Anna May Wong, Charles Laughton, Cyril Ritchard, Gilda Gray, Hannah Jones ...( see more  see more... ) , Jameson Thomas , King Ho Chang

A scullery maid turned nightclub performer steals the screen -- and the leading man -- from her rival.

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74% liked it

396 ratings

Critics

90% liked it

10 critics

Unrated, 1 hr. 48 min.

Directed by: Ewald André Dupont

Release Date: January 1, 1929

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DVD Release Date: March 1, 2005

Stats: 38 reviews

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Flixster Reviews (38)


  • February 2, 2009
    Pointless, borring, girly, without the slightest hope of being vaguely interesting.

    Which is a pity since one scene came out really good. It is set in a pub in London and it addresses directly the rampant racism and segregation dominating all classes of the English society at th...( read more)e time (1920s). It is raw, noir, brilliant. What a shame the rest of the film isn't even half as good.
  • October 5, 2008
    "piccadilly" is anna may wong's attempt to escape american social discrimination of minorities which hinders her career in hollywood, so she flees to germany for the production of "piccadilly" which contributes to her european stardom along with louise brooks' conquering success ...( read more)for "pandora's box". with the relentles indulgence of the "interracial romance" theme, anna mae emanates her noirish glitter of oriental temptress to the utmost level, BUT is "piccadilly" trully a breakthru for the negative racial stereotype then?

    wong plays a scullery maid who gets fired for dancing upon the kitchen table, but the cabret manager suddenly comes up with a whim to hire her as the new attraction while himself is in torid affair with the major cabret star. then the little chinese woman dresses in the mystic buddist garment, swirling her slim shape eccentricly to enchant the men all around. besides she succeeds in seducing the cabret manager as her prey of love, then the manager's caucasion girlfriend comes along to dissuade her of this affair. then a faint cry occurs, wong's gets slaughtered by her fellow chinese boyfriend who is inflicted with simmering jealousy.

    privately wong feels quite complacent that she could be able to be an explicit seductress in "piccadilly" without the obstacle of racial segregation. crudely speaking, the stance of this flick's racial politics remains derogatory, and her position is still the sexually compliant oriental female who prawls her way to pander the major white male audience, taking pride at her vindicative sexual triumph as the dialogue suggests: "i wish you give him up, i know you don't love him" "i shall keep the man you cannot keep"...and such defiant attitude would be punished in the 20s american cinema, but the expressionistic german cinema embraces such exotic stimulus with full acceptance.

    the poster of "piccadilly" shows a bare-chested anna mae brazenly dances along the melody that might be an urgent pursuit of sexual liberation in oriental woman, OR a pimpish exploitation of volutary prostitution from oriental women, as if she's saying: welcome to my chamber room, i'm here naked awaiting you. such whoring image is, of course, banned by chinese government then since it degrades chinese woman as willing mistress for caucasion males that would be considered a national disgrace in the conservative china.

    the primitive stage of feminism in roaring twenties would be to emulate men with your sexual liberty(be free like a man, make love then leave) as the concept of vivacious flapper as well as "phallic woman" starts to proper in society then. anna may wong is a peculiar case as the chinese flapper, so wong's poise of minority feminism would be to rival white woman with your sex appeal to demonstrate your range of freedom as a suppressed oriental female. but just like the rumination of feminism which is faciliating men with your private santuary, anna may wong's cinematic revolution in europe ends in the same errosive retribution.
  • October 25, 2008
    An American Asian star who gives a standout performance in an European film is quite groundbreaking!

    I will also add that it is one of the most interesting silent film of its period because it touches upon many subjects which were normally censored. Director Arnold Bennett clea...( read more)rly showed a modern view of Western European cinema.

    Hence, i would recommend this silent film to cinephiles who enjoy the early days of cinema.
  • February 24, 2008
    Pretty audacious for it's time, the story of an interracial relationship against the backdrop of a dance club. An excellent silent film.
  • December 10, 2009
    Didn't quite like that one...
  • July 4, 2008
    won recognition as a best foreign film by NBR

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