Starts strong enough, then it gets a bit too carried away with it's political agenda. Castel's character forgets about his initial reason to find Ferguson, and the speeches about aristocrats and the proletarian fill the second half. There are some great sequences, including… More
Starts strong enough, then it gets a bit too carried away with it's political agenda. Castel's character forgets about his initial reason to find Ferguson, and the speeches about aristocrats and the proletarian fill the second half. There are some great sequences, including a game of "rope", and Ortolani's score gives a good mood. Mark Damon's villain is cool, dracula cape and everything, more polishing in the story and this could had been even better.