denouement, his own imminent capture and suicide.

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86% liked it

6,988 ratings

Critics

93% liked it

30 critics

Unrated, 1 hr. 26 min.

Directed by: Michael Powell

Release Date: April 7, 1960

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DVD Release Date: November 16, 1999

Stats: 491 reviews

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Flixster Reviews (491)


  • November 15, 2009
    Mild by today's standards but caused quite a stir in 1960. Peeping Tom is now a little dated but still fantastically bizarre and frightening.
  • March 12, 2009
    Peeping Tom is the first film wherein the placement of the camera put the audience in the killer's shoes and implicates them in the murders on film. This technique has really become part of the horror cannon and used many times since then, most prominently in Halloween. This is a...( read more) really interesting film because it draws very explicitly a connection between voyeurism and.. theft I guess? Violence? Never before has the camera been so predatory onscreen. Usually in horror films the murder weapon (usually a big long knife) stands in as a symbol of the killer's manhood, but here the camera and Mark's weapon are one and the same. While watching this film, it's funny to spot all the conventions present that reference and are referenced by other films. Watching the film reels with a blind woman was really reminiscent of Francis Dolarhyde in Red Dragon researching his kills, and the whistling killer is reminiscent of Peter Lorre's methods in M. This really goes to show you how intertextual film is.
  • October 26, 2008
    Michael Powell, the distinguished English director, probably contributed to his own demise from the film industry with "Peeping Tom", a movie that proved to be well ahead of its times and a masterpiece by this man who gave so much to enhance the industry in Great Britain. In fact...( read more), it's a shame this was almost the last film he directed before going on to a kind of exile in Australia.

    "Peeping Tom" is an exercise in voyeurism Mr. Powell, and his screen writer, Leo Marks, created to prove to what extent how one is capable of watching things one shouldn't watch. At the same time, Mr. Powell created a psychological essay about what makes Mark Lewis, the central character of the film, act the way he acted. Mark has been scarred for life thanks to what his own father did to him during a period of his growing years that formed his character into the reclusive man who feels at home doing the despicable crimes he commits.

    One of the strengths of the film is the amazing portrayal of Mark Lewis by the German actor, Carl Boehm, who made a superb contribution to the movie. Mr. Boehm is perfect because by just looking at him, one would never guess what's inside his soul, or what motivates him to kill and record his crimes.

    Mr. Powell brought together an amazing cast that shines in the film. Moira Shearer, Anna Massey, Maxime Audley, Brenda Bruce, Bartlett Mullins, are among the most prominent players one sees in the film.

    The newly restored copy we saw as part of the retrospective shown at the Walter Reade this year has been enhanced in ways one didn't think would be possible and it's a tribute to the great director, who should have been proud of how today's audiences are reacting when they discover his movies that seem will live forever.

    It's ironic that Mr. Powell didn't get the recognition he deserved during his lifetime.
  • August 30, 2008
    Unsettling classic horror film is disturbing study of a serial killer who is compelled to film his victims. So reviled upon its release in 1960, it essentially ended director Michael Powell's career. Even today, the movie's attempt to understand, even sympathize, with a sociop...( read more)ath still resonates shock. Creepy.
  • April 13, 2008
    A shy but demented cameraman is obsessed with the idea of documenting fear, and takes it upon himself to gather the footage he needs. This pic is as much an intense character study as a stylish thriller; it was Powell's audacity in forcing the audience to understand and even sym...( read more)pathize with the killer, rather than the perverse depiction of voyeurism, that destroyed the director's career.
  • September 19, 2009
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    I consider the film to be merely good. Many of the mechanics have dated , with some clumsy use of dialogue, date...( read more)d characterisation and crazy scenes. In particular the main killer lacks believability in this modern urban setting and is a bit one dimensional. Its hard to believe that this is an individual who feels the unbearable urge to kill upon seeing fear in someones face or who merely kills just to capture the look of fear on someones face. In any case suspend your belief and you find a good film thats well acted, especially by the Boehm, and well directed while not as creatively or technically adept behind the camera as Hitch for e.g., the film is directed well and works, in that it creates a morbid, grimy air of uneasiness - uncommon for a piece of this period. Your average cinema-goer of today should have no problems with it though.
  • September 12, 2009
    The British Psycho. As twisted as a killer's mind. One of the greatest horror/thrillers out there, even nowadays.

    87/100
  • August 19, 2009
    Classic material, again. Decades ahead of it's time, and truly brilliant work by Powell. As it's done the same year as Hitchcock's Psycho (1960), I must admit, the British raised the horror film on to a new level back then. Recommended!
  • August 17, 2009
    Aug 09 - Such a powerful psychological drama. Leaves me twisting and turning. You are the voyeur and no wonder you feel so much sympathy with him.
  • July 23, 2009
    Maybe it was more shocking for its time but it built too slowly. It was interesting seeing Anna Massey in such an early part, but it simply wasn't lurid enough, was too understated and almost gentlemanly in its telling.

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

The movies make us into voyeurs. We sit in the dark, watching other people's lives. It is the bargain the cinema strikes with us, although most films are too well-behaved to mention it. full review

View more Peeping Tom reviews at RottenTomatoes.com

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Peeping Tom Trivia


  • Which infamous psychological thriller, infamously destroyed the career of director Michael Powell, due to the reaction of horrified critics?  Answer »
  • Horror tale of a cameraman obsessed with capturing victims on film at the moment of death?  Answer »
  • In what movie do you find the charactor Mark Lewis as a sadistic killer?  Answer »
  • ***Which Film Caused Outrage Upon Its Release, Almost Ending The Career Of Its Director, Michael Powell***  Answer »

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