Cameron Mitchell, George Mitchell, Harry Dean Stanton

Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives,...( read more  read more... ) forms up along the ridge, and takes for granted that everyone down below is guilty--fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind's 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

Somehow, when people speak of the two existentialist Westerns that Monte Hellman made on a single trek into the desert in 1966, Ride in the Whirlwind never gets as much attention as The Shooting. All right, so it doesn't star Warren Oates (though it does have Harry Dean Stanton, Oates's clear successor as sainted American character actor), and Jack Nicholson's screenplay isn't as infatuated with arty enigma or coffeehouse-quaint dialogue as Adrien Joyce's Shooting script. But of the two, Ride arguably cuts deeper as a meditation on things Western, and it's surely the one that would bring nods of recognition from a Parnassian review board comprised of William S. Hart, Harry Carey, and the various casts of The Virginian.

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46% liked it

1,572 ratings

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100% liked it

7 critics

G, 82 min.

Directed by: Monte Hellman

Release Date: January 1, 1965

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DVD Release Date: October 31, 2000

Stats: 46 reviews

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Flixster Reviews (46)


  • December 22, 2008
    The only movie you'll see where Jack Nicholson is bummed out for the entire 81 minutes. There's something deeper about this but until I figure it out I can only enjoy the surface of what it is: A good, slow Western
  • December 27, 2007
    Simplistic yet overwhelmingly evoking. Those who criticize Nicholson for just being Nicholson in films have never seen this...
  • August 26, 2007
    jack baba buraya eller havaya
  • August 21, 2007
    i would like to see this one..
  • April 25, 2007
    A western stripped down to it's fundamentals, and is rewarded for it. A fascinating look at justice or the lack there of. Again, too bad for the sound and visuals because it is a gem.
  • September 12, 2006
    A simple but effective western.

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