Seed

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Seed

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Seed

Will Sanderson, Ralf Moeller, Michael Paré, Jodelle Ferland, Andrew Jackson

Sam Seed, an insane mass murderer, is scheduled for execution at the hands of Warden Wright. Before the executioner throws the switch, Wright steps in front of Seed, "Do you have any last words?" Seed...( read more  read more... ), " I'll see you again." After three attempts to electrocute, complete with boiling blood that steeps from his eyes, he's still alive. The executioner, Wright & the doctor collectively agree, that the breathing Seed be pronounced dead. He is bound and buried alive. After biting & clawing his way to the surface, Seed, the blood soaked, enraged madman, is now bent on vengeance.

Id: 10997577

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Seed Recent Reviews
  • thefog1331
    February 16, 2009
    thefog1331
    Just because you have the killer watching brutal real-life animal killings and you have the prolonged starvation death of an infant does not mean your movie is shocking. What it does mean is that you suck as a director and can only rely on cheap tactics rather than any kind of ta...( read more)lent.
    Also it has one of the worst CG death sequences ever commited to film. Ever.
    Seriously.
  • Stinger839
    January 26, 2009
    Stinger839
    I feel that I must address the director before his film due to the incredible amount of shit he receives from the internet by people who haven't even seen his movies (or just House of the Dead). Yes, it's Uwe Boll time. Considering the amount of pure crap that emanates from the h...( read more)orror genre, Boll is making better than average flicks. For the horror genre, Boll nowhere near deserves the level of hatred and criticism he gets. All that aside, let me move on to this actual film.

    There's alot not to like about this film. I wish steadicam or a tripod/dolly were occasionally used. The only steady shot is the "hammer scene" (I think it's more a mallet or the back edge of a small hatchet though), but halfway through the scene, the victim becomes CGI and the camera does some instazoom shot when the killer's weapon strikes the victims head; this zoom technique is not used when it is clearly the actor and too opaquely reveals even to an ignorant audience member that we have shifted from practical to digital effects. The scene starts out great, and ends great, but the middle is compromised due to poor CG. I cannot exactly tell in which time period the film is set as some of the set components appear as possible anachronisms. The plot is filled with holes, the first one being: I understand Boll is trying to echo the cliche use of 6's by sending only six cops to take down the killer, but in no time period is that a reasonable amount of force to send to apprehend someone who has murdered 666 people; it's unrealistic and a cheap reason to give the main protagonist stake in the killer's fate. I also don't think ANY institution executes and then buries immediately past the 1960s; the body would have been cremated by the state on an offsite area and not buried on the penitentiary property. The score is atrociously melodramatic and ineffective.

    There is still much to like here. This is the horror genre, so I can forgive some small leaps of continuity and logic as I just described as long as the extreme content can stand on its own. This stuff can. The movie begins with the killer watching real footage of people killing dogs (and it will sicken any sane human). You could accuse the director of using this as a cheap grossout trick, but I like to think of it this way: by showing real violence that disturbs, the director challenges himself to show you simulated violence that will disturb as much. In the final scene of the film, this is achieved and it bookends the movie well, elevating it a bit above its faults. It is a generally accepted rule of screenwriting that no matter how terrible your antagonist, you do not kill a child or family pet in a film; this film breaks both of those rules in the first five minutes. It does what every screenwriting guru says it will - makes the killer wholly unempathetic and will eliminate half of the audience due to immediate walkout (r in this case immediately stopping the DVD and tossing it back in the rental case). I've yet to encounter very many segments which can cause me to stop watching a film, so nothing stops me, especially not here. The killer's obsession with filming time-lapse decomposition is interesting and very cinematic but underutilized in terms of possible thematic resonance. It does serve to make for a fantastically bleak ending though.

    I'd encourage horror viewers to get over your preconceived notions of Uwe Boll and give this flick a try, as it has some great moments and it certainly not as shit as most low budget (or wide release) serial killer movies hurled at genre viewers. Fuck, it's hella better than Hostel and the bulk of the Saw series.

    "Most fucked up" highlight: the first scene and the final scene
  • Mrbishi
    November 6, 2008
    Mrbishi
    Violent and disturbing are all good signs of a horror, this wasnt the reason behind me watching this movie as I was told that there was a message trying to be put into film so I wanted to find out by watching it myself. As the end came about I realised the point which was more th...( read more)an likey trying to be made came from the opening scenes of the movie, yet some may say those scenes were not needed I beg to differ, you go about watching the entire movie and think mmmm yeah graphic but nothing I aint seen in movies such as captivity, vacancy, saw and hostel, then theres the opening scenes and the scene with the hammer and the woman (total standout) and these are key to the ending of the movie where the detective is made to watch........ask youself how much is too much on screen?
  • PvtCaboose91
    October 10, 2008
    PvtCaboose91
    "I want you to find him, I want you to KILL him, and I want you to put him in the ground so he can never come back again."


    Uwe Boll's movies are bad. They are the god-awful creations of a hack director with a disgusting ego whose answer to criticism is to challenge h

    ...( read more)is critics to a boxing match. Boll's movies have made me sick because they are an immoral waste of money, celluloid and time.

    The first few minutes of Uwe Boll's Seed made me sick to my stomach. But it wasn't because of the bad filmmaking being offered...it's because in these opening few minutes Boll has inserted REAL FOOTAGE of ACTUAL ANIMAL TORTURE! He forces his audience to endure REAL FOOTAGE of animals being smacked on the ground until bones are broken, being skinned alive, or being trodden on by malevolent humans. Boll defends his decision with a disclaimer at the beginning of the film, claiming that he's making a statement about humanity. Somehow Boll's disillusioned brain thinks this is justification to use this repulsive footage. But this is a MOVIE Mr. Boll! This is MOVIE for ENTERTAINMENT! How is animal torture entertainment?! If we're speaking in terms of Schindler's List or war movies, the graphic violence is fake and therefore justified. In Sylvester Stallone's Rambo, a few minutes of real news footage depicting the atrocities in Burma was included at the beginning. But this doesn't show anything being killed! It shows the aftermath of battles very briefly. It also HAS RELEVANCE to the rest of the movie. Animal torture being shown to "make a statement about humanity" in a stupid, mindless horror gore-fest is totally unnecessary.

    I never thought it'd be possible, but Uwe Boll has hit an all-time low. Not only does he make woeful movies, but now he prefaces them with real footage of animals being savagely tortured. And this is only the first 4 minutes...

    Here's an interesting fact that adds insult to injury: Uwe Boll has pledged to donate 2.5% of the film's profits to charity to help animal rights groups. 2.5%!?!? That's all he could possibly spare?! Considering the director's reputation, I doubt the film will be very lucrative. I believe charity could be looking at about $10. If Uwe Boll deeply cared about animals like we've been led to believe he does, why not donate all the profits to charity? But no - the director's bank account is more precious than his morals.

    The first few minutes of Seed are bad to the extreme. But what follows is so incredibly terrible that words fail me.

    The plot (if one can possibly call it that) concerns a serial killer known as Seed (Sanderson). Over the course of six years, he's killed 666 people. (How's that for subtlety?) The police capture him (in one of the most bumbling, perplexing, clumsy and incompetent raids in cinematic history) and he's sentenced to execution. The electric chair, though, isn't up to the task. After two jolts of electricity, Seed is still alive. The prison staff are too scared to give him a third shock, fearing the evocation of state law that would set Seed free. So they bury him alive in a flimsy coffin, with his hands tied feebly (the way his hands are tied wouldn't even be able to restrain a dead man). They also bury him in a shallow grave. Oh, and they don't bother to make sure he dies. They just hope he won't escape. Guess what? Seed escapes his grave and wants to go kill some people. Oh joy!

    Seed is 100% unbelievable. Every scene, scenario and character is so preposterous that it's impossible to believe a word of it. Boll wrote the script himself. The concept which had potential is wasted as the film disintegrates into utter silliness. For example, Seed claws himself out of his shallow grave, is able to swim off the island that imprisoned him (this island is like Alcatraz, i.e. impossible to escape via swimming), mysteriously gets the addresses of the cops that wronged him, and is strangely able to travel from A to B without people noticing him. This killer is bulky, well-built and always dons grubby clothing. How can one possibly miss him?! It's also interesting that the killer's victims never seem too fazed about being killed. They lay back and accept their death. And, typical for an Uwe Boll movie, the lack of research shows. While the cops raid a house supposedly inhabited by Seed they don't use their radios, they don't appear to yell for any help, they don't hold their pistols correctly, they don't move correctly, and they are never careful like cops are trained to be.

    I have no idea why, but Uwe Boll decided to revive the dying genre of torture porn. Personally, I detest the torture porn flicks such as the awful Hostel movies. I'm also not a fan of the Saw series, which is gradually declining in quality. Seed is Boll's answer to the most legendary horror movies. Elements of The Texas Chainsaw Massacre are even incorporated. Heck, one scene is even inspired by Kill Bill! Here's the worst part: it never makes a lick of sense. The pacing is sluggish, the editing is choppy, and the structure is messy. Locations aren't even properly distinguished. As a result, I was confused and disorientated.
    Another Uwe Boll tradition: cinematography is woeful. It's obvious the director tried to imbue the film with shaky cam resembling The Texas Chainsaw Massacre or something. But typically, Boll never has a sense of visual elegance. His shots are always disorganised and shaky.

    Boll even damages the film's credibility very early into the film. The cops are hunting Seed. The unimportant cops of course get killed very easily. Seed uses stealth and clever tactics to kill them. Then it comes time to kill the hero. Naturally, the hero takes him down no sweat at all. Seed doesn't use any tactics when fighting the hero and is taken down within a single minute. Righto...

    Uwe Boll filmed Seed back-to-back with Postal and boy is it obvious!! The acting is appalling. None of the actors are suitable for their respective roles. They're all wooden. For 90% of the movie it's as if they're sleep-walking and/or on autopilot. And of course, Boll focuses on his gore effects more than anything else. Boll once criticised Eli Roth and called him a retard for making the same shitty movies over and over again (Pfft. Like Boll can talk). Yet Boll is so disillusioned that he thinks Seed is somehow better than Hostel. It's worse!!! Seed is a mindless gore-fest featuring oodles of unrelenting, unnecessary gore. When Seed kills his victims, it doesn't even seem like there's a reason for him to be doing so. The timeline is so disorganised! However...I can't believe I'm going to say this...but the gore is actually done impressively. There are a few scenes that encompass some really realistic blood and gore. However, this compliment is easily undone as there is never a point for the gore to occur.

    Too many things are going on in the film's 90-minute duration. We're supposed to care about the hero and his family situation, and somehow we're also supposed to case about Seed as well. But Seed has no depth, and the hero is a cardboard cut-out. The characters fall flat.
    There's also a distinct lack of suspense and tension during the gory scenes. The cinematography isn't exciting, the actors look bored and the music isn't at all effective. Altogether, the film is just plain boring and ineffective. The only thing it effectively does is disturb. We watch footage of Seed letting a crying baby, a family dog and a young woman decay into bones. That's disturbing stuff. What's also disturbing is people invested time, money and effort into making this movie. After those cinematic travesties known as House of the Dead, Alone in the Dark, BloodRayne (and its sequel), In the Name of the King: A Dungeon Siege Tale and many more, Uwe Boll is just digging a bigger grave for himself. When I watch a horror movie I want suspense and gore that works in an actual context. What I don't want is completely unnecessary real footage of animals getting skinned and their skulls crushes.

    Seed is too unbelievable to make a statement about humanity (Boll's objective) and too disturbing to be entertaining. We're therefore left with this pile of shit. In a nutshell: Seed is absolutely fucking woeful!
  • DrLappos
    November 22, 2008
    DrLappos
    This was so bad I almost turned it off half way through.....Unbeleivably pointless scenes of dogs bbeing tortured (real as well) turned my stomach from the outset.....and that really isnt easy......Absolute drivel. Shocker was much better.
  • daghka
    December 21, 2009
    daghka
    Sweet, this is a fine one from Boll, and I am one of his fans for sure. This one was particularly daring and the ending left me down for days. Great job.
  • raychamp1
    November 29, 2009
    raychamp1
    I was put off by the footage of actual animal creulity, ie skinning dogs alive and throwing them on a heap of other skinned, dying dogs. It made me as hell. I love hooror flicks buts using actual footage of animals prop for a movie being totured to death is just plain sick. T...( read more)he only saving grace this movie has is that it made more aware of how sick humans can be to animals. Unless you are a demented, sociopath avoid this movie.
  • mercedeslouisa
    October 26, 2009
    mercedeslouisa
    I think this is one of the most Disturbing films i have ever seen in my entire life!!!! the scene where the old lady gets her head smashed in.. nearly made me cry, and the bit where the baby and the dog got left to starve and rotted made me feel sick... and especially the part at...( read more) the beginning.. the animal scene! now is that real!?? cus i heard it was! and it made me cry :/ ...
  • musicmaniac88
    August 12, 2009
    musicmaniac88
    I seemed to like this movie. However the parts of the real animal killings at the beginning of the movie were unneccesary as it was said to show "a form of humanity" of some sort :S. We could've did without that, and also the baby part.
  • jallyjay
    August 1, 2009
    jallyjay
    finally a horror where the bad guy wins,.. nice the head smashing with the axe
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