Tia Texada, Derek Luke, Val Kilmer

The investigation into a kidnapping of the daughter of a high-ranking US government official.

Flixster Users

62% liked it

9,776 ratings

Critics

64% liked it

129 critics

R, 1 hr. 46 min.

Directed by: David Mamet

Release Date: March 12, 2004

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DVD Release Date: June 15, 2004

Stats: 614 reviews

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Flixster Reviews (614)


  • November 1, 2009
    Solid action adventure with val kilmer.This being hes last big screen film before driving into direct to video trash!!This is gripping to the end with excellant performance thru out.
    Worth checking out.
  • October 20, 2009
    i'm really starting to like val kilmer, well, when he plays these kinda hard faced roles. a solid thriller with a good script!
  • June 14, 2009
    The beginning is nothing but confusion. Sure, the agent Val Kilmer is playing is introduced while training recruits and then gets thrown into his most dangerous case. From here on the audience is introduced to a lot of nameless characters doing a lot of random things until things...( read more) finally get a little clearer and we learn that the agent has to find the president's hijacked daughter. From here on the plot takes quite a few turns and it's impossible to say where the movie is going next, which adds to the confusion but also keeps it at a very entertaining level. Val Kilmer is a convincing loner, William H. Macy is hopelessly underused and all minor characters don't live long enough to be even mourned. In the end that makes for a decent action thriller, which could have been even better with a straighter outline and a little more care for the side characters. But still, fans of the genre should be satisfied.
  • April 15, 2009
    "It's all in the mind, sergeant. That's where the battle's won."

    The title of David Mamet's military thriller, Spartan, refers to no single character, bit of dialogue, or plot point. It's probably the first film in history named after its directorial style - clean...( read more), crisp, and economical. Mamet is a world-renowned playwright and a successful film director known more for electrically florid wordplay than, well, sparseness. In this tale of international kidnapping, however, Mamet leaves the audience barely enough bread crumbs to keep up, instead creating taut, bracing scenes devoid of anything one might consider extraneousness. In this case, it marvellous proves that less really is more. Spartan is charged by its cool-edged simplicity, fuelled by its rigorous adherence to the narrative, and any intelligent audience member willing to engage will find it significantly more fulfilling than an action film has any right to be.

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    It's evident from the opening frames that we're in for a distinctively different ride. Gone are the self-reflexive monologue backstories that fill in the blanks of most screenplays - in their place is a steel-eyed military advisor with the single name of Scott (Val Kilmer), training recruits in a foreign wilderness. As abruptly as we arrived in this landscape, we leave it behind, suddenly embroiled into a kidnapping of an unnamed girl who clearly requires much more attention than the federal government normally metes out. Surprising turn follows surprising turn, never bending into sentimentality or genre cliché. This is a crime thriller for the terrorist age, and the stakes of the game are significantly altered - we're in an international landscape that spins on more than one axis: political, religious, geographic, and covert operations. It is just about the smartest film one can possibly imagine in the genre it redefines.

    Not only is Spartan truly spartan, but so are its refreshing performances. Kilmer is grounded, subdued even, but never weak; his barely concealed instincts are as blade-sharp as the German hunting knife he carries. The moments of surprise - and there are many of them - are registered to great effect in Scott's reactions, who seems almost as shocked by some quick turns as we are. Kilmer is new to the world of Mamet, and it seems to have brought out the best in him and in the director, who clearly relishes the heroic impulses of his star. The only regular of Mamet's stable, actually, is long-time collaborator William H. Macy, who seems to be making a cameo until his character suddenly becomes very, very important. (But not at all in the way one thinks.) Two young actors who made interesting debuts in recent years, Derek Luke (Antwone Fisher) and Aaron Stanford (Tadpole), seem a bit out of their depth in Mamet's intricate universe, but both give it an admirable try. Ed O'Neill continues a career re-imagination as the hard-nosed bureau chief whose ethics shift with the political winds.

    There's almost a menacing snarl to Spartan, which begins intensely and finishes the same; its rhythms are those of a mystery, but a mystery as filtered through an Ironman competition. There's a grittiness itching beneath the smooth-as-silk cinematography by Juan Ruiz Anchia, a bombast hiding in the minor chords of Mark Isham's minimalist score. It's as if the whole film is straining at its bonds, ready to leap off the screen at any moment. That's called dramatic tension, my friends, and it's what all great films are made of. The struggle between the power of its story and the simplicity of its design makes Spartan well worth the time of any serious filmgoer.
  • September 9, 2008
    Scott: In the city there is always a reflection, in the woods always a sound.
    Curtis: What about the desert?
    Scott: You don't wanna go to the desert.

    A thriller involving a special agent assigned to find the kidnapped daughter of the president, written and directed by snappy, t...( read more)o-the-point dialog driven playwright David Mamet.

    This means that there is a lot of real dialog spoken without a minute to lose as well as lots of twists and turns. The way people talk is the way they are supposed, without giving exact meanings to certain phrases directly to audiences, its also very vulgar at times for no real reason except to give it a more macho feel. This can confuse some or make others more engaged.

    The movie centers around Val Kilmer's character, Agent Scott, and he does a good job as a special agent of some sort, who works for the government and takes this matter into his hands. Derek Luke also joins him, helping him out along the way.

    Scott: You need to set your motherfucker to "receive".

    Rounding out the cast, you have Ed O'Neill and William H. Macy to keep things interesting, as well as other recognizable faces from other Mamet flicks.

    Scott: Honey, you got all the slack in the world until I leave this room. Then I'm gonna zero you out.

    The movie is full of twist and turns, a couple cool action scenes and gun play. Mamet specializes in stories focusing on variations of con games, so this is basically like a political thriller version of that, and it's very entertaining.

    Scott: The smell of American cigarettes flows through the air out here. That's why you never go to the desert.
  • July 25, 2009
    Mamet's super-spy thriller plays like a braniac's '24: The Movie', but it's so much better. It moves at a mile a second, never stopping to tell you what's happening. The mark of a great film? That you always know regardless. Kilmer pushes the thing forward with a compelling perfo...( read more)rmance, one his best. The real star, however, is Mamet's odd-ball dialogue. The plot itself is never clear until its over, and even then you're left putting pieces together. You can almost see its shape, at least you think you can, but it's been photographed at the far-side of the bar in a Tony Scott film -- it's just that murky. Throw in William H. Macy, Ed "Al Bundy" O'Neill and a pre-'Veronica Mars' Kristen Bell, and I'm in, every time.
  • June 20, 2009
    took about the first 1/2 hour to really get an understanding of what was happening with Mamet's direction/character development....but was interesting as the story developed. Ed O'Neil was impressive with his bit part, first time I've seen him in a serious role
  • June 15, 2009
    Val Kilmer's acting took a nosedive in this film. Derek Luke was alright. The movie is about secret service agents trying to rescue a kidnapped American girl. If you are extremely bored...watch this movie.
  • May 23, 2009
    ridiculously unlikely storyline... coincidence galore... terrible script and acting to boot
  • March 8, 2009
    Action and suspense from David Mamet. Also a good performance from the versitle Kristen Bell.

Critic Reviews


May 4, 2005
Nick Schager, Lessons of Darkness

Barely memorable. full review

March 21, 2004
Stephanie Zacharek, Salon.com

Spartan is the same old stuff, but now it's been thoroughly Mametized, like a spray-on treatment you could spritz out of a can. full review

March 12, 2004
David Edelstein, Slate

The first hour of Spartan can make you sick with dread, like the first season of the TV series 24 ... The last half-hour of Spartan is still entertaining, but it's laughable. full review

March 12, 2004
Mick LaSalle, San Francisco Chronicle

A cold piece, mechanistic and only intermittently involving. full review

March 12, 2004
Roger Ebert, Chicago Sun-Times

The particular pleasure of Spartan is to watch the characters gradually define themselves and the plot gradually emerge like your face in a steamy mirror. full review

March 11, 2004
A.O. Scott, The New York Times

David Mamet's political thriller manages the difficult trick of being both logically meticulous and genuinely surprising. full review

March 11, 2004
Peter Travers, Rolling Stone

Imagine David Mamet rewriting his political satire Wag the Dog as a joke-free kidnap drama. Or don't imagine, just pony up for the glum spectacle of Spartan. full review

March 11, 2004
Colin Covert, The Minneapolis Star Tribune

Mamet creates a narrative so complex that it's scarcely worth the effort to unravel it. full review

View more Spartan reviews at RottenTomatoes.com

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Spartan Trivia


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