Refusenik
Want to See
Not Interested
Rate it ½ star
Rate it 1 star
Rate it 1½ stars
Rate it 2 stars
Rate it 2½ stars
Rate it 3 stars
Rate it 3½ stars
Rate it 4 stars
Rate it 4½ stars
Rate it 5 stars
Historically speaking, documentarist Laura Bialis' nonfiction effort Refusenik marks one of the first cinematic attempts to chronicle the decades-long liberation of Soviet Jews, from the early years of the 20th century through the end of the Cold War. Drawing from archival footage and extended interviews, Bialis documents the process by which a regionally oriented, grassroots social-activist movement ultimately ballooned into as massive, transcontinental human-rights crusade. By shining a light on the activists who risked their safety (and, in some cases, their lives) -- many enduring… More

Available Online

Rotten Tomatoes Score: 92%

Critic Reviews from Rotten Tomatoes

"One credits their naivete as the best tool to change history, as, because of it, they refused to cave in to excuse-making politicians and initial indifference in the Jewish-American community."
‑ Dennis Harvey, Variety
"Packed with an extraordinary amount of archival material, the film offers a fascinating, if occasionally dense look at a grass-roots movement that became the world's chance to retroactively fight Hitler's Holocaust."
‑ Gary Goldstein, Los Angeles Times
"A conventional but generally well-made documentary about Jewish refuseniks"
‑ Sarah Boslaugh, Playback:stl
"Refusenik's opening on Israel's 60th birthday could not have been more timely."
‑ Cynthia Fuchs, PopMatters
"Refusenik is a little dry in its presentation, relying on a conventional mix of talking heads and stock footage. But Bialis has good footage to work with, including some film shot by the BBC in Moscow using equipment smuggled in by tourists."
‑ Noel Murray, AV Club
"There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall."
‑ Sid Smith, Chicago Tribune
"[An] absorbing portrait of the refusenik movement of the 1960s and '70s."
‑ Ella Taylor, L.A. Weekly
"Neat and nice is good for textbook supplements, but aren't gonna cut it cinematically when the story itself is the only thing going."
‑ Matthew Nestel, Boxoffice Magazine
"Refusenik does not so much capture the moment as it does educate, however, with material so compelling and inspiring, a thorough education serves."
‑ Jordan Hiller, Bangitout.com
"One can only hope that future films about today's most pressing humanitarian crises have such unambiguously happy endings."
‑ Stan Hall, Oregonian
"The result is a documentary that plays like a fat, satisfying work of nonfiction literature -- the final word because it seems to contain every word."
‑ Ty Burr, Boston Globe
"Refusenik falls short as entertainment because of the plodding, overly studious approach of the director, Laura Bialis."
‑ Laura Kern, New York Times
"[Director] Bialis chronicles all this with perhaps too much thoroughness. But, given the nature of the subject, you get the sense that she doesn't want to leave out any voice, no matter if they add little in the way of new information."
‑ Glenn Whipp, Los Angeles Daily News
"Using title cards, interviews, and endless archival footage, Bialis is able to tie a very specific history to the course of 20th century upheaval."
‑ Paul Schrodt, Slant Magazine
"The story of the nearly thirty years of courage in the face of repression in the Soviet Union. This is polished and evocative filmmaking."
‑ Mark R. Leeper, rec.arts.movies.reviews
More reviews for Refusenik on Rotten Tomatoes