Tirez sur le pianiste (Shoot the Piano Player)

Tirez sur le pianiste (Shoot the Piano Player) (1960)

  • 95% of critics liked it
    (19 reviews)

  • 87% of users liked it
    (6,307 ratings)

Francois Truffaut's loving homage to Hollywood gangster films is less a plot-filled film noir than a free-associative meditation on the genre. Charles Aznavour stars as a one-time concert pianist who gained fame as Edouard Saroyan but has since changed his name to Charlie Kohler and plays… More

In Theaters
Oct 21, 1960 Wide
Criterion Collection

Critic Reviews

  • Michael Phillips, Chicago Tribune

    The determined jollity of Georges Delerue's saloon piano score, which later opens up to encompass a wide world of romanticism, sets the tone for Francois Truffaut's audacious second feature, made in 1960.

  • J. Hoberman, Village Voice

    Truffaut's form of self-reflection is ultimately a way of playing the audience.

  • Melissa Anderson, Time Out New York

    Often overlooked, Truffaut's wonderful second film stars Charles Aznavour, master of the chanson, in his only collaboration with the director.

  • Bosley Crowther, New York Times

    It is a teasing and frequently amusing (or moving) film that M. Truffaut has made, but it simply does not hang together.

  • Ken Hanke, Mountain Xpress (Asheville, NC)

    One of those rare movies that you're sorry to see end.

Read all 8 critic reviews

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Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Kase V


    Applying all the techniques from the French New Wave, Truffaut's 'Shoot the Piano Player' combines unique wit and thrills that coerce into a solidly original work.

  • Jan Marc M


    A second from François Truffaut, Shoot The Piano Player boldly shoots how the past haunts the present and shall continuously pester the future. Crime, drama, romance, and mystery right on target.

  • Reid V


    A heavily noir influenced crime drama about the inability to escape your past. For only his second feature, this film feels bold and mature. While it is much more stylized than his debut, it still retains a lot of the heart that made the 400 Blows so good.

  • danny d


    at this point, this is probably my favorite of truffaut's films. a simple structure, but laid out without the gimmicks normally seen in films like this. well written and well shot, the film simply executes the story with no wasted time. excellent crime drama.

  • Ken S


    My favorite Truffaut hands down. The camera and storytelling here are so playful, it's easy to see Truffaut's love of the Noir genre. The loose hand held style, rhythmic frequent cutting and the free form jazz soundtrack all bring this down and dirty character piece to… More

Read all 15 featured audience ratings

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Cast

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