Pleasantville

Pleasantville

73% Liked It
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Pleasantville

Tobey Maguire, Reese Witherspoon, William H. Macy, Joan Allen, Jeff Daniels, J.T. Walsh, Don Knotts, Marley Shelton, Jane Kaczmarek, Paul Walker

Two 1990's teenagers find themselves in a 1950's sitcom where their influence begins to profoundly change that complacent world.

Id: 9106883

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Recent Reviews


  • August 31, 2009
    This and Purple Rose of Cairo are both about disrupted routine and comparing the fictional world of 50's TV or 30's movies to real life. I like the effects and all the performances (though Don Knotts is a little hokey). But the theme more than anything is what makes this story ...( read more)so enjoyable for me. The sex, music, color, art, library books, and general spirit of change that stirs up this innocent, gray, small town (I mean small town! Where there is nothing outside of Pleasantville!), bigoted, 50's TV sitcom world of the status quo, is creatively visualized.
  • January 11, 2009
    Interesting movie about siblings being transported into a make believe time.
  • August 31, 2008
    The idea of this movie is brilliant. A couple of kids from the 90's get thrown into the world of a 50's B&W sitcom where everything is just peachy. Peachy yes, but not very real. The firemen have never rescued anything other than a cat in a tree. The basketball team has never...( read more) lost. David and Jennifer manage to introduce Pleasantville to feelings which changes everything.
  • April 28, 2008
    totally original, fantastic direction
  • March 14, 2008
    I cannot remember it well enough to evaluate it properly, but I love the idea. The story is like a 'Wizard of Oz' doppleganger, a loss of innocence and discovery of truth through color, imagination and rebellion.
  • November 2, 2009
    A nice film which will keep most entertained with the simple plot. The beauty of the film is the effective use of black and white intermingling with colour.
  • November 1, 2009
    Fantastic movie, plot, acting!
  • October 31, 2009
    !Comercial or Stupid! :|
  • October 24, 2009
    Some critics here are saying the movie takes itself too seriously - but I believe some people are taking it too literally. ... Saying that the topics that are addressed have no impact on society anymore, clearly misses the point. ... The 50s -- or more specifically, 50s TV -- is ...( read more)used as a metaphor, because of the way 50s TV portrayed life in America. ... Thematically, this movie is about "Living Life" to the fullest, whatever that means. More specifically, to live life to the fullest -- to truly feel "alive" -- you need to take the good with the bad. Sweeping things under the rug and just acting "pleasant" all the time, is no way to live. That's what Tobey McGuire's speech at the end to his "real" mother is all about. Bad things happen, it's part of life. Having passion brings with it positives and negatives -- but suppressing true feelings for the sake of "pleasantness" is an empty life. THAT is the key ... and that "issue" is everlasting to the human condition.
    Another point: People fear change. This is universal from the start of time until the end of time. The film suggests that changing and growing as a society and as people -- even if scary -- is good. Just because the 50s were used as a metaphor for that, don't believe for a minute this isn't a universal issue that exists today and forever.
    This is not a perfect film. I liked its subtlety, but then the racism correlation, and the censorship stuff, got a bit more overt. The courtroom scene at the end is a bit cliche ... and I also agree with one poster who said that, to make the point about taking the good with the bad, we should've seen a bit more about the consequences of their actions.
  • October 20, 2009
    Gary Ross' delightful, funny, thought-encouraging (if not provoking) parable is a modern-day take on an old message. David (Tobey Maguire) is a fairly typical suburban high school geek who is in love with a 50s TV Land-style sitcom called "Pleasantville." His sister Jennifer (Ree...( read more)se Witherspoon) is a pretty typical teenage girl, obsessed with boys, chewing gum and going to the mall, smoking and having sex, and mortified to be related to such a dweeb. However, David uses the sitcom not merely as entertainment, but as a form of escapism from his very modern American existence - absentee father, neglectful mother (Jane Kaczmarek), bickering self-absorbed sister. His sister appears to be all surface and precious little depth, but may in fact have something inside her that she isn't even aware of. David is planning his night around a "Pleasantville" marathon contest on TV, while his sister invites the class hunk over to "watch the concert on MTV" (or so she says). Fighting over the remote, it breaks, and the two are saved by a crusty old TV repairman (Don Knotts, himself no stranger to 50s sitcoms) who has one or two quirks. He gives them a new, funky-looking remote and before long the two are transported into Pleasantville; not the show, but the town within the show. David is Bud and Jennifer's Betty Sue. Their new parents are George and Betty Parker (William H. Macy and Joan Allen), a typical 50s workaday "businessman" and his housewife. David takes Bud's job at the soda-shop, overseen by the absent-minded, routine-obsessed manager Bill Johnson (Jeff Daniels). Soon, Jennifer (who isn't above change herself) is coaxing her new friends into using words like "cool" and having sex up at Lover's Lane with the captain of the basketball team (Paul Walker), while David (also adaptable, we find) tries to encourage her not to change the world around them. But it's too late, and soon the black-and-white utopia turns into a partially Technicolor wonderland of new images...and new ideas. This is much to the chagrin of the seemingly nice but intolerant town Mayor "Big Bob" (J.T. Walsh, in his last performance), who doesn't like the newly-discovered "liberties" and "looks" of his town. This intolerance spreads, and before too long we've got "grays" vs. "coloreds," segregation and the burning of books. Gary Ross, who wrote, produced and directed, was the screenwriter of "Dave" (1993), a delightful political fable which pitted an ordinary man against a somewhat corrupt and cynical political system, imbuing it with idealism and new takes on old ideas. Here, he tells an old story in a new way, not with metaphors and symbolism, but rather spelling it out with Metaphors and Symbolism. Upon reflection, it's all fairly obvious, but is remarkably effective; it just plain works. Maguire and Witherspoon are solid in the two young leads, and Allen and Macy are spot-on as the 50s sitcom-style archetypes they're portraying. Walsh is a reliable heavy, and Daniels provokes somewhat of a sense of surprise at his newfound depths. Ross' screenplay is funny and clever, not above the obviousness of its message, but with remarkable heart. The film is also a glorious physical production, with a mixture of black and white and Technicolor cinematography by John Lindley - understand, I'm not talking about black and white intercut with color (like much of the work of Oliver Stone), but rather some shots employing both hand-in-hand in the same frame; the effect is breathtaking to behold. The score by Randy Newman is sometimes playful, sometimes serious, always great to listen to. With a clear message, a great physical design, and a nice story, this is a complete and utter gem.

    NOTE: The film was nominated for 3 Oscars for Art Direction-Set Decoration, Costume Design and Music.

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