Elizabeth Fehr, Jacobo Klassen, Maria Pankratz, Miriam Toews, Cornelio Wall ...( see more  see more... ) , Peter Wall

Johan lives with his family in the north of Mexico. His world turns upside down when he falls in love with another women. Now, he must betray the woman he has loved for so long or sacrifice his natura...( read more  read more... )l instinct for love.

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68% liked it

4,454 ratings

Critics

80% liked it

Unrated, 2 hrs. 16 min.

Directed by: Carlos Reygadas

Release Date: May 22, 2007

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DVD Release Date: September 8, 2009

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Stats: 332 reviews

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Flixster Reviews (332)


  • October 28, 2009
    "Silent Light", the latest film by the critically acclaimed Mexican filmmaker Carlos Reygadas, is believed to be the first Plautdietsch film ever made. It's an archaic form of German, the language of the Prussian Mennonites. With an unfamiliar language to accompany it's unusually...( read more) patient visuals, "Silent Light" is highly successful in creating a world unlike almost anything else that's ever been committed to film.

    The film takes place in a rural Mennonite community of northern Mexico. Johan (Cornelio Wall Fehr) is a farmer and a father of seven, and he has a loving marriage with his wife, Esther (Mariam Toews). Johan, however, has fallen for another woman - Marianne (Maria Pankratz), a waitress. Johan is open with Esther about the affair, but he's tortured by the implications of such an act of unfaithfulness.

    Johan's friends tell him that Marianne is truly his soul mate. His father, a preacher, tells him that the affair is the result of the devil. Johan, highly self-critical, only holds himself responsible for being unfaithful to his beloved wife.

    The film, from it's opening tracking shot of a stunning landscape to it's conclusion, has a profound heavenly quality - cinematographer Alexis Zabe is so hyper-attentive to detail that the film seems set in an alternate universe. Despite it's unusual tone, however, it's bizarre ending will still come off as a surprise.

    The cast is composed of nonprofessional actors, and therefore there's a great deal of authenticity found in the performances. But this isn't an actor's film - they're simply pawns in this story, a sort of anti-cinéma vérité where each movement is a composed ballet. When one character kneels by the pine box of another, the patient grace of the movement almost appears to be in slow motion.

    "Silent Light" is an easy film to become entranced in, but it's also an easy film to resist. It's rhythms are unusually slow, with shots being held for as long as six or seven minutes. While some critics may jump at it for being overly-pretentious, i've found that it's a film that lingers long after it's conclusion. It's methodical rhythms are necessary to draw us into the world -with all of it's detail, it's nature-heavy imagery, it's religious themes.
  • March 14, 2009
    This film is nothing short of a masterpiece. Be forewarned, however, that this movie (like most "masterpieces") isn't for everybody.

    That being said, I think this movie is brilliant food for thought; it's film for thought, actually. I love when a film, such as this one, has some...( read more)thing to say--but DOESN'T say it. It is so full of subtext and symbolism that (like a good book) it requires the viewer to delegate what matters and how it matters. Every one takes something unique from this film.

    The story of a modest Mennonite man living in rural Mexico with his wife and children-- in doubt over his behavior and the way said behavior affects his faith is simple enough. And, on the surface, there doesn't seem to be much going on in the film. Suddenly (or, at last) a secret is revealed and this secret is what the whole foundation of this film (and this man's existence) lies upon.

    Reductive film-goers will argue that this movie could be an hour shorter and more fast-paced. I tend to disagree, mostly because that kind of person (of whom I know one or two) is the kind that will deem a movie to be "bad" simply based on its length.

    If you are a patient viewer who enjoys to be immersed in a cinematic landscape that is alien to your own, then this movie is definitely for you.

    Granted, the film IS "slow" as molasses in parts--but it never meanders into pointlessness or self-indulgence by the director. The shots are composed the way they are for a reason and for complete effect.

    Previous efforts by director Carlos Reygadas include Japon and Battle in Heaven. So, there's a fair share of provocative controversy that comes attached to each of his projects--and Silent Light is no different.

    You'll find this film to be, at least, an interesting exercise in cinematography and symbolic composition.

    From its paradoxical title (Silent Light) to its surrealistic resurrection scene, this movie will leave you mesmerized--and highly rewarded if you've afforded it the chance to move you.
  • August 21, 2008
    The film begins with an incredible shot of a sunrise. Slowly everything comes into focus and as the light shines on the camera begins to move closer in. It's a very slow but also very beautiful beginning. The same can be said for the entire film. Slow scenes and long shots of inc...( read more)redible beauty that unfortunately doesn't take advantage of the medium. These are more like still paintings and as such the running time is a chore. 2 hours or just 90 minutes would have made this is a fantastic film overall. The acting is also not realistic, coming off as forced. The internal struggle of each character is well worked, and some excellent quiet moments take center stage. A couple stripping and then just embracing each other for a while. A man crying at an empty table holding a spoon. It's a few artistically wonderful moments in a brave and calm film.
  • July 3, 2008
    Glacially paced tale of infidelity in a religious sect which struggles to convince with amateur actors. Pleasing restraint is pushed too far with painfully long takes and wide shots.
  • May 3, 2008
    Reygadas tells his story of a guilt-ridden man who cheats on his wife due to his love for another woman with gorgeous painterly images and a patient eye toward the daily lives of this religious community of Mennonites. Stylistically the film is reminiscent of Dreyer and Tarkovsk...( read more)y. While I have no problems with the film's style and basic story arc, the Ordet-like ending failed to move me, which is weird because the ending of Ordet had me in tears. Whereas in Ordet the miracle is founded in a man's love for his wife, here it is based on the love of the adulteress for the man. I can only attribute this to the lack of empathy I feel for the relationship between the man and his wife nor between him and the other woman. The film doesn't give the sense that he loves her despite his outpour of tears near the end.
  • October 9, 2009
    sounds cheesy...but well...
  • September 25, 2009
    Carlos Reygadas nos entrega esta historia sobre una familia menonita del estado de Chihuahua. Muy buena, como todo lo que hace este director.

    La recomiendo.
  • September 6, 2009
    A rewarding love triangle story set in a Mennonite community in Mexico. The style was interesting, with very formal and detached acting with minimal dialogue, and using particularly slow pacing and long shots. Some beautiful photography, interesting reflections on culture through...( read more) the transplantation of Mennonites to Mexico, and largely a comment on the universal nature of the love triangle dilemma. The slow pace and detached formality is not going to appeal to many, but I liked it, and it was great to see on a big screen with a rapt audience.
  • August 15, 2009
    Modern Mexican cinema generally sucks so I have my eyes on the few directors involved with Mexican art house - one being Sr. Reygadas. I liked his other film Batalla en el Cielo because it broke rules and conventions and it had an otherworldly vibe to it which I had an affinity f...( read more)or. In Silent Light, with clear homages to Ordet, serious drama is attempted. The actors are

    ......
  • July 4, 2009
    Recomendation : Filmcritic

Critic Reviews


March 19, 2009
Roger Ebert, Chicago Sun-Times

Silent Light is a solemn and profound film about a man transfixed by love, which causes him to betray his good and faithful wife. full review

January 14, 2009
Owen Gleiberman, Entertainment Weekly

A glacial tale of adultery, features a 'miraculous' climax -- 
it mingles the living and the dead -- ripped off from Carl Dreyer's Ordet (1955), one of the great religious films. full review

January 7, 2009
Armond White, The New York Press

Stellet Licht doesn't achieve ecstasy or express belief in it. Reygadas is a poseur for poseurs. full review

January 7, 2009
V.A. Musetto, New York Post

With Silent Light, Reygadas takes his place among the leading directors working today. full review

January 7, 2009
Kurt Loder, MTV

Have we completely grasped the director's intentions? Days later, you may still be wondering. You won't have forgotten the movie, though. full review

January 6, 2009
Chris Cabin, Filmcritic.com

an object so elementally based in pure cinema that one might call it, well, miraculous. full review

January 6, 2009
Jon Frosch, Film Journal International

Mexican bad boy Carlos Reygadas' latest film, a languorous drama about Mennonites in northern Mexico, is alternately spellbinding and stiflingly self-conscious. full review

January 3, 2009
Bryant Frazer, Bryant Frazer's Deep Focus

A combination of tragedy and miracle extends the boundaries of the story into rarefied cinematic territory. full review

December 30, 2008
Miranda Siegel, New York Magazine

From its stunning opening shot to its final, hauntingly spiritual finale, Carlos Reygadas's drama of adultery and penance set among the Mennonite community of Mexico is the kind of gorgeous, multilaye... full review

September 26, 2008
John P. McCarthy, Boxoffice Magazine

It's hard to deny the luminous integrity of Silent Light. full review

View more Stellet Licht (Silent Light) reviews at RottenTomatoes.com

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