Jack Nicholson, Maria Schneider, Jenny Runacre

A melancholy, depressed and jaded television reporter assumes the identity of a dead man while at a hotel in a north African country, not knowing that the man was a renowned arms smuggler. The newsman...( read more  read more... ) sees this switch as a last desperate chance to escape his old life and start anew. However, as he begins to take on the characteristics of his new persona and understand his shady involvements, the decision becomes a risky one, which leads to an inevitable showdown.

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86% liked it

7,037 ratings

Critics

90% liked it

63 critics

PG-13, 2 hrs. 3 min.

Directed by: Michelangelo Antonioni

Release Date: February 28, 1975

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DVD Release Date: April 25, 2006

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Flixster Reviews (482)


  • May 31, 2009
    My first feature-length experience with Antonioni. The last shot is pretty amazing, especially the work behind it. The opening images in the desert are particularly beautiful. I really enjoyed the commentary with Jack Nicholson on the DVD.
  • January 19, 2009
    Antonioni is nothing if not idiosyncratic, and Jack Nicholson is the perfect actor to fall into a role in one of Antonioni's movies. A meeting of two highly idiosyncratic minds.

    Be careful what you wish for. The existential quality of this 1975 movie feels like a throwback

    ...( read more) to the post-nuclear cold war paranoia of films from the 1950s and 60s. You may be able to delude yourself into believing that you can escape everything, but in the end you, and no one else either, can escape death.
  • November 21, 2008
    at least twice jack asked ' why are you here' ? I think the answer is ' the director told me too! ' Boooo!!!!!!!! ( one full star added for photagraphy)
  • April 27, 2008
    Up until its enigmatic conclusion, the narrative of "The Passenger" progresses surprisingly straightforwardly, albeit at a snail's pace and with artsy digressions. After finding a 'businessman' acquaintance named Robertson dead in his hotel room, David Locke (Jack Nicholson), a j...( read more)aded journalist, fakes his own death, assumes the other's identity and hops around Europe keeping the dead man's appointments. When the nature of Robertson's business turns out to be gunrunning, Locke finds himself pursued by agents of an African despot, to whose enemies the real Robertson was supplying arms, as well as by his own abandoned 'widow', seeking answers about her husband's 'death'.

    There's an early shot I especially like that contrasts fascinatingly with Omar Sharif's memorable first appearance in "Lawrence of Arabia". As a Bedouin riding a camel tantalizingly approaches Locke's stationary Land Rover, Antonioni's camera deliberately pans away to Nicholson, drinking water from a canteen at the vehicle's rear. "The Passenger" and "Lawrence of Arabia" are both visually stunning movies, the obvious difference being that Antonioni eschews a spectacular visual style in favour of naturalism and the beauty of the mundane. There are also a couple of wonderful, seamless transitions into and out of flashback, within the space of a single camera movement. Though undeniably impressive, the film's climactic long take, the penultimate shot of the movie, is a little too self-consciously orchestrated to be wholly delightful. Jack Nicholson and Maria Schneider are good but Jenny Runacre is lousy as Nicholson's wife.
  • June 22, 2006
    10/10
    I refer to this film whenever anyone asks me about Antonioni. It was my first film of his and I'm glad it was. It's a perfect bridge from typical cinema into the sublime pleasures of Antonioni's films. First of all, it's in English. It stars a well known lead, Nicholson who...( read more) does a tremendous job in this complex, nuance-demanding role. And lastly, but certaintly not least, The Passenger has a somewhat linear story most can actually follow. Also, it is almost without his typical drawnout, probing, slow moving shots which can take newcomers by suprise, confusing them and turning them away from furthur Antonioni films. There is actually one such camera sequence which is quite famous that plays out at the film's finale. The shot is breathtaking and truly grabs your attention, letting go only as the ending credits appear onscreen.

    The film's two leads are perfectly cast. Its minimal music, is perfectly constrained as is the film's screenplay and subsequently its performances, particularly from Nicholson.

    Image Hosted by ImageShack.us
    (David Locke [Nicholson] stares into his new face)

    If even remotely thought about, I believe this film can change someone's life. We all can relate to Nicholson's character in one way or another. We all compromise our lives, our needs and wants to appeal and fit in with others, be it our families or society in general. Sadly, that's life. But it is our responsibility as singular-minded human beings to find out who we are and know what we stand for and live for. To lose this is to lose our soul. That is what happens to Nicholson's character. To watch The Passenger is to learn from and avoid his mistakes. When we first meet him it is already too late, we can only watch as fate takes its toll.

    This is a very simple film on its surface, as nearly all Antonioni's films are. Dig deeper, perhaps with repeated viewings, and you'll find enough complex themes and ideas to fill your next 50 Micheal Bay films. I can't wait to see it, study it, admire it, and be blown-away by it again.
  • November 10, 2009
    Beautifully photographed. Great performances from Jack Nicholson and Maria Schneider.
  • October 8, 2009
    2nd one from Italy. Marie Schneider-Jack Nicholson-Michelangelo Antonioni-1975.

    Its final, famed seven-minute shot remains a delight to behold.
  • August 14, 2009
    in the end of this movie the camera moves for seven minutes without cuts.
  • August 1, 2009
    Watching this one from Antonioni was a joy, from all aspects. and i think Antonioni himself while standing behind the camera, was wiser than his main character Davis Luke, the same boredom but less anger, the camera work had shown this allover the film, it was moving slowly, feel...( read more)ing bored, wondering with sad thoughts.
  • July 18, 2009
    Unbelievable camerawork, and intriguing storyline.

Critic Reviews


November 30, 2005
Colin Covert, The Minneapolis Star Tribune

In The Passenger, Jack Nicholson gives one of his finest performances as television journalist David Locke. full review

November 11, 2005
Ty Burr, Boston Globe

One of the deepest, most rigorous, and most rewarding films of its era. full review

November 3, 2005
Peter Travers, Rolling Stone

Antonioni's 1975 landmark. full review

October 28, 2005
Edward Havens, FilmJerk.com

Even if one new person is turned on to the works of this brilliant filmmaker, then this film's long, strange trip will have been worth it. full review

October 5, 2005
Nick Schager, Slant Magazine

A fatalistic tale of identity, destiny, coincidence, existential malaise, and the boundaries between the real and the imagined. full review

October 23, 2004
Roger Ebert, Chicago Sun-Times

I admire the movie more 30 years later. I am more in sympathy with it. full review

View more Professione: reporter (The Passenger) reviews at RottenTomatoes.com

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