Pretty Woman (1990)
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62% of critics liked it
(55 reviews) -
68% of users liked it
(31,208,910 ratings)
Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He… More Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, Rovi
- Rating, Runtime
- R, 1 hr. 57 min.
- Directed By
- Garry Marshall
- Written By
- J.F. Lawton
- Genres
- Comedy, Romance
- In Theaters
- Mar 23, 1990 Wide
- On DVD
- May 19, 1998
- Studio
- Buena Vista
Critic Reviews
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Richard Corliss, TIME Magazine
This is old-fashioned, assembly-line moviemaking without the old panache.
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Variety Staff, Variety
Pic's casting is astute, with Gere underplaying like a sturdy ballet star who hoists the ballerina Roberts on his shoulders.
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Owen Gleiberman, Entertainment Weekly
It's saying Roberts' character becomes a better person when she lands a rich guy and learns to cry at the opera.
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Jonathan Rosenbaum, Chicago Reader
He pays her $3,000 and they fall in love -- ain't Hollywood grand?
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Caryn James, New York Times
It is something special.
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Desson Thomson, Washington Post
A slick, instantly and entertainingly digestible Cinderella fable.
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Derek Malcolm, This is London
It's all fairly unconvincing - but its heart is roughly in the right place.
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Ryan Cracknell, Movie Views
Takes the Disney princess and puts her in the real world, creating a chick flick with a little bit of edge, a whole lot of heart and and even more chemistry between the film's two leads.
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Peter Canavese, Groucho Reviews
Believing in love is swell and all, but maybe we're better off not buying the brand Pretty Woman is selling. [Blu-ray]
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James Kendrick, Q Network Film Desk
The movie itself, a modern update of the Cinderella story, is as contrived as you get--isn't that not-so-secretly what we want?--but at no point is Roberts' performance
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James Plath, Movie Metropolis
A chick flick, to be sure, but a darned good one that's full of sharp writing, great acting, and memorable moments.
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Brian Webster, Apollo Guide
Extras on the disc include a full length audio commentary by director Garry Marshall and a tour of the movie's Los Angeles locations, with Marshall as tour guide.
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Brian Webster, Apollo Guide
Against all odds, the presence of the incomparable Julia Roberts makes this a damn enjoyable career-defining film for Garry Marshall, and a guilty pleasure for movie lovers.
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, Film4
Gere and Roberts do good work, but this feelgood fantasy is laced with some preposterous messages about love, success and money.
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, TV Guide's Movie Guide
Bound to offend prostitutes and millionaires everywhere, this flick is not the street-smart Pygmalion it desperately wants to be.
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Toby Rose, Empire Magazine
Low on real social comment, this modern fable still has more than enough chemistry between its leading pair to rake in the box-office rewards.
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, Time Out
For a film that attempts to satirise snooty materialism, it focuses too pantingly on the designer labels, and comes down firmly on the side of 'rich is better'.
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Jeffrey M. Anderson, Combustible Celluloid
Director Garry Marshall somehow lucked into a hit despite his oppressive 125-minute running time and excessive schmaltz.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Lady D
Julia Roberts before the edge set in, there is a slight ironic innocence in her earlier acting. A nostalgic watch, despite the highly unrealistic storyline and (at the time) it's accused glamourisation of prostitution. Some enjoyable moments to rewatch though and this is a film… More
Julia Roberts before the edge set in, there is a slight ironic innocence in her earlier acting. A nostalgic watch, despite the highly unrealistic storyline and (at the time) it's accused glamourisation of prostitution. Some enjoyable moments to rewatch though and this is a film that does what it's supposed to, it's easy watching, taken with a pinch of salt, with a fairy tale ending. -
Jan Marc M
Despite the cliché, Pretty Woman is memorable, compounded by great performances from Richard Gere and Julia Roberts. Formulaic, but beloved, Pretty Woman thrives on a perfect dream, perhaps a wild and modern interpretation of Cinderella. -
Colin M
Cable TV fare. This flick shouldn't be regarded as highly as it sometimes is and is as romantically trite and ideally impossible as it is overrated. But it is entertaining on first watch on TBS. But is it a film to add to one's collection of purchased films? No. This film… More
Cable TV fare. This flick shouldn't be regarded as highly as it sometimes is and is as romantically trite and ideally impossible as it is overrated. But it is entertaining on first watch on TBS. But is it a film to add to one's collection of purchased films? No. This film isn't quite so pretty after all on second glance. -
Carlos M
It is easy to enjoy this sweet little Cinderella story. Even if completely unrealistic, it is delightful and works very well thanks to the chemistry between the two leads and the delicious dialogue. Also, Roberts puts in a very adorable performance. -
Everett J
Over the years I've learned that women love 2 movies more than any others. "Dirty Dancing" is always number 1, and then "Pretty Woman" is number 2. I hate to admit it, but I've probably seen this movie just as many times as my personal favorite… More
Over the years I've learned that women love 2 movies more than any others. "Dirty Dancing" is always number 1, and then "Pretty Woman" is number 2. I hate to admit it, but I've probably seen this movie just as many times as my personal favorite "Pulp Fiction"(not by choice, but hey a guy's gotta do, what a guy's gotta do). This is the movie that put Julia Roberts on the map, and I'd dare say she's never been better than she was in this. She's charming, funny, sexy, and seems down to earth. Richard Gere is well, Richard Gere. I'm not a big Gere fan, don't know why, but I just don't like him. May be a great person, but as an actor, he just don't do it for me. I hated this movie for so long, but over the years I've learned to appreciate it for what it is. It's the ultimate chick flick and rags to riches movie in one. I would probably never, ever, sit down and watch this alone. But, I've gotta keep my wife happy. When "Pretty Woman" is on, and there's nothing else to do, just bite the bullet and go with it. -
Bethany M
A timeless classic! Richard Gere however ruins this film. They should of picked another lead male role. He seriously cannot act. Julia Roberts carried this film along with the other cast members. The soundtrack is also just as good as the film. -
Veronique K
pretty woman is one of those pictures i've watched for a million of times and could memorize every detail of it, not because i'm particularly a fan of julia roberts or richard gere despite they were really quite good-looking then. i watched them because my sister and my… More
pretty woman is one of those pictures i've watched for a million of times and could memorize every detail of it, not because i'm particularly a fan of julia roberts or richard gere despite they were really quite good-looking then. i watched them because my sister and my mother were suckers to chick flicks. this picture gave me some idea of how woman should be in their own conceptualization of womanhood, which is something i've always felt quite alienated from. any kind of popular romantic movie is basically a mutant representation of the cinderella formula with contemporary contextuality. super-rich-handsome guy meets a woman who comes from much humbler upbringing, but this prince-charming sees something classy within her, some divine and fine essence which hasn't been discovered by anyone else but him. and he's also generous and big-hearted to discard the barrier of class and condescend himself to accept this woman. everyone is happy. story ends. i re-watched it months ago just to grasp some points i could attack over this flick..to begin with, in the beginning of the movie, richard gere cannot get his girlfriend, who is in the same class as him, who complains his incapability to spare some actual capacity for the relationship and his self-centeredness (i suppose female viewer tends to ignore it since he was kinda cute then) to attend a business banquet with him...so this man, who seems to have everything, needs some companion to escort him in some classy business meetings..then he encounters some paid woman, who could look classy after some gloomings done on her, to be his companion, who he could easily buy off with money. then this woman starts to ask for more like equal respects as if she was not his employee while insisting not to kiss him on the lips. it develops to the point that she even tries to depart without taking any bit of his money. but strangely that strategy works! eventually she gets EVERYTHING and him, of course! anyway, let's ideologize everything...let's see julia roberts' role as the representative of the proletariat female since she's really well loved by female audience...richard gere as some signifier of the suave male idle rich...the rich man, who's kinda dysfunctional in his relationship with woman in his own class, picks up some woman lower than him as some romantic redemption, woman who is grateful to appreciate his "chivalries"...just like man who marries woman from the third world, and within east asia, man marries woman from south asia (east asian countries are generally richer than south asian countries)...the woman would be rewarded if you follow the virtuous course of womanhood and maintain your fine essence within, then you would be compensated handsomely. it's like winning a lottery, one chance out of millions, but everyone is still buying it. as for those who don't have the luck to win the lotteries, they're lost courses which we don't have to pay any regard to. all the other street-prostitutes are incorrigibly corrupted, and let's leave them alone. let's disregard the general condition of gender inequality, and you woman just tries your best to beautify yourself, if you could look like julia roberts, you might win the lottery. i'm confused why some men detest chick flicks, which are literally ideal apparatus to justify gender inequality. but on the other hand, it points out the class issue, which means if you're not the elite of men, you're also a lost course without good laids. (crudely, if you're loser, you're discriminated from this scenery of romances)... of course, i didn't hate the movie, which is ok. adam smith says something, the reason why ruilig class remains in power is the aesthetization of human imagination, which favors to watch something beautiful rather than ugly. they use aestehtics to justify their priviledges. this is the case. -
moon r
Beauty and the Beast with Hector Elizondo as as teapot. Fun. -
Brad W
Entertaining, but its not a very memorable movie -
Jameson W
This was always one of those films that I never had any intention of watching. But, boredom got the best of me and so I gave it a go. I was very surprised by how much I enjoyed it. I was interested the whole time. Also, a great performance by Julia Roberts! -
Cassie H
Sweetest romantic comedy thats a mix of the ultimate cinderalla story. Richard Gere & Julia Roberts are great together in movies & this movie shows off their chemistry in this wonderful movie about finding true love. A must see!!! :) A great movie! :) Love Julia. :) Such a… More
Sweetest romantic comedy thats a mix of the ultimate cinderalla story. Richard Gere & Julia Roberts are great together in movies & this movie shows off their chemistry in this wonderful movie about finding true love. A must see!!! :) A great movie! :) Love Julia. :) Such a great movie!!! :) I love it!!! :) Awesome!!!! :) -
Nadira I
All time classic, great chemistry between the two actors. -
erika b
one of the best 90's film ever made. -
Tim S
Chick flick classic...about a hooker. -
Conner R
I'm just really not a fan of this movie. It's an incredibly horrible representation of prostitution and promises hopes and dreams where there are none. Richard Gere just doesn't fit into a likable leading man role, he is nowhere near as charismatic as he is epitomized… More
I'm just really not a fan of this movie. It's an incredibly horrible representation of prostitution and promises hopes and dreams where there are none. Richard Gere just doesn't fit into a likable leading man role, he is nowhere near as charismatic as he is epitomized to be. Julia Roberts is literally the only good part about this movie. -
Thomas B
Pretty Woman is basically a fun rom-com which is a million dollar making rework of cinderella. even though this sounds like something which has been done to death, richard gere and julia roberts refuse to slacken off throughout the film with consistently great acting throughout. even… More
Pretty Woman is basically a fun rom-com which is a million dollar making rework of cinderella. even though this sounds like something which has been done to death, richard gere and julia roberts refuse to slacken off throughout the film with consistently great acting throughout. even though some of the lines are cheesy as hell and some scenes and characters are completely irrelevant, it's a really good movie. that chick from las vega is good too. Defining Scene: Even though the jewellery box scene has gone down in history, the best scene is at the dinner table where they play on every stereotype there is to offer, and get away with it. -
Anthony L
It was never a favourite of mine although I enjoyed watching it as an 11 year old for obvious reasons. That said, I feel her stunt double should have had a higher credit than her, Roberts should have been introduced as 'Also starring...' -
danny d
romantic classic -
Alice S
Pretty dull up until the scene where Stuckey tries to take Vivian by force. That was the only time I truly believed Julia Roberts as a hooker. -
Tsubaki S
I have seen some parts on tv from time to time, and it was enough to make me think the human race is hopeless and we should be nuked to hell and back.
Cast
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Richard Gereas Edward Lewis -
Julia Robertsas Vivian Ward -
Ralph Bellamyas James Morse
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Jason Alexanderas Philip Stuckey -
Laura San Giacomoas Kit De Luca -
Hector Elizondoas The Hotel Manager
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Alex Hyde-Whiteas David Morse -
Amy Yasbeckas Elizabeth Stuckey -
Patrick Richwoodas Night Elevator Operator Dennis
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Larry Milleras Mr. Hollister -
Elinor Donahueas Bridget -
William Galloas Carlos
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Hank Azariaas Detective -
Larry Hankinas Landlord -
R. Darrell Hunteras Darryl The Limo Driver
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Dey Youngas Snobby Saleswoman -
Stacy Keach Sr.as Sen. Adams -
Lucinda Crosbyas Olsen Sister
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Nancy Lockeas Olsen Sister -
Amzie Stricklandas Matron -
Mariann Aaldaas Saleswoman
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Reed Anthonyas Cruiser -
Bill Applebaumas Howard -
Valorie Armstrongas Woman in Lounge
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Judith Baldwinas Susan -
Daniel Bardolas Jake -
Mychael Batesas Usher
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Tracy Bjorkas Guest -
Marvin Bravemanas Room Service Waiter -
Laurelle Brooksas Night Desk Clerk
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Minda Burras Saleswoman -
Karin Calabroas "Violetta" -
Frank Campanellaas Pops
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John David Carsonas Mark -
Cheri Casparias Angel -
James Patrick Dunneas Lounge Pianist
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Bruce Eckstutas "Alfredo" -
Abdul Salaam El Razaacas Happy Man -
R.C. Everbeckas Tie Salesman
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Don Feldsteinas Desk Clerk -
Michael Bryan Frenchas Matre d' -
Lynda Goodfriendas Tourist
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Gary Greeneas Guest -
Rhonda Hansomeas Bermuda -
Rodney Kageyamaas Japanese Businessman
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Harvey Keenanas Man in Car -
Allan Kentas Waiter -
Norman Largeas Polite Husband
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Kathi Marshallas Day Desk Clerk -
Scott A. Marshallas Skateboard Kid -
Jeff Michalskias Day Doorman
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Jane Morris -
Marty Nadleras Tourist -
Lloyd Nelsonas Game Announcer
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Tom Nolanas Vance -
Julie Parisas Rachel -
Robyn Petersonas Saleswoman
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Tracy Reineras Woman at Car -
Calvin Remsbergas Sodstomping Announcer -
Steve Restivoas Italian Businessman
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Shane Rossas Marie -
Alex Staltleras Night Doorman -
Douglas Stitzelas American Businessman
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Patrick D. Stuartas Day Bellhop -
Lloyd Williamsas Bellhop -
Carol Williardas Saleswoman
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Jacqueline Woolseyas Artist -
Jason Randalas Magician -
Dianne Crittenden
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Barbara Knoxas Waitress -
Billy Gallo



