Martin LaSalle, Marika Green, Jean Pelegri

Michel is released from jail after serving a sentence for thievery. His mother dies and he resorts to pickpocketing as a means of survival.

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89% liked it

5,035 ratings

Unrated, 1 hr. 25 min.

Directed by: Robert Bresson

Release Date: December 1, 1959

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DVD Release Date: November 8, 2005

Stats: 287 reviews

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Flixster Reviews (287)


  • September 30, 2009
    Beautifully filmed and masterfully accomplished, Bresson's loose version of Crime and Punishment is by far my favourite. I was almost hypnotised during the pickpocket sequences, thank God for pause buttons. I'm sad aren't I?. Anyway, great film but unfortunately the acting is a l...( read more)ittle wooden but forgivable!
  • November 20, 2008
    S'il repose en partie sur les écrits de Dostoïevski, l'on ne peut qu'admirer la façon dont Bresson, à partir du simple principe du pickpocket, débouche sur des théories pour ainsi dire nietzschéennes évoquant des hommes supérieurs qui n'auraient pas à se soucier des conventions ...( read more)morales qui prévalent pour les gens ordinaires.
  • October 5, 2008
    bresson's film is an exercise in austerity, and introspection. every frame counts in its 75 minute runtime.
  • October 25, 2007
    An excellent adaptation of Dostoevsky's Crime and Punishment. Bresson's style is among the purest in cinema, with no pretensions or self indulgence.
  • February 24, 2009
    A stylish looking film. The sequences of the pickpockets at work with the quick editing was just a joy to watch.
    The musical score is beautiful, and the fact that it's used sparingly between natural sounds of a busy Paris is very effective.

    Even on the strength of one film ...( read more)I can say that Bresson truly is one of the great filmmakers, I'm eagerly awaiting to discover all his other films.
  • October 20, 2009
    "Oh Jeanne, in order to reach you... what a strange way I had to take..."

    Pickpocket (1959)


    Director: Robert Bresson
    Country: France
    Genre: Crime / Drama / Thriller
    Length: 75 minutes

    ...( read more)712.photobucket.com/albums/ww125/ElCochran90/Decorated%20images/?action=view¤t=Bresson.jpg" target="_blank">Photobucket

    Pickpocket is definitely one of the most attractive and appealing masterpieces of Robert Bresson, not necessarily his most accessive. The first part of an (unintentional?) human condition trilogy set on a modern France, treating themes such as the corruption of a society and the powerlessness solitude causes in the soul, is a powerful call to human epiphany about his social status and the purity of the mere spirit, where either goodness or hipocrisy predominates.

    Pickpocket is the seemingly simple (but emotionally compelling) story about Michel, a common crook who quietly walks through the streets and public spaces of France. After being released from jail and serving a sentece for thievery, he resorts to the questionale art of pickpocketing as a means of survival, teaming up with two other small time thieves. The question that remains is whether he will choose an honest life in the future or submit his soul to his overwhelming addiction. The film was nominated for the Golden Berlin Bear at the Berlin International Film Festival in 1960, losing against El Lazarillo de Tormes (1959), directed by César Fernández Ardavín.

    This is the first time Robert Bresson shows his slow-paced direction with such style that it is almost impossible to empathize with the main character in a similar way Bresson implicitly suggests its omnipresent audience to despise and reject all forms of dishonesty.Naturally, this lead Bresson to resort to an adaptation of Fyodor Dostoyevsky's Crime and Punishment, developing the screenplay for himself, a script that cautiously follows the step of Michel (Martin La Salle) through his complete transfrmation.

    The type of thievery depicted in the film is not, by all means, a completely rejectable act. It sure is a voluntary form of corruption and thievery which procedure totally lacks moral, but thanks to its quick and unusually stylish editing, it is portrayed almost as an artful activity. Michel's is inevitably submerged into the unfairness of his surrounding society, mirroring his future projects Au Hasard Balthazar (1966) and Mouchette (1967), but the "Crime and Punishment - Bresson style" urges the audience to face any hardship life dares to present rather than to submitting our souls to obvious upcoming tragic consequences.

    It was rather necessary to leave Michel's fate unexplained at the end. It is shown what it was meant to be shown, offering a terrific and open-to-interpretation final one-liner, a perfect film's closure for the character's personality and overall psychology. Bresson had a terrific purpose in mind, going beyond the simple cause and consequence relationship, paralleled with the crime and punishment connection Dostoyevsky primarily showed in his masterful novel. A masterpiece in its own genre and a daring adaptation, Pickpocket is a compelling drama with a resulting unconventional romance, despite the stiffness of the performances.

    93/100
  • August 20, 2009
    Quite simply, a masterpiece.
  • August 17, 2009
    Phenomenal masterpiece. The psychological analysis of the stylized figures make it as touching as the Crime and Punishment. Images are so unique to Bresson.
  • June 28, 2009
    É um filme interessante, porém lento (apesar de curto, como a maioria dos filmes do Bresson). O roteiro é inspirado em "Crime e Castigo".
    Os filmes de Robert Bresson apresentam personagens apáticos, melancólicos, o que é uma característica peculiar. Não procure sorrisos em seus f...( read more)ilmes, você simplesmente não vai achar.
  • February 7, 2009
    I first encountered the work of Robert Bresson through a film called Au Hasard Balthazar, a work so boring that Ingmar Bergman claims he couldn?t sit through it. I was about ready to never watch another Bresson movie again, but his 1956 film A Man Escaped managed to find it?s wa...( read more)y to me via round 41 of the CS film club. To my shock and amazement, it was a gripping film that was a thousand times more enjoyable than that stupid Balthazar movie. So, I was glad to have a chance to see Bresson?s 1959 follow-up Pickpocket.

    So did I like Pickpocket as much as A Man Escaped? Not so much. The two movies have definite stylistic similarities (both follow an isolated protagonist who conveys thoughts through voice over), the difference is that A Man Escaped is a thriller with an accessible story to go along with its existentialism, while Pickpocket just a bunch of existentialism. The scenes where the films protagonist is? picking pockets? are pretty interesting, but I had no investment in the guy. Overall it wasn?t very engaging, but at least it wasn?t anywhere near as boring as Au Hasard Balthazar.

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Pickpocket Trivia


  • He'a a talent scout, she's a thief. It's the perfect combination. Michael J Fox turns pint-sized pickpocket Angie into the next sensation. Name the movie?  Answer »
  • An 11- man crew of specialists, including an ace card sharp, a master pickpocket and a demolition genius, steal a total of $150 million from three casinos owned by the same guy   Answer »
  • Which movie stars Chow-Yun Fat as a monk, and Seann William Scott as a pickpocket?  Answer »
  • Who was originally cast in the role of pickpocket extraordinaire Linus Caldwell?   Answer »

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