Ajay Naidu, Ben Shenkman, Joanne Gordon

God and man and math: The tawdry meets the Talmudic in this complex thriller about a tortured computer genius trying to beat the stock market.

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86% liked it

35,151 ratings

Critics

84% liked it

49 critics

R, 1 hr. 25 min.

Directed by: Darren Aronofsky

Release Date: July 10, 1998

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DVD Release Date: January 12, 1999

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Flixster Reviews (7,033)


  • September 6, 2009
    A reclusive mathematics genius suffering from crippling migraines is on the brink of discovering a mystical number sequence sought after by a multinational corporation and a sect of Kabbalahists. The script wanders into an apocalyptic corner that it can't write it's way out of,...( read more) but the film gets a ton of style points for the beautifully grainy, high-contrast black and white cinematography and the pulsing electronica soundtrack.
  • September 4, 2009
    Darren Aronofsky's low budget debut is a brilliant gritty drama of one mans downward spiral into complete madness through number crunching. It's really much better than it sounds, although I watched it with my dad and he thought it was nuts (I'm pretty sure he liked it though)
  • August 18, 2009
    It's death, Max . . .

    A dynamite idea -- Aronofsky is good at that. But between the idea and the execution, something happens, and it's not a really good something.

    First off, I want to give high praise to Sean Gullette for one very intense, highly believable acting job.

    ...( read more) Playing someone this obsessed so precisely for any good length of time is most commendable. To sustain this kind of intensity for an hour and a half, he obviously has the right stuff. But what kills me, not just with this movie, but with actors who burn brightly in any insignificant project, is that they just might burn themselves out for nothing. There's a lot to be said for saving yourself for good scripts. For me, there's a big difference between what is "complex" and what is just plain "confused." I hope Gullette gets better chances.

    I can't help but think what Ron Howard might have done with this idea. It's the problem of substituting flash for substance. Howard can manage that on the substantive end. Aronofsky has to work on that. Convolution. That's all I can think of. Not faith in chaos -- faith in convolution. That's not theory. That's truly pure faith.

    The first star is for Gullette; the second star is for Aronofsky's potential.

  • May 18, 2009
    Max (Sean Gullette) is a paranoid math genius, who through the use of his home-brewed super-computer (named Euclid) stumbles upon a numeric sequence that may be the key to sure money in the stock market or even a means to communicate with God. Director Darren Aronofsky, creates a...( read more)n eerie "Eraserhead"-like world that keeps the film compelling even when it digresses into a silly cat-and-mouse psychodrama with a trio of stockbrokers and a cabalistic rabbi, seeking the contents of Max's brain. Gillete gives an agrreable performnace in a two-dimensional role and Mark Margolis as Max's mentor is an uproarious Einstein-esque cairicture. "PI" barely adds up as a sci-fi thriller, but Aronofsky's moody, black-and-white visuals -- which earned him the best director award at Sundance -- promise future dividends.
  • February 23, 2009
    Maximillian Cohen: 11:15, restate my assumptions: 1. Mathematics is the language of nature. 2. Everything around us can be represented and understood through numbers. 3. If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.

    A trippy th...( read more)riller from director Darren Aronofsky, who somehow combines math, Jews, and evil Wall Street goons into one crazy film.

    The story involves a mathematically obsessed and paranoid individual who both is a genius and has problems being himself. Describing the rest of the plot is unnecessary, except for the part involving the man's stumbling across a large digit bug in his computer system.

    Maximillian Cohen: Studying the pattern made Euclid conscious of itself. I had to... Before it died it spit out the number. That consciousness is the number?
    Sol Robeson: No, Max. It's only a nasty bug.
    Maximillian Cohen: It's more than that, Sol.
    Sol Robeson: No, it's not. It's a dead end. There's nothing there.
    Maximillian Cohen: It's a door, Sol. It's a door.
    Sol Robeson: A door at the front of a cliff. You're driving yourself over the edge.

    Made super cheap, the movie certainly works with its gritty style to produce a unique film. Obviously one that will polarize audiences who want to get into it and who just don't.

    Watching this film reminded me of David Lynch's Eraserhead, a cult film that I wasn't a fan of, but certainly shows its influence here, as well as the very lame Jim Carrey thriller, The Number 23, with its dealings with obsession over the relation of mathematical properties with life. I mention this, I guess, because it shows a particular theme involving obsession, which works as a good drive to make what are at least good ideas for films.

    The lead performance is strong and the direction is solid. It also has a surprisingly energetic soundtrack that worked well into the film.

    Maximillian Cohen: 9:22, Personal note: When I was a little kid my mother told me not to stare into the sun, so once when I was six, I did. At first the brightness was overwhelming, but I had seen that before. I kept looking, forcing myself not to blink, and then the brightness began to dissolve. My pupils shrunk to pinholes and everything came into focus and for a moment I understood.
  • November 5, 2009
    Poco ortodoxa. Nada hollywodense... interesante pero... le falta algo.
  • November 1, 2009
    what should i say,watch it please!!!
  • October 29, 2009
    !Comercial or Stupid! :|
  • October 27, 2009
    Great movie that makes you think compared to the mindless fodder of today.
  • October 18, 2009
    awesome movie. love the drum n bass soundtrack

Critic Reviews


July 12, 2002
Liam Lacey, Globe and Mail

Audacious and bursting with ideas. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

The seductive thing about Aronofsky's film is that it is halfway plausible in terms of modern physics and math. full review

View more Pi reviews at RottenTomatoes.com

Comments


  • StarZero
    February 10, 2008
    Probably the best film ever made, either this or A Clockwork Orange.
  • littleumbrellas
    February 22, 2007
    Infamous Hugo:
    "A bit more interesting thjan Requiem for a Dream in my opinion but it fails at keep the attention until the end like Aronosky's previous film."

    Pi was his first movie.
  • ZeenArya
    November 20, 2006
    I thought this movie was pretty good, a bit phsycological and dramatic at the same time. A good start for the filmmaker Darren Aronofsky.
  • panchof28
    September 27, 2006
    muy buena.. recomendada para frikis

Critic ratings and reviews powered by RottenTomatoes.com

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Pi Trivia


  • The rotting brain used in 1998's Pi is real.  Answer »
  • She's an assasin with amnesia and he's a scam artist who has been to jail for steal but who she hired as a PI.  Answer »
  • What is the name of the director of the movies 'Requiem for a Dream', 'Pi' and 'The Fountain'.  Answer »
  • How many digits long was the mysterious number that Max Cohen is searching for in the movie, Pi?  Answer »

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