I was expecting a dumb-but-fun black comedy. What I got was a dumb black comedy that was trying hard to be fun, and sometimes succeeded, but often fell short of the mark. Bill Goldberg was hilarious as the film's titular villain, as were Chris Kattan and Fran Drescher as two… More
I was expecting a dumb-but-fun black comedy. What I got was a dumb black comedy that was trying hard to be fun, and sometimes succeeded, but often fell short of the mark. Bill Goldberg was hilarious as the film's titular villain, as were Chris Kattan and Fran Drescher as two members of a dysfunctional family that got butchered in the first scene, but a lot of the acting from the supporting cast felt a little too stagy. I would've preferred acting that was either natural, or painfully over-the-top (like the performances from the three aforementioned actors). That would've suited the tone of the movie better.
Still, there are a lot of clever ideas in this movie. In particular, the flashback scene, done in the style of stop-motion holiday TV specials, was a nice touch. And I though the music was ingenious: The composer put deliciously eerie spins on classic carols, and I found a particular sample used quite amusing (a melody from <i>Fiddler on the Roof</i> plays during a scene where a group of Hasidic Jews encounter the evil Santa Claus). And there are quotable one-liners aplenty, only one of which made me cringe instead of laugh. And what would a black comedy be without morbid slapstick? Sure, there might not be <i>enough</i> morbid slapstick within the 1hr 20min ratio, but what <i>was</i> there was pretty damn funny. Disgusting if you think about exactly what's going on, yes, but funny in its presentation.
In the end, however, I wanted more and less of what this movie delivered. Less staginess, more camp. But as a first-time effort by its director, and as a cheap rent, it could've been a lot worse.