Don Taylor, Gil Stratton, Harvey Lembeck

Set in a German POW camp, this comedy alternates between raucous dark comedy and pathos as seen through the eyes of a cynical prisoner.

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93% liked it

8,424 ratings

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96% liked it

28 critics

Unrated, 120

Directed by: Billy Wilder

Release Date: January 1, 1953

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DVD Release Date: December 14, 1999

Stats: 641 reviews

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Flixster Reviews (641)


  • October 11, 2009
    okay yeah, there was a war, with fighting, and death, and prisoners of war, and then there were movies about all of that. wilder throws all that in because it's expected...but why not take a look at an off-limits subject as well, namely: american men, and w/o the typical dame th...( read more)rown in to gum up the perspective with all of that sticky, changing-their-mind estrogen stuff. and thus wilder's movie, a boy's backyard fantasy sure about tuff guys in war ("this time i want to be the spy!") tinly masking an examination of said tuff guys (think: "the women" only not), and what they're really made of...
  • September 4, 2009
    When a self-serving operator in a WWII prison camp is suspected of collaboration with the enemy, he is forced to uncover the true culprit. Another of Billy Wilder's cynical classics, there is a lot more humour in the material than you would think. In fact it is often so broad it ...( read more)can resemble an extended episode of Sgt. Bilko, full of fast paced wise-cracking and army camaraderie. It is Holden's character of course that provides the real drama, and he plays it pitch perfectly. Unlike most prisoner of war films that are full of stiff upper lipped heroics, his cynical attitude never wavers and the sharp, witty dialogue makes for some fine black comedy. Easily one of the best examples of the genre.
  • February 8, 2009
    One of the best WW2 films of all time. Holden and Wilder create a humanistic portrayal of POW life. A mix of black comedy and mystery that is engaging from minute one.
  • May 7, 2008
    "Nobody has ever escaped from Stalag 17. Not alive, anyway."


    When people look back at the classic World War II movies there is one indisputable fact: most of them are a story about the fighting or being in the trenches. Most Hollywood WWII films are just about the co

    ...( read more)mbat and the drama while on the front line. The opening narration states quite clearly that no films are made about the camps that housed the prisoners of war.


    Celebrated writer/director Billy Wilder succeeds in creating one of the first movies about the prisoner of war camps that operated while the combat was occurring in a different part of the world. Stalag 17 is a film set in a German POW camp as we follow a cavalcade of fascinating character portrayed by a group of interesting actors.


    The American prisoners held captive spend most of their time scheming ways to escape. But after an unsuccessful escape attempt resulting in the death of two prisoners, there is mourning among the Americans who are being treated unfairly by the cynical Col. von Scherbach (Otto Preminger). It soon becomes obvious that there must be a traitor among the prisoners; a mole that is feeding the Germans information regarding plans and the location of hidden items.


    Stalag 17 is one of Billy Wilder's earlier movies. This was before The Apartment and Some Like It Hot; films that are even now held in high regard. Despite this being a reasonably early film, Wilder still manages to insert some great black humour and sharp dialogue mixed within all the drama that is also happening.


    Like most of Wilder's movies I think the screenplay is exceptional. Realistic dialogue, funny lines, an interesting host of characters and a very engaging set of events. Stalag 17 may be a comedy but it also has a high level of authenticity in its replication of the POW camp. It looks like every last costume, set or prop was manufactured with the uppermost quality in mind. It would be very hard to replicate such a realistic and engaging atmosphere even using contemporary filmmaking technology.


    William Holden was awarded an Oscar for his exceptional performance as the cynical, sharp-tongued POW who is deemed suspicious among the prisoners due to the amount of privileges he is awarded by the German soldiers. Holden's character is a slick soldier who isn't as fearful as his fellow prisoners. There was much acclaim towards the other cast members as well. Like I previously stated, each character is in possession of their own distinguishable personality. The result is simply a bunch of intriguing, multi-faceted characters that are excellently conceived and implemented.


    Stalag 17 is unquestionably a war movie that is well made and very entertaining. I held my breath during some of the suspenseful scenes during which a daring escape was occurring or a tense situation was unfolding. There is also great emphasis on the dialogue. The script is so well written that there are several clues that can be picked up more easily after seeing the film several times. The script's greatest strength is also its unpredictability. I had no idea what was going to happen next. I was completely in the hand of the filmmakers wondering what was to follow. This is one of the greatest compliments you can grant a film of the war genre.


    Before watching Stalag 17 I had seen several episodes of the classic TV sitcom Hogan's Heroes. Of course this film is a lot more serious than the light-hearted classic TV show; however both of them have the common setting of a POW camp.


    Stalag 17 is a classic war drama that is unconventional, suspenseful and brilliant. A must if you're a fan of Billy Wilder movies.
  • February 5, 2008
    "stalag 17" is one of the numberous billy wilder's collaborations with william holden whose stardom was literarily revived by wilder's proper guidance in "sunset blvd."

    the key point to induce this flick's success is its willingness of self-parody tinted with wilder's tradema...( read more)rk socialistic black humor instead of the blind-folded patriotism surrounded in this genre.

    holden plays sefton, a self-made egoistic capistalist in pow (prisoner of war) camp stalag 17, a scrivener who disregards his compatriots' suffering, squeezing out every opossible trading coin out of his fellowman to gurantee himself a better living of materials. his selfishness rouses the jealous hostilities of his fellow prisoners, thus he becomes the suspect no. 1 of traitor when their beloved war hero gets scrunitized by the germany.

    this pow camp is the epitome of american society in second war, and it sneers at the blunt naivety of the american crowd wallowing in their americanistic heroism, and their insistancy on stupitified patriotic integrity...and those points are uttered by holden's sefton. sefton dismisses their attempted bravery to break loose of the camp with one comment "i'm no expert of escape, the odds are not good for me"...he contempts their futile brotherhood by profitting from his fellowmen's death thru gamblings. sefton has no actual faith upon any patriotic idealism since he realizes he's on his own as the pow. he's a lone wolf (or weasel?) who pays no respect on the army ethicities, and his moral stance is in obscurity, determined to carry on his life of comfort despite the severe contempts from his fellow prisoners. as a capitalist, he resents the heroic general's luxuriant upbringings with his bitter admonition "here you're on your own, no family wealth would back you up!"

    at the scene that the whole camp of pow beat sefton into brutal bruises, it proves again: democracy is sometimes just a mob. they punish sefton just becuz their long-lurked private grudges toward him, and it stands for the american commoners' rooted prejudices toward the wealthy who makes his fortune by brain.

    the turning point of the flick is sefton's wrongly accused treason, and he strives to reclaim his innocence thru his observant wits to spot the true undercovered traitor. then the disagreeable sefton gains audience's pathos, and meanwhile he shows great scale of his shrewd wisdom which is superior to any of his fellow american. under his capable hand, sefton reverses the possible catastrope in the camp and also obtains himself a perfect chance to regain his freedom. suddenly the egoist sefton turns out to be the intelligently admirable pow hero...but the real issue would be: does sefton salvage this mission out of his loyalty to his nation or he just wanna retaliate his own framed injustice? maybe a little bit both or just the latter. eventually he still remains an egoist who just carelessly does his countrymen a favor?

    the main comic relief would be the character beast's drooling obssession over pin-up star betty grable as well as his silly horniness to intrude the russian female camp.

    "stalag 17" is the most engrossing movie made upon the war army subject ever since it's immune from the dreary pragmatism of nationalism and brotherhood which require tescticles to appreciate. it presents us a hero who is not so hero-alike, an ambigous anti-hero who chooses to do the right thing at last moment.
  • October 29, 2009
    I LOVED everything about this movie
  • October 16, 2009
    This is the best war camp movies i have ever seen.
  • September 20, 2009
    Billy Wilder's funny perspective about prisoner camps. Jokes and suspense all the way through!

    87/100
  • August 24, 2009
    Holden is AWFUL, and this movie stinks.
  • August 15, 2009
    William Holden is fantastic in this prison camp movie that inspired just about every other prison camp movie or TV show. It's a little creepy to see Peter Graves looking so young. Never gets boring.

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Stalag 17 Trivia


  • What movie was the basis for the television series Hogan's Heroes?  Answer »
  • Who played Sgt. Sefton in Stalag 17?  Answer »
  • Who was the German spy in Stalag 17?  Answer »
  • He won a Best Actor Oscar for "Stalag 17".  Answer »

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