Featured Audience Ratings

• Devon B

  
  Harold Lloyd's final silent feature offers a glimpse at New York City dating back to the 1920s. Lloyd plays an aimless young man who goes from job to job (some misfortune always strikes, causing his unemployment), while working towards the opportunity to marry his girlfriend.… More
  Harold Lloyd's final silent feature offers a glimpse at New York City dating back to the 1920s. Lloyd plays an aimless young man who goes from job to job (some misfortune always strikes, causing his unemployment), while working towards the opportunity to marry his girlfriend. His girlfriend's granddad is the owner of the city's last horse-drawn trolley car, although recently there have been attempts to buy him out. The movie has a fairly standard plot for a silent film: the hero saving the girl and her family's farm/business from the evil banker, but Lloyd brings his own unique perspective to it. Highlights include a trip to Coney Island's "Luna Park" (closed now since 1944), a trolley car chase through old Manhattan, and of course the appearance of baseball legend Babe Ruth. A movie visit to Coney island wouldn't be this enchanting again until "The Little Fugitive". "The Witching Waves" were particularly interesting (how'd they get the floor to do that?), and I enjoyed Lloyd's interation with the stray dog that follows him about Luna Park. Cute and fun.

• Cindy I

  
  Another 86 minutes of wild antics with Harold Lloyd. There is a loose story about Harold's -- called Harold "Speedy" Swift here -- fiancee's grandfather's milk delivery wagon and a plot by an unscrupulous railroad tycoon to put him out of business. But… More
  Another 86 minutes of wild antics with Harold Lloyd. There is a loose story about Harold's -- called Harold "Speedy" Swift here -- fiancee's grandfather's milk delivery wagon and a plot by an unscrupulous railroad tycoon to put him out of business. But none of that really matters. Any Harold Lloyd film's main appeal is the action, and this one is no exception. There are sight gags, car chases, a street fight, comic misunderstandings during a trip to Coney Island, and a hilarious bit in which Babe Ruth -- yep, THAT Babe Ruth -- is riding in cabdriver/baseball fanatic Speedy's cab. Speedy is so excited that the Babe is in his cab that he turns around in his seat to gawk and talk, oblivious in his excitement to the chaos his inattention and erratic driving is causing on the streets of New York City. Much of the outdoor action was filmed on location, and there is some wonderful footage of NYC as it looked in the 1920s. As always, everything works out happily in the end for Harold and company. This is a fun movie with some heart suitable for the whole family....except -- am I the only one who's noticed that Speedy flips himself the bird in a funhouse mirror at Coney Island? I had to run the film back 4 times to review the scene and to make sure I saw what I thought I saw!

• Daniel H

  
  Lloyds films were known for being technologically advanced, and simply hilarious. Here, Lloyd's New York setting allows him to practice his perfect comedic slapstick timing in the guise of his "Glasses Character", as well as meet up with Babe Ruth along the way. The… More
  Lloyds films were known for being technologically advanced, and simply hilarious. Here, Lloyd's New York setting allows him to practice his perfect comedic slapstick timing in the guise of his "Glasses Character", as well as meet up with Babe Ruth along the way. The wonderful shots of Coney Island in its heyday are astounding. (The Coney Island shots had to be filmed with hidden cameras, a very big technical problem for the time, in order to keep all the people from realizing Harold Lloyd was filming a movie. The crew couldn't get the Amusement Park to close, so the entire sequence was filmed trying to avoid Lloyd getting mobbed by fans.)