Al Pacino, Catherine Keener, Evan Rachel Wood

Left in the lurch when a temperamental actress walks off the set, director Viktor Taransky (Al Pacino) is in trouble. Not only is he without a star, but his studio-exec ex-wife (Catherine Keener) fire...( read more  read more... )s him, endangering his chance at a comeback. So he decides to take matters into his own hands ... digitally, that is. He creates the ultimate star: Simone, a beautiful, computer-generated actress who will always do exactly what he says. Or will she?

Flixster Users

36% liked it

2,473 ratings

Critics

51% liked it

154 critics

PG-13

Directed by: Andrew Niccol

Release Date: August 23, 2002

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DVD Release Date: January 21, 2003

Stats: 188 reviews

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Flixster Reviews (188)


  • September 30, 2009
    Interesting idea, I thought it was much better than everyone seemed to think at the time.
  • July 26, 2009
    Depressingly underrated movie, a true little gem of filmmaking. Cute, acid, interesting and engaging. We all know the contemporary Pacino is sadly washed out and hasn't delivered the goods in more than a decade but he's wonderful in this and Rachel Roberts graces the screen with ...( read more)her amazing stage presence, we buy the fact that she is the best actress ever even if she "acts" only for a couple of minutes.

    IMO, the secret behind the failure of this movie is the fact that nobody understood it was a sci-fi, fantasy-drenched satire of the comings and goings of Hollywood and the craze behind superstars, created and destroyed by press and executives alike. People took it too seriously and it was its doom.

    Chill out, grab a nice, comfortable seat and give it a try, you won't regret it.

    (Only one complaint: why is Evan Rachel Wood so dull in this? I mean, c'mon! She's freakin Evan Rachel Wood, for Christ's sake! She's the greatest! There must be some sort of mistake because she's next to boring in this movie. Absolutely not the girl I fell in love with so many years ago. And don't go blaming it on the age: ever since her first film she's that awesome. But I'm sad to report this is her worst performance ever.)
  • July 12, 2009
    have always enjoyed the movies that satirise the movie industry to such a startling degree. Two such films that come to mind are Robert Altman's all-star outing, `The Player' and Peter Weir's tour-de-force of directorial skills, `The Truman Show'. `Simone' is the next one in line...( read more) and matches up to the levels of the former, vaguely similar movies. It is strange how `Simone' is simultaneously highly original and occasionally unoriginal. It recycles elements from those two mentioned films along with the surrealness of movies like `Being John Malkovich'. Luckily, it copies the best elements so the result is a very good one.

    Of course the concept of digitally creating an actress has never been attempted before (hence the poster quote- `a star is. created'). It may sound highly implausible at first, but it isn't surprising that everyone in the world would believe that `Simone' is real. It skates over the surface of Hollywood hypocrisy but never cuts quite deep enough. Much like `The Truman Show', it is done in the delightfully bizarre style that Australian director Peter Weir created in that picture. The director of this film shows great potential for the future if he follows this up well.

    The cinematography is top-notch and it is appropriate that Hollywood has an orange glare while a blue-ish shroud of mist surrounds the indoor areas and studios. The script is brilliant, sharp and witty in some parts, but in others, it seems a little patchy to say the least. The predicted interest curve greatly soars in the first 2 parts, but the surrealness sets in towards the third part, and the comedy becomes increasingly sporadic. While it may seem slightly sour in its offbeat way, it leaves a satisfying taste when the credits roll.

    No one could have done the Viktor Taransky part better than la Pacino himself. He is simply tremendous as the Hollywood producer, and has finally dumped the `hoo-haa' image. It's ironic how Rachel Roberts had to pretend to be digitally created, while her digitised character had to pretend to be a human actress. This is one of the most daring roles in cinematic history and she handles it superbly. Supporting performances deserved some more of the limelight, and it's a shame that they don't get much screen-time. Catherine Keener, Jay Mohr, Jason Schartzmann, Elias Koteas and Winona Ryder (brilliantly parodying herself) do well in their small roles, but still needed a bit more conviction.

    The movie's greatest powers and occasional flaws lie in the close attention to detail. The visual effects on the computer-generated character are a pleasure to watch and real candy for the eyes. The references to other stars (Sophia Loren, Jodie Foster etc.) are always funny, as is Simone's acceptance speech at the Oscars. It's just a shame that they used fake actresses for the other nominations.

    The oddest PG movie you will probably ever see, `Simone' is a memorable, exuberant movie experience. I am puzzled by the `hit and miss' reviews it received and how it was ignored at the box-office. This is a great satire on Hollywood.
  • December 21, 2008
    I picked this out of the bargain bin a long time ago. But never got around to watching it.

    Finally watched it a few days ago, and it was a lot different than I expected. Different in a good way. Full review coming soon.
  • September 4, 2008
    meh
  • October 31, 2009
    Such an underrated movie. Brilliant satire of modern movie industry.
  • October 5, 2009
    nice one..with many many flows but also with many +++
  • September 30, 2009
    muy diferente a todas las peliculas, yo quiero una asi
  • August 9, 2009
    I've watched this movie 5 times.. But that might be because my name is Simone too xD
  • August 8, 2009
    I really loved this movie 9142002

Critic Reviews


August 23, 2002
Claudia Puig, USA Today

A witty and sharply written Hollywood satire that is entertaining, if a bit directionless. full review

August 23, 2002
Moira MacDonald, Seattle Times

While Simone has its strengths, perhaps we should have waited for version 2.0. full review

August 23, 2002
Mick LaSalle, San Francisco Chronicle

Uses a premise involving fantasy computer technology as a jumping- off point to say some pertinent things about longing and idolatry in the modern age. full review

August 23, 2002
Roger Ebert, Chicago Sun-Times

It's fitfully funny but never really takes off. full review

August 23, 2002
Ty Burr, Boston Globe

A ragbag of promising ideas and failed narrative, of good acting and plain old bad filmmaking. full review

August 22, 2002
Steven Rea, Philadelphia Inquirer

Simone, for all its flaws, offers an enjoyable look at the machinations of moviedom and fame. full review

August 14, 2002
Peter Travers, Rolling Stone

Niccol doesn't just make his point about the death of authenticity in today's Hollywood, he hammers it home until the movie collapses. full review

View more Simone (S1m0ne) reviews at RottenTomatoes.com

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