[font=Arial][color=DarkRed]Frost/Nixon - The adaptation of the hit stage play, with its original leads, is an intellectually stimulating experience and a fluid adaptation from stage to screen, thanks to director Ron Howard. The acting is top-notch; Frank Langella may not readily… More
[font=Arial][color=DarkRed]Frost/Nixon - The adaptation of the hit stage play, with its original leads, is an intellectually stimulating experience and a fluid adaptation from stage to screen, thanks to director Ron Howard. The acting is top-notch; Frank Langella may not readily resemble President Richard Nixon but he inhabits the man completely. In a surprising twist, [i]Frost/Nixon[/i] is not a heavy-handed story that merely beats up on an antagonist that can no longer defend himself. Nixon's faults are not excused but the man is presented in a deeply humanistic portrayal. This isn't a mustache-twirling rogue but a man who came from abject poverty, who rose above his critics who dismissed his humble beginnings, and who has regret and shame for what transpired while he was in office. And he's funny. Nixon is a funny man. Characters are not just political punching bags here. Peter Morgan's screenplay, based upon his stage play, brings tremendous excitement to the art of debate, framing it like a boxing match. The sparring side notes present some of the more fascinating details between the series of four interviews between Nixon and British personality David Frost (Michael Sheen). But here's the thing. [i]Frost/Nixon[/i] is an entertaining movie but once it's over it completely vanishes from your brain. It leaves little impact. The movie tries to make Frost's coup a bigger deal than it was. The film is constantly trying to convince you of its importance. It's a swell time for two hours but after that, what? Obviously the grilling of the president for getting away with crimes in office is supposed to be a statement on the outgoing President Bush, but what? Should we hope that an unassuming figure much like Frost will be able to get Bush to open up his soul? Get Regis Philbin on the phone.
Nate's Grade: A-
Changeling - This is one crackerjack of a story. The true-life tale of a mother, Christine Collins (Angelina Jolie), who loses her son, only to have the LAPD give her a different boy is easily gripping. The pace is a bit elegiac but the movie never gets boring, partly because Christine is beset by a multitude of adversity by the corrupt members of the 1920s LAPD who want the case to go away. [i]Changeling[/i] can seem to fall prey to outrage cinema, and the audience is clearly going to demand some justice after watching Christine undergo a torture chamber of abuse. And justice is what we get. The last 45 minutes of this movie is protracted courtroom sequences where the antagonists get stomped upon with righteous fury. It just keeps going on and on, as if to compensate for the massive grievances Christine endures. Writer J. Michael Stracynzski ([i]Babylon 5[/i], my wife's favorite TV show of all time) makes the drama stick close to the facts of the case, which is admirable but it also makes [i]Changeling [/i]anchored to reality when there is nothing, repeat nothing, subtle in this movie. It's hardcore melodrama all the way through, but I didn't mind one bit. Jolie's frantic performance suits the melodramatic material. She leaves it all on the floor, as they say in sports. Clint Eastwood doesn't seem to be too enraptured by the material, routinely slipping into his understated direction that seems at odds with such a juicy story. [i]Changeling[/i] feels like a tremendously fascinating story that isn't necessarily presented in the best fashion. Still, this is fine stuff.
Nate's Grade: B+
Snow Angels - Director David Gordon Green is likely the most observant auteur today when it comes to exploring the realities of life in small towns. [i]Snow Angels[/i] is a somber drama that follows an estranged couple (Sam Rockwell, Kate Beckinsale) going through the hard times of life in a snowy rural town. The couple is also beset by some tragic accidents that come in at the appropriate time, an hour into the film, which means that we've gotten to know the characters enough to build a relationship with them and also that there will be plenty of time left to watch these characters react. The movie has a handful of interrelated characters that don't all sustain the same level of interest. Watching a band geek lose his virginity to a smart girl (Oliva Thirlby, deflowering her second 2008 virgin) is just not comparable to other storylines. [i]Snow Angels[/i] has an astute sense of resignation throughout, like the characters know they will forever be stuck in dead-end jobs and live the rest of their lonely lives as fated. The movie takes some very dark turns but they feel authentic to the drama. Green creates such a rich portrait of despair and the inequities of small town life.
Nate's Grade: B
The Incredible Hulk - Maybe the American public just doesn't care for the jolly green giant. The second incarnation of a big screen Hulk flick is better paced, with more action sequences and better special effects, but I just kept shrugging my shoulders the whole time. I was never truly engaged by the movie at any point. Edward Norton fills the role of Bruce Banner for the second go-round and does an admirable job. The climax involving one giant CGI monster battling another giant CGI monster gets tiresome. This is a fairly middle of the road movie that might pass the time but does little else with style.
Nate's Grade: B-
The Bank Job - An intelligent and rather crackling heist movie that also happens to be based on a true story. The 1971 British bank heist has so many characters involved that you may need a helpful cheat sheet, especially when it comes to varied loyalties. There are three separate groups all playing their own game, and when the heist doesn't go exactly according to plan, and then the movie gets even more complicated. It's a flavorful and funny heist movie that also doesn't ignore the severe repercussions and life-and-death stakes. [i]The Bank Job[/i] is an engrossing crime caper that still manages to thrill and surprise an audience.
Nate's Grade: B+[/color][/font]