Qi Shu, Jack Kao, Chun-hao Tuan

The youthful Vicky is torn between two men, Hao-Hao and Jack. At night she works as a PR person at a night club to support both of them. Hao-Hao keeps vigilance over her all the time, whether she is o...( read more  read more... )n or off the job. He checks her charge accounts, telephone bills, mobile phone records, and even her body odor in an attempt to trace Vicky's activities. She cannot stand him any longer; she runs away. Hao-Hao finds her, begging her to go home. She sets herself a deadline to end the relationship - when the $500,000 in her bank account is used up. At the same time, Jack makes diversified business investments. His open-arm policy to anyone in need of his help has courted some trouble. Vicky has already run to his place twice. Some degree of affinity between them begins to take shape: it may lead to a closer relationship or a permanent friendship...

Flixster Users

70% liked it

447 ratings

Critics

80% liked it

30 critics

R, 1 hr. 59 min.

Directed by: Hsiao-hsien Hou

Release Date: December 31, 2001

Invite friends to see

DVD Release Date: August 17, 2004

Stats: 113 reviews

Get movie widget Recommend it Add to Favorites

Photos


None yet... Got one?

Your Rating



clear rating

Flixster Reviews (113)


  • June 21, 2009
    This movie was unbelievably painful to get through, I really not sure what the point was and despite the lead actress' beauty, she just became really annoying after awhile. I'm really not sure what about this film warranted its being singled out at a number of international film ...( read more)festivals.
  • January 10, 2009
    We can talk all day long about the genius or pretension of director Hsiao-hsien Hou, and the magnificent cinematography of Pin Bing Lee, the soothing chill-room techno soundtrack, but in the end this is a Shu Qi vehicle and the film rests on her shoulders. If you like her, you'll...( read more) like the film. If you don't, you probably won't. There's no plot. We just follow her around for a couple hours. I think she does a great job.
  • April 3, 2008
    A pretentious stand from a director usually more inspired.
  • April 3, 2008
    Hou's take on modern Taiwanese youths. The film focus on a young woman in a hopeless and mirthless relationship with a possessive, lazy boyfriend. Hou suggests their rootlessness as a source of their discontent, as we never get a glimpse of their estranged families. The least ...( read more)interesting Hou I've seen thus far, though it's definitely the prettiest (cinematography by Lee Pin Bing, who also shot In the Mood for Love), with a lyrical voiceover that adds some much needed depth. It's also the least stylistically rigorous film compared to Hou's other late films.
  • November 13, 2008
    I aspire to become familiar with Hsiao Hsien's film package,in a greater degree through his past movies.His independent mambo derives a swaying emotion and a texture of images brimmed with poetry no matter how many neon lights appear.There should have been a more "undercover" mys...( read more)tery in all this,it's an obvious fact this girl's loneliness pushes her endorsed senses.The 2000's is a new era for Taiwanese cinema and Hsien.
  • March 26, 2009
    Coming out of Taiwan, Millennium Mambo is a film from Hsiao-hsien Hou with its own uniqueness. Unique enough to make it special? To some, maybe.

    There isn't much to the plot and although this seemingly B-movie is realistic, it isn't entertaining enough. This 1 hour 40

    ...( read more) minute picture creeps by slowly and it is almost all long takes. I'm talking takes that take minutes at a time. While this is pretty cool, the camerawork isn't the greatest and everything that happens in these shots are uneventful. There is also narration that basically explains what will happen next for most of the movie. I guess that means no surprises.

    It must be the realism that will catch people's interest, but watching all the constant smoking and drinking, whether in a club or at an apartment, makes you want to go someplace with fresh air.

    The gorgeous Shu Qi puts on a quite a performance. It is too bad this movie isn't as entertaining as her. The rest of the supporting cast is forgettable. Chun-hao Tuan is one annoying guy to watch. His character is just so bland and irritating that he is very detestable. You don't love to hate him. You just hate him.

    Props to the long takes and Shu Qi, but at the end of the day, Millennium Mambo is one boring movie. I'm not saying that this is a film to avoid, because people that enjoy the directing work of Hsiao-hsien Hou or the acting of Shu Qi will want to give this a shot.

  • September 11, 2008
    wanna watch this soon, comparable to 3 times from what i hear
  • June 17, 2008
    Good Qi Shu performance and direction, but the script seems a bit lacking in spots.
  • April 3, 2008
    Definitive Hou Hsiao-hsien. Perceptive filmmaking on Taiwanese youth. The central female protagonist lingers long after the film ends. It's a compelling and haunting character study. Bittersweet and nostalgic. What is it about Taiwanese filmmaking? Outstanding stuff.
  • April 3, 2008
    Pretty lame coming of age film. A girl in an abusive relationship who gets relocated to Japan by a mafioso to save her from her stupid decisions.

Critic Reviews


May 4, 2005
Nick Schager, Lessons of Darkness

Even a minor Hou effort is brimming with poignant artistry. full review

View more Millennium Mambo (Qianxi Manbo) reviews at RottenTomatoes.com

Comments


This board looks lonely. Be the first to talk about "Millennium Mambo (Qianxi Manbo)" !

Critic ratings and reviews powered by RottenTomatoes.com

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Official Trailer

More Like This


This list looks lonely.
Add a suggestion!

Theater Showtimes & TV Listings


Movie Quizzes


No quizzes for Millennium Mambo (Qianxi Manbo). Want to create one?

Video Clips


No video clips yet. Want to upload one?

Recent News


No recent headlines. Got one?

Most Popular Skin