Aure Atika, Guillaume Depardieu, Nicole Garcia

Spiders' legs brushing against naked skin…Unexplainable noises heard at night in a dark bedroom…A big empty house where you feel a presence…A hypodermic needle getting closer and closer…A dead thing t...( read more  read more... )rapped in a bottle of formaldehyde…A huge growling dog, baring its teeth and staring…So many scary moments we have experienced at some point in our lives - like the craftsmen of this journey straight to the land of fear. Six of the world's hottest graphic artists and cartoonists have breathed life into their nightmares, bleeding away color only to retain the starkness of light and the pitch black of shadows. Their intertwined stories make up an unprecedented epic where phobias, disgust and nightmares come to life and reveal Fear at its most naked and intense…

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57% liked it

1,615 ratings

Critics

73% liked it

59 critics

Unrated, 1 hr. 22 min.

Directed by: Marie Calliou

Release Date: October 21, 2007

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Flixster Reviews (237)


  • March 12, 2009
    I'm the first to admit that I'm both a sucker for short animation and for short horror anthologies. This strange black and white French film combines the best of both worlds. The stories varied in quality, my favorite being the last one about the man taking refuge in a darkened h...( read more)ouse. One of my favorite things about this film was how different each animated vignette looked, and each director made a short film that looked absolutely beautiful. I found the interludes of Nicole Garcia talking about her neuroses a little extraneous and tiresome, but it was really interesting to see what each director did with thier palette of black and white. I loved the character design of the Japanese story about the girl and the samuria ghost, and I liked the movement in the insect nightmare. The last short film was my favorite though, because it really embodied the title the best. The sparse light added so much to the mood, and made it seem especially alarming when it would illuminate something the main character couldn't see. What a work of art. I wish animation and horror overlapped much more often.
  • January 10, 2009
    "Fear(s) of the Dark" is an anthology by six of the world's top leading animators. There are a series of shorts, separated by a reoccurring nightmare of a man and his hounds. The late Guillaume Depardieu provides some voice over work.

    In the first short, and one of the stronges...( read more)t of the film, Charles Burns tells a story about a boy who recalls his fascination with insects as a child. One day, he discovers a rare insect and keeps it in a jar for further inspection. The next day, however, that insect is gone. Years later, that same boy has turned into an anxious man - nervous, lonely, and desperately clutching for the confidence to call a woman he'd like to court. He does, in fact, work up the courage, and she spends the night. When she wakes up, however, she has a weird spike sticking out of her wrist, as if it were part of an insect. She's become a host of the rare breed the boy found years prior, and soon those same bugs begin to take over. It's not an unfamiliar story, but this is one of the most chilling versions of the tale that i've seen.

    Between each short, Blutch and illustrator Lorenzo Mattotti provide a story about a man with a group of hounds. Everytime he encounters a person in the street, he releases a hound and cackles as they devour their victims. As a short, this is largely forgettable and perhaps the least inspired of the entire film. What's great about it, however, is the animation - looking like grungey charcoal scribbles, this is perhaps the most visually interesting of all the stories. While the rest are rather simplistic, reminding me of last year's "Persepolis", this was not nearly as clean cut.

    Another story, by Marie Caillou, follows a young girl who is trapped in a nightmare. She is bullied by descendants of an old fallen samurai who is said to still claim victims. Occasionally, at the most horrific moments, she'll wake up. She's then confronted by a doctor, who asks if she has finished her nightmare. When she admits she hasn't, he injects her with another shot that sends her right back into the thick of things. This reminds me of those false awakenings you get in dreams sometimes - where you close your eyes really tight, and when you open them you're in your bed. Alas, however, pinching yourself reveals that you're still, in fact, stuck. Perhaps it's not as horrifying in this case in that she's apparently volunteering for the grim task of revisiting the nightmare, but one may perceive the doctor in the story as being a character of the same dream.

    The last of these shorts is, in my opinion, a minor masterpiece. Richard McGuire tells a familiar haunted house story in a manner that is so relentless in it's fright and mystery that it never lets go, despite only running about 15 minutes long. A stranded man walks into an abandoned house, and flips through a horrific book featuring a ghastly figure in a dress. He falls asleep and has a nightmare of this same woman. When he wakes up, he slowly creeps through the house - the screen dominated by black, with brilliant animation of a small light source. Carrying only a candle, we only see what the character sees: occasional white outlines. As he wonders throughout the house, we see the woman in the dress lurking in the shadows. The sense of an impending doom this short creates is absolutely remarkable, and I found myself legitimately frightened at several points. This is coming from someone who is not an easy scare in regards to horror movies. See the film, if only for this 15 minute short.

    I was looking forward to "Fear(s) of the Dark" for quite sometime and was not let down. This is cutting edge animation, and it plays out like you're reading a collection of horrific short stories by innovative new authors echoing Poe and Kafka. In fact, this is exactly what horror should be - it's sleek, cool, and it sets out to chill more than it does disturb (granted, however, things can get disturbing). This is not easy to find at the moment, as it's yet to get a US DVD release, but I would suggest looking hard to find yourself a copy. I really loved this movie.
  • September 18, 2009
    Definitely an interesting animation style and a pretty cool atmosphere is created, but it will leave you in the dark (no pun intended) about what the whole point was.
  • November 26, 2009
    Interesting, ambiguous, but very uneven experiment. Fairly enough, Persepolis was the film that caught the attention of the masses. This little flick, on the other hand, had effective intercuts, some moments of intelligence throughout the script, and interesting sequences. If you...( read more) replace the first two clichéd and typically "scary" stories and replace them, leaving the last two rather brilliant stories in the end, you have a great animated film. Lacked potential...

    59/100
  • November 17, 2009
    Inventive animation and disturbing ideas...
  • November 15, 2009
    Here is a unique ombnibus horror film that is scarier and better-made in theory than in execution.
  • October 29, 2009
    Interestingly, it has one of the most beautiful (and horrible) animated shorts that I have ever seen, just stocked up with some rather more unflattering ones.
  • October 26, 2009
    very interesting and well made.
    the 1st story freaked me so out...
  • September 13, 2009
    Great one! I only didn't like the 'japanese' story, since it's kind of unfinished. The first and the last ones are excellent. I truly enjoyed.
  • September 6, 2009
    Recommended by NickCoalNoir.

Critic Reviews


November 14, 2008
Steven Rea, Philadelphia Inquirer

Brilliantly creepy. full review

October 30, 2008
Roger Ebert, Chicago Sun-Times

Despite the title and the ads, this is not really a horror movie but more of a demonstration of the skills of the animators. The segments are like calling cards. Younger horror movie fans will not muc... full review

October 23, 2008
Pete Hammond, Boxoffice Magazine

A hit-and-miss pastiche set apart by its black-and-white palette and the unique visions of its 10 "cutting-edge" graphic artists. full review

October 19, 2008
Nick Schager, Slant Magazine

A collection of superbly wrought black-and-white animated vignettes. full review

October 3, 2008
Nigel Andrews, The Financial Times

The style is monochrome and minimalist: dots and dashes, sudden shadows and scary silhouettes, like a morse code of the unconscious. full review

View more Peur(s) du Noir (Fear(s) of the Dark) reviews at RottenTomatoes.com

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