Christopher Bradley, Combiz Shams, Cyrus King, Daniel Novy, Jeff L. Green ...( see more  see more... ) , Joshua Feinman , Merry Grissom , Roy Halo , Sarah Denning , Shaun Russell , Zhubin Rahbar

"Standard Operating Procedure" provides an examination of the unintended consequences of the Iraqi war with a focus on events at Abu Ghraib prison which began to appear in global media in 2004. The pr...( read more  read more... )ison quickly became notorious for the shocking photos of the abuse and torture of terror suspects by military men and women. Ultimately, it is the story of soldiers who believed they were defending democracy but found themselves plunged into an unimagined nightmare.

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78% liked it

1,869 ratings

Critics

80% liked it

95 critics

R, 1 hr. 58 min.

Directed by: Errol Morris

Release Date: April 25, 2008

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DVD Release Date: October 14, 2008

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Flixster Reviews (349)


  • January 11, 2009
    Errol Morris tries a different style in this one. The interviewees don't look straight into the camera (his signature shot), but it's also not a film about backwoods hillbillies or pet cemeteries. The subject matter is intriguing, and it's cool to get testimonies of the prison ...( read more)guards in trouble. Yes, I believe they got set up for failure, and as brainwashed military they were just doing what they were told to do. However, could they be any more STUPID to take all those pictures? I think not. Hmmm...let's give a thumbs up and smile while standing over the dead body of a guy we killed. Real classy.
  • October 14, 2008
    What's in a picture? They say its worth a thousand words, but how many words are worth what's not in a picture. How about thousand of pictures? That conundrum is one of the major foci of Errol Morris, the eccentric genius documentarian's new project, Standard Operating Procedure....( read more) Although I was not engaged as I was with Morris's other works, Standard Operating Procedure is still a brilliant and fascinating look at the Abu Gharib photo scandal.
    Morris interviews through the interrotron numerous members of the staff at Abu Ghraib prison. They give their thoughts on their complicity in acts of torture, and reflect back on their experiences. One of the film's major attractions in Lynndie English, that now infamous young woman so maliciously captured on film.
    What comes across most intently is that they were just doing what they were told. Those orders always come from off camera left or right. No one above Staff Sergeant was ever charged with anything.
    This is a point the documentary tries to drive home. In any bureaucratic structure, the big dogs never take the fall. You always sacrifice your little men, your pawns. If people knew what was really going on at the top, they would most surely revolt, or at the very least make a stink, and that would be it for you.
    Morris interviews one person who claims she took pictures because she knew it was wrong, to show the world. Is she telling the truth? Well she also discusses how it was "kinda fun" sometimes. She is probably guilty and innocent on all counts.
    Morris delves into his subject matter with his usual detective style. He says very little, and of course never ever dares show his face on camera. He only prompts from time to time. He has a style that is uniquely his own in the documentary world.
    I did not find Standard Operating Procedure to be on the same level as say The Fog of War or Gates of Heaven. But then again how many are? This is a more than worthy addition to the Morris repertoire,
  • July 7, 2008
    Morris uses surprisingly candid interviews to construct an essay on the painfully abstract nature of truth and intentions, the best and worst of which came to light in Abu Ghraib.
  • April 17, 2009
    Errol Morris is officially the Kubrick of the documentary.

    The "director-detective's" latest visual assault is a kinetic meditation on the arcane nature of images in the digital age. Through his trademark craft --combinations of dazzling cinematic reenactments, first-person c...( read more)onfessionals, atypical theatrical scoring (Danny Elfman replacing Philip Glass here), and haunting interludes of archival footage--- Morris creates an expressionistic collage out of the media-circus that surrounded the Abu Ghraib scandal.

    STANDARD OPERATING PROCEDURE provides a buffet of food for thought through its many informative angles, but mostly through its compelling interviews with Lynndie England, Megan Ambuhl and Sabrina Harman (and countless others) about how those infamous photographs came to be and how they affected their lives.

    Errol Morris' dynamic observations become frightening dissections of how those unfortunate grunts, some mean spirited, some emotionally weak, and some just flat out dumb ass ignorant kids, sadly became scapegoats for military higher ups who encouraged and gave the orders for the despicable acts. Several elements made up the way those still photos were perceived by the media: their content obviously, the way they were arranged, and how some of the frames were even actually manipulated digitally.

    Morris inventively illustrates how a lot more than meets the eye went down that month in 2003. The most shocking and eye-opening part of this whole film for me is the sequence that highlights which of the photographed behavior was considered legal or illegal by the CIA. It really solidifies my understanding of how potentially subjective all images really are.

    STANDARD OPERATING PROCEDURE does not ask you to forgive these individuals but it does, along with Sabrina Harman's voice over renditions of letters she wrote home, put a depressingly human face on the whole Abu Ghraib mess.

    Already one of the best documentaries of the new millennium I've seen and Errol Morris' personal best since THE FOG OF WAR (2003).
  • December 28, 2008
    The great thing about Errol Morris documentaries is the simplicity of them. He relies on the story to inform and entertain. Here he goes deep to find out the story behind the Abu Ghraib prison. I know this wasn't spose to be a comedy, but fuck I was laughing a lot. These fuck s...( read more)oldiers were just a bunch of fucking morons. Why would I feel sorry for them? These guys were like bad characters from a Happy Madison film. Rob Scheinder and Kevin James are "Soliders". It would make millions.

    Overall though it was great to know the whole story behind the photographs and how everything just got so fucked up there.
  • February 1, 2010
    This movie consisted - at its core - of interviews with most of the soldiers involved, and those interviews were both entertaining and enlightening. However the movie should have been shorter; it could easily have done without the dramatizations and other filler.
  • October 20, 2009
    The other side of the story
  • August 28, 2009
    after seeing some of the pictures being shown to the world. I still couldn't figure out why the Americans still don't understand the reason the people all over the world hate them.. the worst thing is seeing Bush still alive doing all his shit where he should be hanged back then ...( read more)when he was still the president.. the war on terror that they brought up was all about killing innocent people and economics issue that could benefit them.. every Americans should be ashamed for what their countryman did during their struggle in Iraq, humiliating others which rounds up what their inside characters are.. there's no point punishing soldiers who clearly taking orders from the higher rank.. they all should be sentenced for what they did.. but I guess sometimes life is so unfair~ it's all happened because we did not thing the consequences what might happen if we take an action.. pointing fingers to other people is not the right way to solve an issue.. clearly they learn nothing from war on Vietnam and thus history repeats again and again.. when does it going to stop? can world peace be achieve in the near future? look upon and see what keeps hindering it and try to focus on that.. I pray for world peace!
  • August 17, 2009
    Feb 09 - Very essential and important historically and politically. But as a documentary, I expected a deeper view of things from Errol Morris.
  • June 20, 2009
    Unique in its presentation of mainly pictures.

Critic Reviews


May 30, 2008
Amy Biancolli, Houston Chronicle

The result is a devastating film, and an important one. full review

May 9, 2008
Mick LaSalle, San Francisco Chronicle

Morris widens our understanding of the real crimes that took place there. This is where the movie becomes not just a slant on history but also a vehicle for broadening our understanding. full review

May 2, 2008
Roger Ebert, Chicago Sun-Times

Completely unlike anything I was expecting from such a film -- more disturbing, analytical and morose. full review

May 2, 2008
Ty Burr, Boston Globe

The movie's a staggering work that traces the rotten blossom of this scandal close to its roots. full review

April 25, 2008
Claudia Puig, USA Today

Standard Operating Procedure's subject matter, and what it says about the war in Iraq, is eye-opening. It may be the most disturbing film you'll see in a long time. full review

April 25, 2008
Kyle Smith, New York Post

those hoping to see Donald Rumsfeld and Paul Wolfowitz - if not President Bush - get a cinematic racking in Standard Operating Procedure are going to be disappointed. full review

April 23, 2008
Armond White, The New York Press

Standard Operating Procedure is a documentary debacle. full review

April 21, 2008
David Edelstein, New York Magazine

See Standard Operating Procedure for its riveting narrative, for the way it keeps looping back -- to the swirls of Danny Elfman's night music -- to the basement of Abu Ghraib. full review

April 21, 2008
Nick Schager, Lessons of Darkness

A semiotics-tinged investigation into the nature of images themselves: how the contents, arrangement, and manipulation of the frame all affect interpretation and help define meaning. full review

View more Standard Operating Procedure reviews at RottenTomatoes.com

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