Sicko (2007)
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93% of critics liked it
(205 reviews) -
87% of users liked it
(237,063 ratings)
After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions toward the topic of health care in the United States in this documentary that… More After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions toward the topic of health care in the United States in this documentary that weighs the plight of the uninsured (and the insured who must deal with abuse from insurance companies) against the record-breaking profits of the pharmaceutical industry. Moore interviews a number of people who have been left broke by medical bills even though they were fully insured, and explains how the corporate drive for profits has left numerous people in financial and medical disarray. After hearing that detainees in Guantanamo have access to free health care, Moore assembles a group of World Trade Center rescue workers to travel to Cuba in order to get the medical help they need for ailments they incurred in 2001. Moore's film debuted at the 2007 Cannes Film Festival. ~ Perry Seibert, Rovi
- Directed By
- Michael Moore
- Genres
- Documentary, Special Interest
- In Theaters
- Jun 29, 2007 Wide
- Studio
- The Weinstein Company
Critic Reviews
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Lisa Schwarzbaum, Entertainment Weekly
If other countries can provide their people with universal health care, why can't we? If we can't, who are we?
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Claudia Puig, USA Today
Though the focus occasionally strays, the film emerges as a fascinating exploration and powerful indictment of a pressing national problem. This is Moore's biggest, best and most impassioned work.
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Dave Calhoun, Time Out
'Sicko' is a quieter, more focused and less feral beast than its predecessor, 'Fahrenheit 9/11', but that's not saying much.
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Andrew Sarris, New York Observer
One may quibble with Mr. Moore's anecdotal oversimplifications and his xenophilic fantasies, but he has struck a socio-psychic nerve in the body politic, generating a feeling of outrage that seems to be reverberating in every theater.
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Jonathan F. Richards, Film.com
This is a movie to see in a theater. It'a group experience. All through the show you'll hear people laughing, crying, muttering, cheering, sighing, swearing, and gasping. And at the end, chances are they'll be on their feet applauding.
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