Ro.Go.Pa.G. (RoGoPaG) (Let's Have a Brainwash) (1962)
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71% of users liked it
(424 ratings)
RoGoPaG is an omnibus of short films by Roberto Rossellini, Pier Paolo Pasolini, Ugo Gregoretti and Jean- Luc Godard. Each episode is introduced by a quotation from the Bible which the episode illustrates with a fiction of contemporary life. Rossellini's film, "Illibatezza"… More RoGoPaG is an omnibus of short films by Roberto Rossellini, Pier Paolo Pasolini, Ugo Gregoretti and Jean- Luc Godard. Each episode is introduced by a quotation from the Bible which the episode illustrates with a fiction of contemporary life. Rossellini's film, "Illibatezza" ("Virginity"), is the tale of Anna-Maria Rosanna Schiaffino, a beautiful, demure stewardess courted by Joe, an American businessman on a trip to Bangkok. Pasolini's film, "La Ricotta" ("Ricotta Cheese"), concerns a film crew shooting the passion of Christ. The film's director, played by Orson Welles, gives a hilarious interview to a journalist who comes on the set. The scenes from the passion are shot as recreations of renaissance paintings and the landscapes are filled with beautiful boys. Godard's "Il Nuovo Mondo" ("The New World") follows a couple, played by Jean-Marc Bory and Alexandra Stewart, whose relationship ends just after an atomic bomb is exploded high over Paris. The film uses the Paris of the early 1960s as the city of some indefinite future, a technique Godard would use again in Alphaville. Gregoretti's contribution "Il Polo Ruspante" ("The Free Range Chicken") cuts between a speech by a marketing expert (Ugo Tognazzi) and a family's Sunday outing. The expert speaks on mechanisms for promoting sales by keeping the consumer dissatisfied. The family takes a drive through traffic, negotiates an impersonal highway restaurant, and considers buying some land. ~ Louis Schwartz, Rovi
- Directed By
- Jean-Luc Godard, Ugo Gregoretti
- Genres
- Drama, Art House & International, Comedy
- In Theaters
- Feb 19, 1963 Wide
Critic Reviews
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Jonathan Rosenbaum, Chicago Reader
Ultimately more interesting than satisfying.
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Fernando F. Croce, CinePassion
The four filmmakers lend their names for the omnibus title, plus a prankish sketch each on the dangers of modernism
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