Slacker (1991)
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84% of critics liked it
(32 reviews) -
77% of users liked it
(8,496 ratings)
One of the key American independent films of the 1990s, Richard Linklater's feature debut is an audacious look at the twentysomething culture in the college town of Austin, Texas. Set over the course of a 24-hour period, the film is a collection of short, unconnected glimpses into the dropout… More One of the key American independent films of the 1990s, Richard Linklater's feature debut is an audacious look at the twentysomething culture in the college town of Austin, Texas. Set over the course of a 24-hour period, the film is a collection of short, unconnected glimpses into the dropout subculture, touching base with a variety of musicians, students, street people and general eccentrics. While there's no real plot to speak of, Linklater's eye for nuance and gift for dialogue are superb, and the portrait he paints is so uncannily accurate that the term "slacker" was almost immediately co-opted as a media buzzword, one interchangeable with the similarly-overused "Generation X." Regardless, the film is an evocative reflection of a community and its culture and remains a definitive artifact of its time and place. ~ Jason Ankeny, Rovi
- Rating, Runtime
- R, 1 hr. 45 min.
- Directed By
- Richard Linklater
- Written By
- Richard Linklater
- Genres
- Drama, Classics, Comedy
- In Theaters
- Jul 5, 1991 Wide
- On DVD
- Sep 14, 2004
- Studio
- The Criterion Collection
Critic Reviews
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Peter Travers, Rolling Stone
What Linklater has captured is a generation of bristling minds unable to turn their thoughts into action.
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Hal Hinson, Washington Post
This is a work of scatterbrained originality, funny, unexpected and ceaselessly engaging.
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Desson Thomson, Washington Post
The experience is funny, surreal and weird. Sometimes it's even scary.
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Roger Ebert, Chicago Sun-Times
A movie with an appeal almost impossible to describe.
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Cole Smithey, ColeSmithey.com
[VIDEO] "Slacker" is a hallmark of American independent cinema because it is so thoroughly original in its concepts and execution.
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Dennis Schwartz, Ozus' World Movie Reviews
The indie film has a fresh feel.
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Emanuel Levy, EmanuelLevy.Com
A charming ensemble piece, that may be the ultimate campus comedy, about media-fixated, affectless youngsters who became spokepersons for Generation X
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Nick Schager, Lessons of Darkness
An exercise in meandering self-importance.
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Rob Thomas, Capital Times (Madison, WI)
A brilliant film that plays like a chain of linked short short stories.
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Phil Villarreal, Arizona Daily Star
A landscape-changing film for what it represents, as well as for what it contains.
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Jay Antani, Los Angeles Alternative
A landmark by an American master
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Jake Euker, F5 (Wichita, KS)
The least you can say for it is that it's unique. The best is that it's a landmark and a hilariously funny film.
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Rumsey Taylor, Not Coming to a Theater Near You
Slacker is populated by new-age beatniks with neither fashion nor poetry, populating a culture that's distinguished by its lack of culture.
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James Kendrick, Q Network Film Desk
one of those rare films that captured a particular bit its era's zeitgeist, thus guaranteeing it a form of immortality that transcends its artistic merit
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Randy T
A series of vignettes on life as a twenty-something resident in and around the city of Austin, Texas. Known in some circles as a "cult classic", <i>Slacker</i> features atrocious acting, shaky camera work and Madonna's pap smear. -
Melvin W
Anti-Artist: Uh, I don't do much really, I just read, and work here, and, uh, sleep and eat, and, uh, watch movies. This review is going to be pretty short, as there's nothing really worth talking about. Slacker is a plotless film that follows losers around. Most of the… More
Anti-Artist: Uh, I don't do much really, I just read, and work here, and, uh, sleep and eat, and, uh, watch movies. This review is going to be pretty short, as there's nothing really worth talking about. Slacker is a plotless film that follows losers around. Most of the time, these losers think they are geniuses. They talk about complicated issues, and give their theories on these issues. Every person the movie follows is that guy or girl you see on the street that starts talking to you about shit you don't care about. The only thing you can think about when around them is, I wanna get the fuck away from this weirdo. Linklater made some good movies after this, and a bunch of critics adore this film. In my opinion, it is useless and boring. If listening to crackpots talk about nothing that really matters is your idea of a good time, have at it. I'll take Dazed and Confused, and Suburbia over this. -
Coxxie M
if i was a cab driver who went to bed at 2:00 every morning and woke up at 4:30 every morning and worked with shitty, racist, boring, stupid people and had to drive a shitty car that worked less than half the time and had to drive around ugly places and pick up different shitty,… More
if i was a cab driver who went to bed at 2:00 every morning and woke up at 4:30 every morning and worked with shitty, racist, boring, stupid people and had to drive a shitty car that worked less than half the time and had to drive around ugly places and pick up different shitty, boring, pretentious people like the one in the first monologue (Richard Linklater) and this stale prick started babbling at my fucking tired, shitty personality about quantum science and lucid dreaming or what the fuck ever then i think i would be fairly entitled to do what Robert De Niro did at the end of "Taxi Driver." -
Jim H
This film depicts various characters in Austin, all of whom share the same post-modernist, anti-establishmentarian philosophy. The beginning of the film shows a man getting into a taxi cab and discussing quantum physics with the cab driver. When he gets out, the film's focus… More
This film depicts various characters in Austin, all of whom share the same post-modernist, anti-establishmentarian philosophy. The beginning of the film shows a man getting into a taxi cab and discussing quantum physics with the cab driver. When he gets out, the film's focus switches to another story about a woman who got run over. The focus of the film gets passed from character to character over the next hour and forty-five minutes. It's an interesting idea - passing the film's action like a hot potato - but I found two major issues with the execution. First, every character is interchangeable. I can't imagine the quantum physics guy radically disagreeing with the conspiracy theorist or the old anarchist. The film could have been one long monologue by the same character; it seems only coincidental that it's divided into different people. Second, the stories are often senseless and pointless. Yes, I understand that the point of <i>Slacker</i> is to portray slackers who, on the surface, may lead senseless and pointless lives, but there are occasions when the bullshit these characters spew becomes overwhelmingly deep. The film defies all the usual structural demands; there's no climax, rising action, or denouement. It just ends. And overall, when it did, I though that I had just completed a chore, a marathon that got me nowhere and taught me nothing. -
Graham J
A very original debut from Richard Linklater. -
Chris W
Richard Linklater's debut film is one I was expecting to (or figured I would) love. Instead, I merely really like it. For now it gets a strong B+. Many of his trademarks (which coincidentally arew things I like anyway) show up here: rambling conversations (often… More
Richard Linklater's debut film is one I was expecting to (or figured I would) love. Instead, I merely really like it. For now it gets a strong B+. Many of his trademarks (which coincidentally arew things I like anyway) show up here: rambling conversations (often intellectual/philosophical in nature), haivng the movie take place over the course of roughly 24 hours, oddball characters, long takes, and tracking shots. There is no pliot here, which'll alienate a lot of people, but I mostly liked that. This is essentaiily a plotless tour through the bohemian or slacker culture of Austin, Texas where the audience follows people from one conversation to another (it's a cool technique) and gets a glimpse at some oddball people that can be really fun to listen to. The film is something of a generational statement defining what makes Generation X tick. I't kind of plays like a free-form documentary, which is kind of cool. It's hard to tell how many of the people are really actors, and how much acting is really happening. Of the many eccentric characters, my two favorites are the Madonna Pap Smear Pusher (Butthole Surfers drummer Teresa Taylor) and an edlerly anarchist who befriends a guy who tries to burglarize his house. They probably are also the funneist and most interesting, but that's just me. I just wish that Taylor would have had more screen time. Even though this film is an acquired taste, it's still gonna have a limited appeal. I'd give it a higher grade, but it was a little more boring than I thought it might be, and also a bit too long and rambling. I'm glad I saw it though because it kind of seems like the sort of thing that I myself would make (or would like to). Probably the greatest compliment I can pay this film is that it really helped push along the independent film scene of the 1990s. Without this film Kevin Smith wouldn't have a career, and the popularizing of the slacker culture wouldn't exist, and not having those two things would be a real shame. -
Conner R
It's a very particular type of movie. While I didn't find it all that fun or entertaining, it's a very important story being told. Generation X's meaning is literally being displayed on camera. A lot of the dialogue is obviously improvised and at times it feels… More
It's a very particular type of movie. While I didn't find it all that fun or entertaining, it's a very important story being told. Generation X's meaning is literally being displayed on camera. A lot of the dialogue is obviously improvised and at times it feels more like a mockumentary than a narrative, but that's not necessarily a bad thing. It's just frustrating at times when you're used to expecting a straight forward movie. -
Nicki M
Interesting. Not a lot happens and there's no real plot to talk of, but it does have some appeal. What that is, I couldn't quite say. -
Aaron N
Working on Same Painting: Sorry, I'm late. Having a Breakthrough Day: That's okay, time doesn't exist. The first film written and directed by Richard Linklater, this is a uniquely-structured and plotless film, following a single day in the life of an ensemble of… More
Working on Same Painting: Sorry, I'm late. Having a Breakthrough Day: That's okay, time doesn't exist. The first film written and directed by Richard Linklater, this is a uniquely-structured and plotless film, following a single day in the life of an ensemble of mostly twenty-somethings in Austin. The film follows various characters and scenes, never staying with one character or conversation for more than a few minutes before picking up someone else in the scene and following them. Old Anarchist: And remember: the passion for destruction is also a creative passion. The movie is literally about nothing. We meet a whole assortment of characters, never see them again after their scenes consisting of either banter or dialog, and the movie eventually ends without having any standard structure. This is the kind of things some cult films are made of. Disgruntled Grad Student: Every action is a positive action, even if it has a negative result. Obviously done very cheaply and with no professional actors, the movie still manages to work due to the fact that the dialog is interesting, sometimes funny, but consistently approached in some sort of surrealist manner. Hitchhiker: Every single commodity you produce is a piece of your own death! This was one of the several films in the 90s that brought in the wave of independent films to wider audiences. It is also the film that inspired Kevin Smith to become a filmmaker. These points do not necessarily mean anything, but in terms of relating it somehow to someone, this is the kind of movie it is. Nothing happens, but it is filled with conversations that are interesting and intriguing. Yep, that is what will pass as a recommendation. Has Conquered Fear of Rejection: Do you have a car? S-T-E-V-E with a Van: Do you have a car, I have *a van*, lets go! -
Lenny M
The movie is pointless. -
Michael S
The greatest movie about people doing nothing you'll ever see. -
Michael G
Very creative and really well done. -
Brandon K
Pretentious isn't quite the word, but I suspect Linklater thought a lot of these conversations (and I use "conversations" lightly as it's more of a series of monologues) were a lot funnier or more interesting than they actually are. -
Sarah B
Richard Linklater is definitely a god of filmmaking. I never thought that I could enjoy a film that's little more than people simply walking around and talking and to be fair, that's what this film is; constant dialogue. This film is said to have inspired Kevin Smith to… More
Richard Linklater is definitely a god of filmmaking. I never thought that I could enjoy a film that's little more than people simply walking around and talking and to be fair, that's what this film is; constant dialogue. This film is said to have inspired Kevin Smith to become a filmmaker so do you really need any more incentive to watch it? I think not. -
Linda K
This awesome film might not have a linear narrative but the discussion which the characters are having are brilliant! Linklater did a good job as a first time director! -
Sean L
In theory I love this movie. In reality I don't even like it. It's a great concept and Linklater's direction is very good. Unfortunately I just didn't care for about 90% of the characters, and their conversations were mostly boring. Once or twice I'd get… More
In theory I love this movie. In reality I don't even like it. It's a great concept and Linklater's direction is very good. Unfortunately I just didn't care for about 90% of the characters, and their conversations were mostly boring. Once or twice I'd get pulled in by a character, but then it would move on and I'd lose interest again. I respect the spirit of it, but I didn't really like it. -
Tom S
I may completely forget about this or it may become one of my favorite movies ever. There's really no in between. We'll see. -
Patrick D
It's like a journey through lifes of people who don't do a whole lot. It's like a stream of consciousness that is actually a series of snapshots of lives. It's pretty engrossing, if you let it in with open arms. -
Wu C
What's the fuss about?
Cast
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Richard Linklateras Should Have Stayed at the Bus Station -
Mark Jamesas Hit-and-run Son -
Stella Weiras Stephanie from Dallas
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John Slateas "Conspiracy A-Go-Go" Author -
Louis Mackeyas Old Anarchist -
Joseph L. "Mr. Spoons" Jonesas Old Man Recording Thoughts
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Brecht Anderschas Dostoyevsky Wannabe -
Aleister Barronas Peeping Kid -
Rudy Basquezas Taxi Driver
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Albans Benchoffas Coke Machine Robber -
Nigel Benchoffas Budding Capitalist Youth -
Stewart Bennetas Sitting on Ledge
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Louis Blackas Paranoid Paper Reader -
Bob Boydas Officer Bozzio -
Meg Brennanas Sitting at Cafe
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Eric Buehlmanas Cafe Card Player #2 -
Jean Caggeine -
Lori Cappas Traumatized Yacht Owner
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Jennifer Carrollas All-Night Partier -
Sean Coffeyas Super 8 Cameraman -
Janelle Coolich
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Brian Crockettas Sadistic Comb Game Player -
Jerry Deloneyas Been on the Moon Since the 50's -
Samuel Dietertas Grocery Grabber of Death's Bounty
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Daniel Duganas Comb Game Player -
Keith Fletcheras Cafe Card Player #1 -
Skip Fulton Jr.
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Regina Garzaas Smoking Writer -
Charles Gunningas Hitchhiker Awaiting "True Call" -
Ed Hallas Band Playing at Club
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Sarah Harmonas Has Faith in Groups -
Jan Hockeyas Jogger -
Stephan Hockeyas Running Late
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Phillip Hostakas Hit Up for Cigarettes -
Bruce Hughesas Card Playing Waiter -
Marianne Hyattas Late Night Pick-up
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Stephen Jacobsonas S-T-E-V-E with a Van -
Terrence Kirkas Officer Love -
Dan Kratochvilas Espresso Czar/Masonic Malcontent
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Shelly Kristaponisas Shoplifter -
Kim Krizanas Questions Happiness -
Michael Lairdas Burglar
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Gina Lallias Sidewalk Psychic -
Kelly Linnas Bike Rider with Nice Shoes -
Eric Lordas Doorman at Club
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D. Angus MacDonaldas Video Playing Store Security -
Nick Maffei -
R. Maliceas Scooby Doo Philosopher
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Scott Marcusas Ultimate Loser -
Ron Marksas Bush Basher -
Kathy McCartyas Anarchist's Daughter
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Keith McCormackas Street Musician -
D. Montgomery -
Abra Mooreas Has Change
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Nolan Morrisonas To Be Buried By History -
Charlotte Norrisas Convertible Driver -
Frank Orrallas Happy-Go-Lucky Guy
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Tom Pallottaas Looking for Missing Friend -
Debbie Pastoras Wants to Leave Country -
Robert Piersonas Based on Authoritative Sources
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Gary Priceas Watching Early Morning TV -
Mark Quirkas Papa Smurf -
Rachel Reinhardt
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Tamsy Ringleras Video Interviewer -
Sharon Roosas Devoted Follower -
Kyle Rosenbladas Going to Catch a Show
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Luke Saviskyas Video Cameraman -
Jennifer Schaudiesas Walking to Coffee Shop -
Lucinda Scottas Dairy Queen Photographer
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Susannah Simoneas Working on Same Painting -
Kendal Smithas Post-Modern Paul Revere -
Annick Souhamias Has Conquered Fear of Rejection
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John Spathas Co-op Guy -
Kalman Spellitich -
Maris Strautmanisas Giant Cappuccino
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Don Stroudas Recluse in Bathrobe -
Patrice Sullivanas Day Tripper -
Teresa Tayloras Papsmear Pusher
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Scott Van Horn -
Gus Vayasas Cranky Cook -
Mimi Vitettaas Teacup Sculpter
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Clark Lee Walkeras Cadillac Crook -
Wammoas Anti-Artist -
Greg Wardas Tosses Camera Off Cliff
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Heather West -
Kevin Whitleyas Jilted Boyfriend -
Greg Wilsonas Anti-Traveller
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Lee Danielas GTO -
Scott Rhodes -
Robert Jacksas Club Owner [uncredited]
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Kevin Thompson -
Mark Harrisas T-Shirt Terrorist -
Steve Anderson (V)
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