Sans soleil (Sunless) (1982)
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92% of critics liked it
(12 reviews) -
88% of users liked it
(3,645 ratings)
Titled after a song cycle by Mussorgsky, Sans Soleil is a 1982 nonlinear essay film by elusive documentary filmmaker Chris Marker. It's a collage of images gathered from Japan, Africa, Iceland, San Francisco, and France -- all presented without direct sound. The soundtrack consists of occasional… More Titled after a song cycle by Mussorgsky, Sans Soleil is a 1982 nonlinear essay film by elusive documentary filmmaker Chris Marker. It's a collage of images gathered from Japan, Africa, Iceland, San Francisco, and France -- all presented without direct sound. The soundtrack consists of occasional spells of electronic music while an unseen woman's voice (Alexandra Stewart) narrates letters written by a possibly fictional traveler in poetic verse. Beginning with the phrase "He wrote me," each segment explores some philosophical inquiry of matters as broad as modern culture, technology, consciousness, Japanese television, and even the act of filming itself. Some of the first images include children in Iceland, a ferry in Hokkido, a carnival in Guinea-Bissau, girls in Cape Verde, and a shrine to cats in Tokyo. There's also a creepy JFK robot, petrified animals left by desert drought, and teenagers dancing in a public square. The seemingly miscellaneous footage is made up of archive clips, synthesized video sequences, and some images collected by Marker's colleagues. It's randomly assembled, jumping from one continent to another in the same breath. It remains one of the director's masterpiece accomplishments. ~ Andrea LeVasseur, Rovi
- Directed By
- Chris Marker
- Written By
- Chris Marker
- Genres
- Documentary, Drama, Art House & International, Special Interest
- In Theaters
- Feb 1, 1983 Wide
- Studio
- Criterion Collection
Critic Reviews
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Jonathan Curiel, San Francisco Chronicle
Unforgettable movie.
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Jeffrey M. Anderson, Combustible Celluloid
The amazing Sans Soleil more or less documents a trip to Tokyo, focusing on small moments and rituals as well as agreements between subject and camera.
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Eric Melin, Scene-Stealers.com
It challenges you to look at images with multiple contexts and ponder differing perspectives, which is really what film is all about in the end.
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Jaime N. Christley, Slant Magazine
This needs to be on your shelf, whether you picked up the 2007 DVD or you're eyeballing this one. Maybe you were waiting for Marker's low-tech genius to be reproduced in high-def. It was worth it the wait.
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Tim Brayton, Antagony & Ecstasy
Sans soleil is more intuitive than rational, and that makes it a singular, overpowering experience.
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