7.8/10
"Phantasm" is a strange film. But that's a part of its charm; which I find almost impossible not to like. It's a horror film, but those who have tried to classify it within a sub-genre-within-a-genre (indeed, the horror genre) have failed. It's… More
7.8/10
"Phantasm" is a strange film. But that's a part of its charm; which I find almost impossible not to like. It's a horror film, but those who have tried to classify it within a sub-genre-within-a-genre (indeed, the horror genre) have failed. It's truly something else. That doesn't necesarilly make it a great film, but it certainly makes it a solid feature that I could see myself watching again-and-again; benefiting from repeated viewings. It's an intelligent little low-budget chiller; relying mostly on atmosphere and the kind of imagery that we're bound to remember whether we find ourselves entertained or not. Many critics find this movie, shall I say, distasteful? I can understand somebody not enjoying or admiring "Phantasm", but dare I say, I think most of these detractors don't get what writer-director Don Coscarelli was trying to do and say here. The film was shot in the English language, but Coscarelli obviously has some Italian in him, and his film is really no different from the surreal cult shockers from that country; films that carried what I call "dream-logic" with them, as well as some of the finest imagery available. Sometimes, it's enough to just look at the movie, which more than likely will allow the most open-minded movie-goer to have a lot of fun.
Coscarelli has a really good idea, so he decides to make a film centered on that idea, as well as many other concepts. In the end, he makes "Phantasm"; a film that is essentially critic-proof, for the most part, and will be appreciated by those who can discover admiration in its absurdity. There's an artistry to the way "Phantasm" is crafted; from the make-up effects to the most odd, bizarre, and surreal of moments. Unlike a few memorable installments in the Italian horror surrealist movement, the film has a story, and it makes perfect sense, if you think about it. It's the underlying themes that matter most at the end of the day; but the simplicity of the storytelling methods adds to the quality.
Just try to buy into the story; which concerns two brothers. They have lost their parents, and are trying to cope. This leaves Jody (Bill Thornbury) to care for the younger brother, Mike (Michael Baldwin); who fears the eventual death that will someday come to his brother. He visits a fortune teller and seems to be questioning what will happen once Jody himself has reached the end of the rainbow. However, these questions are the least of Mike's worries; he believes that little dwarves (which closely resemble the Jawas of "Star Wars") are chasing after him, although he doesn't know why. His theory is that they may be the slaves of a mysterious figure whom Mike refers to as "The Tall Man" (Angus Scrimm). It is suggested that this villainous being, who is indeed very tall, could be an alien, a demon, or perhaps just another human. That can't be it. Mike claims to have seen this "Tall Man" single-handedly lifting a casket, and we all know that no mortal can do this.
The film is at its best when Mike is running, scared and alone, from the forces of darkness (the dwarve slaves, The Tall Man). Eventually, Jody invests in Mike's tall-tales and agrees to help him fight back against "The Tall Man", who seems to be gathering bodies for an unknown reason. Much of the film is taken up by this highly engaging and suitably entertaining sub-plot; which never drags on for too long, and never had me snoring.
The film is a consistently entertaining exercise in pure movie-making. It has some dazzling and very dream-like images, such as a glimpse of an alternative realm where the dwarves are put to work, hands coming out of muddy ground and reaching for the heroes, and of course, a small, metal sphere which flies towards its enemy and causes quite a mess indeed. People seem to remember the sequence in which the said sphere hits its target in the form of an assistant of The Tall Man; who gets a hidden drill right through the fore-head. The sphere absorbs a lot of his blood, spits it back out, and then leaves his body to die. He then urinates as he dies.
This is an intense, gory scene; one of the only blood-filled sequences in the entire film, in fact. "Phantasm" cares more about creepy effectiveness through its music score, its cinematography, and its images; which is something admirable. Clearly, it isn't the best film ever when it comes to storytelling and characters; as well as dialogue, but there's just something about it that I find impossible to resist. I liked it because it allowed me to escape into another world for an hour and a half, which is always nice. Films about reality and things capable of having within it were beginning to bore me; which is why I watch horror films in the first place. You never know when someone like Don Coscarelli is going to make his way into the horror scene and make use of nightmare fuel. He creates an entirely different universe; a different world where different things can exist and anything can happen. Maybe this is why I find "Phantasm" so good when it comes to escapist entertainment. Not everyone will "get it". But for those who do; a salute you.