Primary Colors

Primary Colors

56% Liked It
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Primary Colors

John Travolta, Emma Thompson, Billy Bob Thornton, Kathy Bates, Rob Reiner

A man joins the political campaign of a smooth-operator candidate for president of the USA.

Id: 10902836

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  • December 15, 2009
    Primary Colours is a political satire following a southern governor who bears a striking resemblance to Bill Clinton on his presidential campaign trail. This film was obviously aimed far more at mainstream audiences than I was hoping for and so seems very tame to anyone used to t...( read more)he likes of The Thick Of It or even 70s sitcom Yes Minister. The story is shown through the eyes of the idealistic grandson of a civil rights activist played by Adrian Lester, but as we don't get to learn much about him, there is little in the way of emotional involvement; in fact the whole "human drama" aspect of it felt very forced. Travolta's drawling womaniser is shown to be basically an honest and straight talking man with one flaw, and this lack of satirical bite also compromises his character. What does make this film however are the supporting characters; partly Billy Bob Thornton's red neck adviser but mainly Kathy Bates who tears through the film like a large lesbian version of hurricane Katrina. She has the best character and most of the best lines as a disillusioned ex-activist but once again the outcome of her part in the story felt a bit contrived and hollow. It does have wit, intelligence and a message, namely that this era of spin is a Frankenstain's monster that the complicity of a gossip-hungry public and sensationalist media have helped create, and it is always engaging; I just wished it had the cynical, satirical teeth to go in for the kill.
  • December 21, 2008
    #4 Primary Colours
    Okay, technically, Travolta doesn?t play a president in Primary Colours, he plays a presidential candidate. But it can be argued that Travolta?s character - a womanizing, intelligent Southern governor - is based upon the pre-presidential days of one William Jef...( read more)ferson Clinton (Bill to us).
    President Speak: "We can do incredible things. We can change this country. I'm gonna win this thing. Look me in the eye, Henry, and tell me that you don't want to be a part of it."
  • March 28, 2008
    Definitely an important movie. A bit subversive at parts, but easily the best presidential election movie I've seen. A bit too silly in many parts, but it also manages to be pretty intense near the end. The movie asks a lot of serious questions about politics and yourself.
  • November 23, 2007
    Travolta steals it with some great scenes.
  • August 15, 2007
    Was an interesting stab at politics for all its faults.
  • November 16, 2009
    Mike Nichols' epic political satire is a smart, funny look at the process of campaigning for the Presidency through the eyes of maybe the most idealistic campaign manager in political history. Henry Burton (Adrian Lester) is the son of a famous black civil rights leader, on the f...( read more)ence about his "allegiance" to a black congressman, and seeing a reporter for the Black Advocate. Henry's life changes when he's roped into being the campaign manager for the relatively unknown Jack Stanton (John Travolta), a Southern governor with his eye on the White House. Soon, Henry is advising Stanton and wife Susan (Emma Thompson) on the what's and how's of the campaign trail, as well as dealing with his new colleagues: Richard Jemmons (Billy Bob Thornton), a cynical and sleazy redneck (and proud of it) who is perpetually hitting on a Winona Ryder-esque campaign worker; Howard (Paul Guilfoyle), the one that roped Henry in; and the lovely and savvy Daisy (Maura Tierney), who becomes romantically involved with Henry. Nichols and longtime collaborator Elaine May, who based her screenplay on the novel "by Anonymous," manage to cram a ton of material into a 143-minute film, following the campaign through challenges which range from the need to get known in the states they're campaigning in, to weathering the fallout from the Governor's alleged affair with his wife's hairdresser and some suspect answering machine tapes, to an unexpected development involving the teenage babysitter, and finally dealing with multiple opponents for the Democratic nomination. The main opponent turns out to be former Florida Governor Freddy Picker (Larry Hagman of TV's "Dallas"), a goody-two-shoes type who dropped out of the political scene mysteriously in the late 1970s and who finds himself back in the game when a colleague falls ill. Through it all, the Stanton campaign has by its side Libby Holden (Kathy Bates), "the Dust-Buster," a former mental patient who tracks down the sources of dirt and extinguishes potential fires that could derail the Governor's bid for the Presidency - or do in the enemy. We see all of this through Henry's eyes, get an entry-level view of the political process and the business of campaigning, and there are a tremendous amount of laughs along the way. The film is fiercely funny, packed with sharp one-liners and crackling with great dialogue, yet not lacking in pathos. What Henry learns on this journey will stick with him the rest of his life, and we sense, inform his decisions and character well into the future - whether he finds himself working in the White House or not. It probably goes without saying that this film wears its parallels to Bill and Hillary Clinton on its sleeve, and they are indeed rather obvious. This is nevertheless a great film on its own merits. The performances are uniformly excellent: from Travolta's smarmy Southern charmer with a corrupt heart, to Lester's doe-eyed "true believer," to Thornton's James Carville-inspired letch. A standout for me, however, was Emma Thompson as the Hillary-inspired Susan, a strong, intelligent and dry-witted woman who knows her husband is unfaithful but looks the other way until the public humiliation becomes too much to bear, who stands by him despite the egg on her face. Then there's Kathy Bates. As the aging ex-hippie earth-mother Libby, she gives the film a moral center, gets some of the funniest lines, and gives two of the most heartbreaking mini-monologues you could've ever heard. Her Libby is a firecracker of a creation, an old-school hillbilly who knows the game, fights hard, plays fair to a point, and yet has a line she will not cross. It's at that line that the film finds its heart, and we are surprised how involved we've become and how much we've been moved. Mike Nichols ("The Graduate," "The Birdcage") is an intelligent director who knows how to make solid comedies, and here reaches beyond his own personal best. This is one of the year's best films!
  • November 13, 2009
    Best Supporting Actress 1998
  • August 6, 2009
    Surprised that Travolta - a card-carrying Democrat - would spoof his dear friend Bill. Still, he does it extremely well. Emma Thompson, Kathy Bates and Billy Bob Thorton are all excellent.
  • July 21, 2009
    Besides the Emma Thopson this looks stupid to me.
  • May 2, 2009
    I thought "Primary Colors"
    was pretty good. It appears to be a lot easier on "Jack Stanton," the Clinton surrogate played by John Travolta, than the book reportedly was. The movie presents "Stanton" as flawed but essentially decent (at least as decent as any politician running fo...( read more)r high office can be). Travolta's imitation of Clinton is OK for a "Saturday Night Live" sketch, but it sometimes gets in the way of his performance over the 2-1/2 hour length of the film. However, he's often effective, and Emma Thompson is first-rate as "Susan Stanton", by turns pragmatically worldly-wise and fiercely supportive. Actually, the focal point of the film is not that of the Stantons but the young, black grandson of a highly regarded civil rights leader, who gets sucked into Stanton's roller-coaster campaign and has his idealism sorely tested. He's well-played by an actor named Adrian Lester. There are also great turns by Kathy Bates, Larry Hagman and Billy Bob Thornton, among many others. For me, the only big drawback of the picture was the melodramatic suicide of a key player in the drama (I won't say who). I thought it was something this particular character would never do. Otherwise, "Colors" is absorbing and funny and moving nearly all the way. Good moment: The Stantons do a "60 Minutes"-like reaffirmation of their marriage, but as soon as the cameras are turned off, she yanks her hand out of his in a flash.

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