Gregory Peck, Ingrid Bergman, John Emery

A psychoanalyst falls in love with her new boss, and it is soon discovered that he has difficulty with remembering things as he is a troubled amnesiac--who may also be a killer.

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82% liked it

12,110 ratings

Critics

87% liked it

30 critics

Unrated, 1 hr. 41 min.

Directed by: Alfred Hitchcock

Release Date: January 1, 1945

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DVD Release Date: March 13, 2001

Stats: 615 reviews

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Flixster Reviews (615)


  • July 19, 2009
    Although a minor work in Hitchcock's library, "Spellbound" is a captivating enough thriller to seek out if the director's work interests you. It's got a lot of pseudo-psychoanalysis, which, of course, is presented in the most Hollywood manner imaginable (whilst doing it's best to...( read more) utilize all of the Psychology I vocabulary it possibly can). Repressed memories don't take much more than the right combination of sweet talk to uncover.

    At the Green Manors mental institution in Rutland, Vermont, Dr. Contance Peterson (Ingrid Bergman) awaits the arrival of Dr. Edwardes (Gregory Peck), the replacement of the lead doctor, Dr. Murchison (Leo Carroll). Edwardes' accomplishments speak for themselves, having written such works as "Labyrinth of the Guilt Complex". But something is certainly fishy when the handsome young Dr. Edwardes is revealed to be unaware of his own theories, and also his rageful fits whenever he sees a series of vertical lines or the color white.

    Dr. Peterson has become a masterful shield of sexual advances, but she's spellbound (see what I did there?) by Edwardes. Because her better judgment is clouded, she doesn't run for the hills when she finds out that this Dr. Edwardes may have killed the real Edwardes and stolen his identiy without remembering how or why.

    Although the script is a bit silly, Hitchcock is in top form. There are a number of stylistic touches i've not seen duplicated since, such as a point-of-view shot that actually looks on through the bottom of a glass of milk.

    But, what is most remembered from "Spellbound" is the dream sequence designed by the master of surrealism, Salvador Dali. It takes place in a gigantic gambling hall, filled with curtains resembling giant eyes, and faceless dealers. In a callback to one of Dali's most famous images, a pair of giant scissors cuts through one of the eyes of the curtains.

    The reveal of the mystery, and the last few minutes in particular, are extraordinarily cheesy, but the performances and exquisite camerawork make "Spellbound" a tolerable piece. The film is certainly heavy-handed and doesn't require the audience to do any of the problem-solving by themselves, but it's a competently made thriller that doesn't bore.
  • December 31, 2008
    this is one of hitchcocks better works thanks to peck, bergman and chekhovs superb acting. having seen a couple of hitchcocks films recently with cary grant in who i usually prefer in non hitchcock work, i find myself surprised by enjoying gregory pecks on screen prescence more h...( read more)ere than what i've seen recently of grant
  • December 19, 2007
    Loved it, especially the "Dali dream sequence" . Check out the extras, e.g. production stills, etc... The copy I borrowed from my library also had extensive liner notes which I recommend as well.
  • March 19, 2007
    Hitchcock's fascination with (arguably pop) psychology is brought to the fore as Ingrid Bergman tries to unlock Gregory Peck's repressed memories. It's basis in fact is a little dubious, but it works as a fascinating mystery, and there are some memorable visuals by Salvador Dali.
  • November 5, 2006
    The Dali dream sequence is great.
  • November 23, 2009
    Really beautiful Hitchcock suspense. The dream sequence was amazing, a bit on the creepy side though.
  • October 29, 2009
    J'étais en partant assez vendu par la seule présence d'Ingrid Bergman dans la distribution. J'adore cette actrice; quel charme, quelle élégance, quelle beauté transcendante, et bonne actrice à part ça! Ceci dit, c'est également un très bon film. Un peu plus mince niveau intrigue ...( read more)qu'un Hitchcock "habituel", mais tout de même assez intéressant pour ne pas perdre l'intérêt du spectateur.

    Il faut savoir en partant que c'est un film centré sur la psychanalyse et le complexe de culpabilité. On assiste (certes de manière un peu superficielle, mais quand même) à la cure d'un homme par la méthode freudienne d'analyse. Plusieurs scènes donc où le personnage d'Ingrid Bergman questionne celui de Gregory Peck sur son passé et etc. On essaie aussi de vulgariser certains concepts importants.

    C'est également un film notoire pour la collaboration entre Hitchcock et Salvador Dali pour la scène du rêve, largement tronquée par le juif de David O. Selznik mais quand même extrêmement impressionnante. Dali prouve encore une fois qu'il sait rendre l'esthétique d'un cauchemar avec un réalisme assez saisissant. Visuellement c'est du véritable bonbon. Je conseille ce film assez vivement. C'est pas mal un des bons de Hitchcock et un incontournable en général.
  • October 3, 2009
    A great Hitchcock film taut direction, suspenseful and extremely well acted. The Salvatore Dali sequence is an outstanding classic scene. Very well produced, excellent score.
  • August 27, 2009
    ...( read more)://i1.ytimg.com/vi/dzxlbgPkxHE/default.jpg" border="0" />
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  • August 24, 2009
    Wonderful suspense and Bergman is fantastic.

Critic Reviews


May 4, 2005
Nick Schager, Lessons of Darkness

One of the director's most laughably dated films. full review

View more Spellbound reviews at RottenTomatoes.com

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Spellbound Trivia


  • Alfred Hitchcock classic with Gregory Peck as a psychiatrist with a secret & Ingrid Bergman as the nurse whose love may be his only cure?  Answer »
  • whats the hitchcock film with the dali dream sequence?  Answer »
  • Which artist designed the dream sequence in Alfred Hitchcock's 'Spellbound'?  Answer »
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