Prix de beauté (Miss Europe) (Beauty Prize Miss Europe) (1930)
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80% of critics liked it
(5 reviews) -
65% of users liked it
(438 ratings)
The French Prix de Beaute stars cult figure Louise Brooks as a nondescript typist for a Parisian newspaper. On a whim, Brooks submits her photograph to the Miss France Contest. To everyone's amazement--and her boyfriend Andre's (Georges Charlia) displeasure--she wins the contest, and is sucked into… More The French Prix de Beaute stars cult figure Louise Brooks as a nondescript typist for a Parisian newspaper. On a whim, Brooks submits her photograph to the Miss France Contest. To everyone's amazement--and her boyfriend Andre's (Georges Charlia) displeasure--she wins the contest, and is sucked into a whirlwind of photo ops and interviews at the Miss Europe contest in Spain. Here she is confronted by Andre, who angrily demands that she give up this foolishness and return home. But the lure of fame and fortune is much too strong, and before long Brooks has signed a movie contract. The heart-stopping tragic climax brilliantly juxtaposes the image of the dead Brooks with her "live" screen image. Not as highly regarded as Louise Brooks' German films for G. W. Pabst, Prix de Beaute nonetheless succeeds in terms of visual dynamics and the naturalness of the star's performance. Available in both sound and silent versions, the film never received a formal American release. Augusto Genina replaced the film's original director Rene Clair during the pre-production stages. ~ Hal Erickson, Rovi
- Rating, Runtime
- Unrated, 1 hr. 33 min.
- Directed By
- Augusto Genina
- Written By
- René Clair, Augusto Genina
- Genres
- Drama, Art House & International, Classics
- In Theaters
- Jan 1, 1930 Wide
- On DVD
- Mar 7, 2006
- Studio
- Sofar-Location
Critic Reviews
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Michael Atkinson, Village Voice
The breathtakingly lurid finale, set in a screening room, has an almost necrophilic obsessiveness.
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Vincent Canby, New York Times
Miss Brooks is a lovely, unusually idiosyncratic screen presence but the film is something of an effort to sit through.
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Fernando F. Croce, CinePassion
Form seeks out beauty and beauty transforms form
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, Time Out
Although beset by a possessive lover, by showbiz exploiters and, in a remarkable funfair scene, by humanity generally, Brooks is so sheerly, dominatingly vivacious that oppression hardly seems an issue.
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Ed Gonzalez, Slant Magazine
Not Louise Brooks's best, but it certainly shows off her considerable talents.
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