Sanming Han, Hongwei Wang, Tao Zhao

Shot in the old village of Fengjie, which has been destroyed by the building of China's Three Gorges Dam, it recounts the story of people who come back to Fengjie during the upheaval. A miner comes ba...( read more  read more... )ck to the village to look for his wife, a nurse for her husband.

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77% liked it

2,782 ratings

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91% liked it

43 critics

Unrated, 1 hr. 48 min.

Directed by: Zhang Ke Jia

Release Date: September 5, 2006

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DVD Release Date: November 25, 2008

Stats: 242 reviews

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Flixster Reviews (242)


  • December 7, 2008
    a subtle and beautiful film about the modernization, culture, and uncertain future of china. zhang ke jia is certainly making a name for himself as one of china's greatest modern filmmakers.
  • October 7, 2008
    What a lonely place the world is for so many. As we lurch forward in the name of modernity we always seem ironically becoming more and more isolated as the world around us gets smaller and smaller.
    This conflict lies at the heart of Zhang Ki Jia's haunting film Still Life. Altho...( read more)ugh the film won the Golden Lion at the Venice Film Festival in 2006 and received widespread praise, it only finally received a very limited theatrical run in North America this year.
    The film revolves around two stories shot and set in the Fengjie area as it is being demolished and flooded for the Three Gorges Damn (that area is now totally underwater). One involves a man looking for his wife, who left him with their daughter 16 years ago. He's worked in the mines since then, and upon arriving home does not realize that the valley has been flooded. He searches around until he finds her brother. He informs him that she works upriver on a boat now. He can't see her until her boat arrives there. In the mean time, he makes friends with a young man called Mark, who bases his personality around the roles of Chow Yun Fat. The two work demolishing old ruins by hand with sledgehammers, while waiting for the estranged wife to return to town.
    The second story follows a nurse who comes to the area looking for her husband, who she has not heard from in two years. She enlists the help of one of his friends to help find him. She suspects rightly that her husband is having an affair. She discovers he is now quite successful, and having an affair with his female investor. When she finally gets to see him, she walks away. When he follows she tells him she is in love with someone else and wants a divorce. Is she really? Does she really? We can suspect, but humans are funny creatures.
    These stories are only marginally interconnected. There are threads that connect them, but only randomly. The two are even on the same boat and witness the same strange event but are totally unaware of each other.
    The strange event that the two witness is only one of a few that I would dare not reveal. They seem so strangely surreal in what appears to be such a grounded film. These moments are so unexpected it is a shock to the viewer's senses. They're perplexing, but I think serve to highlight our tiny existence in an infinite world.
    Jia films with a patient eye, allowing the camera to move slowly and linger on its inhabitants. It's a gorgeous looking movie, special for capturing a 2000 year old landscape in its death throws. There will never be another film like it, because those places no longer exist. That valley is the real star of the film. It's a haunting and otherworldly place where, despite the heat, the sun never shines.
    Despite that the film's focus on the destruction of time and place and our collective loneliness in the modern world, it nevertheless is determined to showcase the depth and capacity in the human spirit. Yes we are but small blimps on the world's radar, a world that isolates and alienates us, but we cope and strive. How? In the connections that bond us as humans. The physical world around us may be washed away, but the friendships and connections we make - no matter how small - remind us that it is often the smallest joys in life that mean the most. And with that, we persevere.
  • December 4, 2007
    The film tells two parallel stories of two people searching for their families in the vicinity of the presently-completed Three Gorges Dam project- a massive hydroelectric dam on the Yangtze River that submerged entire towns and displaced 1 million people, just another cost in th...( read more)e modernization of a nation. However, the loss of their people's homes serves as a background. The film charts the tolls of modernization on the family structure of the protagonists. One woman looks for her husband who she hasn't seen or talked to for 2 years because he was sent to manage the project. The film looks great, as Jia uses the grand vistas of the Three Gorges to full effect. Like his other films he uses mostly nonprofessional actors for realism. There are some curiously surreal moments which I'm not sure how they fit into the film.

    Dong

    The companion piece to Still Life is even more bizarre. It's a documentary that when seen with Still Life mocks the barrier between fiction and documentary. Jia's films always had a edgy documentary feel to them, and this complements those films perfectly.
  • June 6, 2007
    Never has a title been more fit to describe the feel of a movie as it is the case with Still Life. The whole film is practically made out of a series of well composed shots that parade across the screen at their leisure, some slowly, some quite rapidly, but none the less, all thr...( read more)oughout the movie, there is a sense of motionless that can't escape observation. A man comes in search of his wife and daughter 16 years after they left home. A woman comes in search of her husband after being out of contact for two years. Men and women are made virtually into slaves to a project for which, individually, they have no importance, but which takes a sometimes tragic toll on each of their lives, cities are torn down and nature is tamed, all under an empire of washed out, foggy greens, grays and blues that seem to be the perfect setting for melancholy.

    Truth be told, I had expected more from this movie. This is not a WKW production, or a Zhang Yimou production, but it does have a firm directorial hand. There is no sign of Tony Leung, Gong Li or other of the Chinese greats, but the acting is by no means bad. Overall, I think I would have enjoyed it more if my expectations for it had not been so damn high.

    Certainly worth checking out if you are an international cinema fan.
  • November 8, 2009
    LETTERBOX. Sutil e irónica como pocas, conmueve con su contemplación de las naturalezas muertas que vienen y van, que se construyen y deconstruyen. / Subtle and ironic like few films are, it moves with its contemplation of still lives that come and go, that are constructed and de...( read more)constructed.
  • March 7, 2009
    A film about changing China, about the drama of everyday life, about love and desperation. An astonishing film by one of contemporary China's most promising directors.
  • December 11, 2008
    nothanks not my kinda thing
  • October 17, 2008
    No thankyou - Not interested
  • March 28, 2008
    too slow, not much plot. maybe better if the characters had crossed paths or something ? as it was it may as well have been two movies because the two plots are only loosely connected, and only thematically. nice imagery though.
  • July 5, 2007
    This film totally blew my mind. I came to it with no expectation and was left with the utmost respect for who is said to be one of the new great directors of mainland China. The cinematography, sound, and locations are vibrant, in constant motion. The characters are lethargic and...( read more) dull. This film resonates destruction and disorder throughout.

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