Sasquatch Sunset

Consistently weird and frequently wonderful, “Sasquatch Sunset” uses its high-concept premise to consider a host of themes: collective living, coexistence with nature, longing stirred by seclusion.

It's brilliantly filmed, constantly maintains our interest, boasts first-rate prosthetics, and is completely distinct from whatever else is found at the box office. [Full review in Spanish]

A tedious, patience-trying exercise, and the film's juvenile reliance on scatological and anatomical humor grows tiresome.

It’s easy to forget that these are purely mythical creatures; the way the film is made, they seem more like some prehistoric version of mankind, evolving on the go.

Godspeed to those who will embrace its epic-level gross-out factor. I guess I’m just more of a Bucky Badger guy.

A little bit of Bigfoot lore goes a long way (it really does get gross), but the beauty of Sasquatch Sunset is how it depicts humans as mysterious intruders in their world, not the other way around.

A little of what the Zellners are dishing out goes a long way.

Just because characters rut and grunt does not make it feel like a comedy so if you are going for big laughs, you may find them. If you want to be depressed, then this movie is for you.

Sasquatch Sunset isn't for everyone, but it deserves respect for fully committing to an outlandish concept and going with it.

Honestly one of my favorite surprises of the year. I felt nearly every emotion, many of them I did not anticipate at all.