Kichijiro Ueda, Machiko Kyo, Masayuki Mori, Minoru Chiaki, Takashi Shimura ...( see more  see more... ) , Toshiro Mifune

A heinous crime and its aftermath are recalled from differing points of view.

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94% liked it

36,385 ratings

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100% liked it

39 critics

Unrated, 1 hr. 28 min.

Directed by: Akira Kurosawa

Release Date: December 26, 1951

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DVD Release Date: March 26, 2002

Stats: 2,252 reviews

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Flixster Reviews (2,252)


  • November 16, 2009
    A story of what happens when an event witnessed by four different people is described in completely different ways, and someone's life is at stake in the telling. One of Kurosawa's best.

    UPDATE: Just saw this again on a HD television. Even though the film obviously wasn't film...( read more)ed in HD or any digital format, the film took on a depth and a detail I"ve never noticed before. It's almost as though I was participating in the film as one of the witnesses.
  • November 12, 2009
    Rashomon is visually stunning, particularly the composition of the court hearing scenes and the scenes with the three men sheltering from the rain. It's not my favourite Kurosawa film but it's probably my favourite Toshiro Mifune performance (although I love him in everything he'...( read more)s done). Ultimately it's spoilt by an 'over the top' introduction which is a little misleading but that's just a niggle really. This is another example of a genres invented by Kurosawa with ideas and structure that has been copied ever since.
  • May 13, 2009
    i liked this film a lot. this is considered one of kurosawas 5 greatest films, and i wouldnt even put it in my top 8 of his, but it was still very good. i think most respect this film so much because it was the film that catapulted kurosawa to stardom, and i can see how. mifun...( read more)e and shimura were great as always and the story was very compelling. ultimately, its a story about liars and thieves and the reality that most people in this world are not to be trusted. the last fight scene was weak, but most of this film was great. more brilliance from akira kurosawa.
  • May 3, 2009
    The film that woke up the world to Japanese cinema, this is a still-effective 'gimmick' melodrama about a rape-murder seen from four different viewpoints, each wildly different. The abused wife, the embittered husband and the lecherous bandit all get to tell their stories - the h...( read more)usband speaking through a medium - and all present themselves in the best light (as brave, noble, ferocious, self-sacrificing) while doing down the others (as cowardly, grasping, lecherous, hypocritical), but finally a bystander comes along and reveals that actually everyone involved is a moral and physical coward, reducing high tragedy to black slapstick as a duel we?ve seen as an epic struggle is re-presented as a knockabout between two men too terrified to fight properly with the final death caused by an accident rather than malice or skill.

    There's a showboat performance from Toshiro Mifune as the swaggering yet hollow bandit desperate to live up to his reputation, but it's Akira Kurosawa's direction that commands the attention as he mood ranges from the savage to the wistful to the comic. Its cynical neatness perhaps lodges it a notch down from masterpiece level, but still outstanding.
    It was adapted for American and British television in 1960 and 1961, with anglo actors playing Japanese under the direction of Sidney Lumet and Rudolph Cartier, then remade as Martin Ritt?s Western The Outrage in 1964 and the odd Bridget Fonda vehicle Iron Maze in 1991, and imitated so often as episodes of everything from The Simpsons to The X-Files that you can pitch something as ?a Rashomon story?.
  • April 27, 2009
    Ambiguous in its conclusion- Who's story do you trust? What a way to explore an event or theme though! Great illustration of the metaphysical allegory of several blindfolded men feeling different parts of an elephant and not being able to agree on what it is that they are feeli...( read more)ng. Everyone's description reveals some truth, but not the whole truth, everyone is lying about something, and the audience is put in the position of judge to figure out what the big picture is. It's all about each individual's interpretation. On my second viewing, I noticed how little dialog there was in the segments in the woods. Relationships and ideas are being expressed, but in silence. It is probably this silent lack of words, which causes some viewers to think the movie is slow.
  • February 5, 2010
    An intriguing mystery masterly crafted by Kurosawa, showing how much about human nature can be hidden in several versions of the same story, each told by one different person involved.
  • January 20, 2010
    The movie is rightfully hailed as the pioneer for a lot of filmmaking devices, especially the multiple viewpoint narrative. The variety of testimonies by different people, all with different motivations, are interwoven in a masterfully crafted screenplay that comment about the hu...( read more)man condition. This whodunnit culminates ambiguously, with the audience left to bring their own desires/prejudices to their interpretations, as the characters did. Even when years later many movies have used this device, Rashomon's originality still stands out. Not just that -- for its time, the technical brilliance of the movie certainly shines.
  • January 16, 2010
    Kurosawa's best. Can you ever trust anyone's memory, or yours?
  • December 22, 2009
    Maybe I'm too picky, but I just can't understand why is this so well regarded.
    Sure, the story is told in an unique way and was innovative at the time ( I only guess, I don't know for a fact) but the rest of the movie didn't blow my mind. The acting in pretty terrible, Mifume's p...( read more)erformance is embarrassing and I think is the director's fault.
    The idea that humans are bad and they tend to lie a bit (!) is not new, but the movie isn't sure about it, as it changes during the end. So, I think this movie is dated, unconvincing and badly done.
    I saw before a remake of this (The outrage) with Paul Newan, that wasn't great either.
  • December 20, 2009
    This is the movie that introduced Akira Kurosawa to Western audiences. It's a timeless classic and rightly so with a great storyline. Any fan of Asian cinema should watch this.

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