Point Blank

Point Blank

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Point Blank

Angie Dickinson, Carroll O'Connor, James Sikking, John Vernon, Keenan Wynn

A professional thief seeks revenge on his unfaithful wife and a fellow mobster who double-crossed him.

Id: 9937863

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Recent Reviews


  • April 29, 2008
    Just when everyone thought good old noir was under the ground, John Boorman resurrected it in style, mixing it with a little psychedelia and avant-garde techniques, adding sex appeal of blond babes Angie Dickinson and Sharon Acker, and last but not least, placing the tough guy L...( read more)ee Marvin in the deadly assignment of getting the money he was double-crossed for. Topnotch example of innovative, hypnotic and thrilling filmmaking.
  • February 9, 2008
    Classic Lee Marvin noir.
  • November 20, 2007
    Badass.
  • October 20, 2007
    What happened to John Boorman? I mean how did he make a movie that kicks this much ass and then make Zardoz? WTF?
  • September 21, 2007
    Brewster: You're a very bad man, Walker, a very destructive man! Why do you run around doing things like this?
    Walker: I want my money. I want my $93,000.
    Brewster: $93,000? You threaten a financial structure like this for $93,000? No, Walker, I don't believe you. What do you rea...( read more)lly want?
    Walker: I - I really want my money.

    A revenge flick, steeped in noir attitudes, involving a hard boiled Lee Marvin on a pursuit to get back the money that is owed to him.

    The synopsis may be familiar, because it has been remade as Payback with Mel Gibson.

    Both of these movies work on the same premise, and basically the same characters, but what separates them is the protagonist. In Payback, you had Gibson, who even when trying to be a hard ass, he still had that Gibson charm. In this film, Lee Marvin does what Lee Marvin does best, is a man who you believe is as mean he shows it. He can be a cool cat to follow, but don't get on his bad side.

    This movie is a very enjoyable watch, that starts off with a bang, gives us some time to know Walker, and then follows his journey for justice and his money.

    Walker: Somebody's got to pay.
  • August 20, 2009
    good & effective revenge & Lee Marvin was fantastic...
  • August 6, 2009
    takes awhile to get going but it makes its point.
  • May 8, 2009
    Boorman's use of the footstep track overlaying the montage of pictures in the intro-title sequence has quite simply NEVER been matched in terms of set-up: threat, menace, conflict, self-destruction and retribution all summed up in three minutes ..
  • May 7, 2009
    Wow! This is probably THE ULTIMATE Lee Marvin film. And along with Get Carter, the ultimate revenge film.
    Tough dialogue, incredible fights and Marvin ozzes badass! Oh yea, its a John Boorman film also!
    They dont make them like they used too!
  • February 9, 2009
    Seeing this film on afternoon TV when I was a child (off school that day) left an indelible image in my mind of Marvin in his gray suit strutting along that office corridor, pounding his shoes onto the floor.

    This film is one of the best and most important American genre films ...( read more)of the 60s, simply because nothing was made like it before, and rarely made like it since, except in Europe (see Jean-Pierre Melville's work).

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