Irene Dunne, Allan Jones, Charles Winninger

Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and...( read more  read more... ) his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along.

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70% liked it

713 ratings

Unrated, 113 min.

Directed by: James Whale

Release Date: May 14, 1936

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Flixster Reviews (47)


  • October 26, 2008
    this, fpr the most part, is the quintessential version of the kern-hammerstein classic. the end is what keeps it from being absolutely brilliant. irene dunne and allan jones sing the songs with style and emotion; helen morgan caps off her screen career recreating the role that m...( read more)ade her an icon. and paul robeson sings the classic 'ol man river'.
  • April 25, 2008
    This is a great movie
  • July 19, 2007
    Much better than the 1951 re-make, though that is also a commendable film. It's always great to see Allan Jones outside of the context of the Marx Brothers, and Paul Robeson carries the film with a chilling performance of "Old Man River." This is in many ways a film before its ...( read more)time, with a theme revolving around interracial marriage. Robeson's rendition of "Old Man River" is much more up-tempo and angry than the 1951 version, which focuses more on the hopelessness of the black man in America. Robeson was very much a progressive (and a Soviet sympathiser), so he suffered from blacklisting later in his career. I just watched it for the second time, and there's always something new to see. An incredible example of ensemble acting and performance, one of the highest-caliber musicals ever produced, on stage and screen.
  • March 5, 2007
    Whale is an amazing director and this is seriously underrated.
  • February 3, 2007
    Great music, great Actors, Great everything

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