Etsuko Ichihara, Go Kato, Isao Yamagata

Aging samurai Isaburo (Toshiro Mifune) challenges the ruling war lord in Masaki Kobayashi's compelling tale of a peaceful man who's pushed too far. When a mistress displeases the lord, he demands that...( read more  read more... ) Isaburo's son marry the woman. Isaburo takes the girl in, and to everyone's surprise, she falls in love with her intended husband. But when the temperamental lord reverses his orders and demands his mistress's return, Isaburo bravely takes a stand.

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92% liked it

2,618 ratings

Unrated, 121 min.

Directed by: Masaki Kobayashi

Release Date: January 1, 1967

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DVD Release Date: October 25, 2005

Stats: 127 reviews

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Flixster Reviews (127)


  • January 8, 2008
    the end was a little upsetting, but the rebel in me was excited for this one. overall a great flick, and even the disappointing end has a redeeming moment.
  • November 22, 2007
    excellent drama about a conflict between a shogun and his vassals. mifune is great as the convention bound samurai who takes a stand.
  • July 8, 2007
    Kickass samurai drama - maybe just a notch below Harakiri.
  • July 8, 2008
    You would think a film called Samurai Rebellion would be wall to wall action, but to my surprise it has a great love story and a touching story of a relationship between father and son. There is some action at the end and if they would trim about 10-15 minutes then it's a 4 star ...( read more)film. Mifune is great and the film is a definatly worth a look.
  • October 23, 2009
    "Each must live his own life. Have a drink and then go back. And tell everyone this for me: I, Isaburo Sasahara, in all my life have never felt more alive than I do now."

    Jôi-uchi: Hairyô Tsuma Shimatsu (1967)


    Director: Masaki Kobayashi...( read more)
    Country: Japan
    Genre: Drama
    Length: 128 minutes

    Samurai,Rebellion,1967,Masaki,Kobayashi,Toshiro,Mifune


    Masaki Kobayashi has directed a brutal and relentless masterpiece once more. This time, it seems like tragedy has fallen in love with poetry and the beauty of life itself in this extraordinary and heartbreaking drama. His style of filmmaking, although aiming towards a similar direction like the one Seppuku (1962) aimed, steps away from existentialist thematic elements and focuses more on the overpowerment of the authorities and the unfairness commited by any abusive political structure.

    The film based on the novel written by Yasuhiko Takiguchi tells the dramatic story of Isaburo Sasahara, an aging swordsman who is literally ordered by his clan lord to make his son Yogoro to marry Ichi, the lord's mistress. Due to Ichi's reputation, the family hardly accepts her as a new member, except for Yogoro, who grows strong feelings for her. Their emotional relationship renews Isaburo, and once that the couple have a new baby daughter, the lord's son dies, so the lord finally decides he wants Ichi to return to him as the mother of his heir. Naturally, both Isaburo and Yogoro oppose the idea. Tragedy and death ensue when things don't go as planned concerning both sides. Will justice be served?

    The first aspect of this masterwork that caught my attention is the wonderful adaptation resulting in a very complete and even poetic screenplay. When both leading and supporting actors/actresses decide to participate in a movie with this characteristic, they always face the challenge of fully comprehending and giving life to certain characters, so that's why this one has a wonderful cast, with two of the biggest Japanese film stars Tatsuya Nakadai and Toshirô Mifune. Basically every single performance was either good or extraordinary.

    The astonishing cinematographic and photographic work present in Kobayashi films can be found in this film as well, not talking just about the shots and their wonderful harmony and balance, but also of the editing and camera movement. There's a particular shot in the final duel when the camera zooms out of a vast landscape revealing the swords of Isaburo and Taketawa (Nakadai) after a collision. Priceless. It is a wonderful and gorgeous samurai film to watch.

    This film focuses mainly on the code of ethics, moral, discipline and behavior that rule the samurai, and the conflicts that may arise when your own feelings and thoughts are directly involved with certain events, in this case involving the abuse of authority and the merciless treatment of "inferior" people like toys. More than trying to find meaning in the existence of oneself, the defiance of the authorities and the making of justice, whether it happens in the present or in a near or distant future, are some of the themes that arise the principal conflicts of the plot. Jôi-uchi: Hairyô Tsuma Shimatsu is brilliantly filmed and directed, a fact that helps a lot in making this movie so spectacular. Once again, classic Japanese cinema avoids cliches and corny scenes in any way possible and you can even perceive a Shakesperian feel to it. The ending is brutal, but has a memorable and exquisite final duel, old school style. Most of the magic comes from the spectator thinking that he/she knows or has an idea of what will happen next, when he/she does not. This is foreign cinema... huge difference. The director's 5th best film, and yet it is extraordinary.

    95/100
  • August 2, 2009
    Wasn't what I was expecting. The sense of conflict really came off the strongest, but there was still much to appreciate and love.
  • June 30, 2009
    Samurai Rebellion is one of the greatest achievements in the genre. Kobayashi, more than Kurosawa, makes me think of Sergio Leone in the world of the Samurai, despite the remake of Kurosawa's "Yojimbo" by the Italian director. Kobayashi fills his film with intense human depth. Ho...( read more)nor, morality and love move Samurai Rebellion and its conflits and make it a must-see for anyone who loves cinema - specially Oriental cinema fans.
  • September 14, 2008
    By far the darkest Samurai film I've seen and it is clear why, the ending is so bleak it really makes you think if you have enjoyed yourselves looking at this depravity of mankind or whether do you actually hope they get to where they want to, the thing is, what makes this fantas...( read more)tic is that it leaves the audience thinking it is all futile, bigger ambitions are nothing at the waste of human life.
  • September 10, 2008
    Tragic story and sort of depressing but beautifully made and very touching.
  • September 11, 2007
    transcends the genre of the samurai film

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Samurai Rebellion Trivia


  • Name the movie this quote is from: "I have been hired to suppress the rebellion of yet another tribal leader. Apparently, this is the only job for which I am suited. I am beset by the ironies of my life."  Answer »
  • Which real life figure played a similar role, historically, to that of Nathan Algren (Tom Cruise) in The Last Samurai?  Answer »
  • The Last Samurai is based on what real-life Japanese rebellion?  Answer »
  • Which actor appeared in all five of these "Samurai Cinema" classics; "Yojimbo", Samurai Rebellion", "Sword of Doom" "Sanjuro", and "Harakiri"?   Answer »

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