Slaughterhouse-Five (1972)
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77% of critics liked it
(13 reviews) -
66% of users liked it
(5,915 ratings)
"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a… More "Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, Rovi
- Directed By
- George Roy Hill
- Written By
- Stephen Geller, Kurt Vonnegut Jr.
- Genres
- Classics, Comedy, Drama, Science Fiction & Fantasy
- In Theaters
- Mar 15, 1972 Limited
- Studio
- Universal Pictures
Critic Reviews
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Christopher Lloyd, Sarasota Herald-Tribune
The film captures the essence of the book even while diverging from it. Vonnegut himself always claimed to be extremely pleased with it.
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Pablo Villaca, Cinema em Cena
Embora consiga se manter fiel à trama e à estrutura narrativa do fabuloso livro de Vonnegut, falha por não ter força dramática e por captar apenas parcialmente a intensa mensagem anti-belicista da obra original.
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Ken Hanke, Mountain Xpress (Asheville, NC)
Interesting, if not fully realized, version of the Vonnegut novel.
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Jon Niccum, Lawrence Journal-World
The best of the Vonnegut adaptations
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Cast
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Michael Sacks
as Billy Pilgrim
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Ron Leibman
as Paul Lazzaro
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Eugene Roche
as Derby
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Sharon Gans
as Valencia
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Valerie Perrine
as Montana Wildhack
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Roberts Blossom
as Wild Bob Cody
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Lucille Benson
as Billy's Mother
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Sorrell Booke
as Lionel Merble
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John Dehner
as Rumford
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Stanley Gottlieb
as Hobo
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Perry King
as Robert Pilgrim
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Gilmer McCormick
as Lily
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Holly Near
as Barbara
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Richard Schaal
as Campbell
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Gary Waynesmith
as Stanley
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Henry Bumstead
as Eliot Rosewater
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Kevin Conway
as Weary
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John Wood
as Englishman
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Karl Otto Alberty
as German Guard
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Frederick Ledebur
as German Leader