Robin Hood: Prince of Thieves

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Robin Hood: Prince of Thieves

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Robin Hood: Prince of Thieves

Kevin Costner, Morgan Freeman, Mary Elizabeth Mastrantonio, Christian Slater, Alan Rickman

When Robin and his Moorish companion come to England and the tyranny of the Sheriff of Nottingham, he decides to fight back as an outlaw.

Id: 10902449

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Robin Hood: Prince of Thieves Recent Reviews
  • SirPant
    September 25, 2009
    SirPant
    Massively overrated at the time, I always wanted Alan Rickman to kill Kevin Costner in the end.
  • phubbs1
    July 1, 2009
    phubbs1
    In its time this was huge, I don't know why, I never liked it. Its very bad and very inaccurate. Costner is laughable as Hood and Rickman, although funny, is waaay too pantomime, the whole cast is poor really, and the action and look is very obviously on sets. The title song from...( read more) Bryan Adams is the only thing thats any good.
  • hypathio7
    February 9, 2009
    hypathio7
    I love the interaction between Costner's Robin Hood and Freeman's Muslim friend. The culture clash between Christian and Muslim back in this time period is a good concept, though probably not historically likely to happen in this way. It is because of the Muslim world that many...( read more) philosophical and mechanical writings of the ancient world survived. The Muslims were more technically and intellectually advanced at the time. It is an interesting way to look at the story from a more political religious angle rather than the traditional mythical fantasy romance angle.

    The romance is there, but it develops in a more rough environment, not so tender and heartwarming. Mastrantonio does alright in the romantic lead. But this story is more about clever booby traps, flaming arrows, and swords.

    I've read Rickman turned down the role of The Sheriff several times until he was told he could have more freedom in the role. Well, he takes that freedom and runs with it. He plays one crazy twisted Sheriff. But it gets a little over the top for me when he's trying to rape/consummate/honeymoon with Maid Marian on the floor of the chapel while the priest is still finishing the rushed wedding ceremony. Ugh?!

    The scenery is good and costuming believable (without the green tights) for setting the period. There are good supporting performances by all, especially from Robin's Merry Men. There are several moments that this movie has in common with Costner's Dances with Wolves from the year before, but overall there are enough differences to keep me entertained.
  • ironclad1609
    October 19, 2008
    ironclad1609
    The perfect Robin Hood adventure, taking all the bits and pieces the story needs, with the classic river staff fight, the splinting an arrow with an arrow, a certain Sean Connery in a King Lionheart cameo, a fantastic villain in the shape of Alan Rickman, Morgan Freeman as a side...( read more)kick, a wonderful soundtrack and a good sense of humor. The pace and timing is good, the acting too, it's exciting, funny and entertaining. In short, the perfect popcorn movie. Half a star extra for all the nice memories I connect with this film.
  • MidnightMadwoman
    June 17, 2008
    MidnightMadwoman
    I know what's wrong with this movie and I like it anyway. It is not profound, or magically romantic or epic. What it is is fun to watch and has enough funny dialogue to carry it out from the dreck pile. I would have cast someone else as Robin Hood and Marion, but everyone else wa...( read more)s not half bad. I prefer Mel Brooks' parody, but that's just me being cynical.
  • imammura73
    December 28, 2009
    imammura73
    Romantic, friendship. pokoknya asik
  • jontzis
    December 27, 2009
    jontzis
    I didnīt miss the tension here. It was very exciting and it was a new plot of Robin Hood for me. A great adventure with all the bits and pieces the story needs. It didnīt make me dissapointed!
  • eryri
    December 19, 2009
    eryri
    Decent Robin Hood movie. Costner was OK as Robin but Rickman steals the movie as the evil Sheriff. It gave us the song that stayed at the top of the UK music charts for 16 weeks in Bryan Adams' Everything I Do.
  • shadow16ro
    December 18, 2009
    shadow16ro
    I might find it funny these days but it was a real hit when I first saw it on a German Channel (so my rating is for that time).
    The plot is acceptable , the story moves on smoothly ,the screen shots are well done .
    I dislike the actress that plays Marianne , I think she is the ug...( read more)liest so far :|.
  • GiovannyTG
    December 12, 2009
    GiovannyTG
    `Robin Hood: Prince of Thieves" is a murky, unfocused, violent and depressing version of the classic story, with little of the lightheartedness and romance we expect from Robin Hood. It's shot mostly at night or in gloomy forests, beneath overcasts or by flickering firelight or i...( read more)n gloomy dungeons, which is all very well for the atmosphere, but makes the action scenes almost impossible to follow.

    Among the movie's many problems: Kevin Costner plays a tortured, thoughtful Robin Hood, totally lacking in the joy of living that we associate with the character. The romance between Robin and Maid Marian (Mary Elizabeth Mastrantonio) seems inspired more by necessity than by desire, as if both of them had read the book and knew they were required to fall in love. The most colorful character is the villain, the Sheriff of Nottingham (Alan Rickman), but both the character and the performance are inappropriate for this film.

    And the amount of gore is appalling in a film that will presumably be aimed at a family market.

    To begin with the gore: The movie begins with a hand being chopped off, and continues with various amputations, gorings, stabbings, burnings, floggings, hangings (a small boy is one of the intended hanging victims), explosions, and falls from great heights, before reaching a climax of sorts as the Sheriff of Nottingham attempts to rape Maid Marian, and has just succeeded in spreading her legs (a graphic, floor-level shot here) before Robin Hood comes swinging in through the window to save her.

    Then there is the general moral climate of the movie, in which all of the priests are seen as corrupt or drunken swine, and the Sheriff consults an old crone in a dungeon who foretells the future by reading blood and chicken bones. The leading cleric of Nottingham is a turncoat and a liar, who marries Marian to the Sheriff against her will while the castle is under siege. You know we have entered a shaky liturgical era when Friar Tuck is the most religious person in the film.

    The movie casts Robin Hood as sort of a populist guerrilla, a Che Guevera with bow and arrow who lives with his followers in Sherwood Forest and intercepts the king's mail by using tunnels and camouflaged hiding places under the forest floor, Viet Cong-style.

    His best friend and right-hand man is a Moor (Morgan Freeman), who he has brought back from the holy land after saving his life in prison. His biggest disciplinary problem is a young hothead (Christian Slater), who is so obviously bursting with a secret he desires to share that it's amazing Robin is able to wait almost until the end of the movie before learning it.

    Much has been said about Kevin Costner's British accent, or lack of same, in advance publicity about the movie. Neither the accent nor the lack of same bothered me in the slightest. What bothered me was that the filmmakers never found the right tone for Costner to use, no matter what his accent. He isn't joyous, or robust, or comical, or heroic, but more of a thoughtful, civilized, socially responsible Robin Hood, sort of a nonpartisan saint who wants to preserve the kingdom for the absent Richard the Lionhearted.

    Costner plays Robin Hood as if he were Alan Alda.

    Alan Rickman, in complete contrast, plays the Sheriff as if he were David Letterman: He's a wicked, droll, sly, witty master of the put-down and one-liners, who rolls his eyes in exasperation when Robin comes bursting in to interrupt the rape. Rickman's performance has nothing to do with anything else in the movie, and indeed seems to proceed from a uniquely personal set of assumptions about what century, universe, etc., the story is set in, but at least when Rickman appears on the screen we perk up, because we know we'll be entertained, at whatever cost to the story.

    The only major player who finds the right tone and voice for all of his scenes is Morgan Freeman, as the Moor, who finds humor when it is needed, courage when it is required, and somehow even survives being given a running joke that has to be carefully nurtured from one end of the movie to the other. Mary Elizabeth Mastrantonio does what she can with Marian, but must have been confused when the screenplay gave her a thoughtful, independent woman in the earlier scenes, and then turned her into a cliched damsel in distress at the end.

    The costumes look as if they have things growing in them.

    The treehouses in Sherwood Forest permit Robin and his men to engage in a key battle scene that looks like a cross between "Tarzan" and the savage tribesmen at the end of "Apocalypse Now." (This battle deserves greater analysis. In it, hired Celtic mercenaries attack Robin's band and are all but destroyed, after which they only then use their fire catapults, and all but destroy Robin's side, after which, for the later assault on the castle, Robin hardly seems to have lost a man.) The music is your standard rum-dummy-dum false epic dirge kind of stuff. The editing is desperate. The most depressing thing about the movie is that children will attend it expecting to have a good time.
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