Performance (1970)
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83% of critics liked it
(30 reviews) -
80% of users liked it
(4,879 ratings)
Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a… More Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a gangster on the lam hides out in the home of a reclusive rock star -- especially since that musician was being played by Mick Jagger of the Rolling Stones. But co-directors Nicolas Roeg (who also photographed) and Donald Cammell (who wrote the screenplay) had much more in mind than a walk on the wild side of swinging London. Chas (James Fox) is a sadistic thug who gains our sympathies only because men even crueler than he are out to kill him. After Chas arrives at the mansion occupied by Turner (Jagger) and his female companions Pherber (Anita Pallenberg) and Lucy (Michele Breton), what looks like a decadent idyll fueled by drugs and group sex turns into a series of mind games in which Turner challenges Chas' sexual preference and core identity. Even the film's one musical number, "Memo From Turner," is a William Burroughs-like monologue in which Turner fantasizes taking over Chas' role as a mobster, spewing insults to his colleagues. The film's cult status has been fueled by subsequent films of its co-directors (for Roeg, Walkabout, The Man Who Fell to Earth, and Don't Look Now; for Cammell, White of the Eye), which explored similar themes employing the same kind of jagged editing and striking visuals. ~ Tom Wiener, Rovi
- Directed By
- Donald Cammell, Nicolas Roeg
- Written By
- Donald Cammell
- Genres
- Drama, Musical & Performing Arts, Classics, Special Interest
- In Theaters
- Jan 1, 1970 Wide
- Studio
- Warner Bros. Pictures
Critic Reviews
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Jay Cocks, TIME Magazine
Pop stars continue to have bad luck in films.
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J. Hoberman, Village Voice
The movie is a facile enough pastiche of underground pyrotechnics and Euro-art pretensions, but far more evocative now is the fast, offhand repartee between the principals.
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Dave Kehr, Chicago Reader
Rapture and boredom both seem valid responses.
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Tom Milne, Time Out
Roeg's debut as a director is a virtuoso juggling act which manipulates its visual and verbal imagery so cunningly that the borderline between reality and fantasy is gradually eliminated.
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Roger Ebert, Chicago Sun-Times
It isn't altogether successful, largely because it tries too hard and doesn't pace itself to let its effects sink in.
See more critic ratings and reviews on Rotten Tomatoes
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
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Cast
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James Fox
as Chas Devlin
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Mick Jagger
as Turner
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Anita Pallenberg
as Pherber
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Michèle Breton
as Lucy
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Ann Sidney
as Dana
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John Bindon
as Moody
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Stanley Meadows
as Rosebloom
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Allan Cuthbertson
as Lawyer
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Johnny Shannon
as Harry Flowers
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Anthony Valentine
as Joey Maddocks
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John Sterland
as Chauffeur
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Kenneth Colley
as Tony Farrell
- Eddie Calhoun
- Erroll Garner
- Kelly Martin