Stolen Life (Sheng Si Jie) (2005)
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80% of critics liked it
(5 reviews) -
24% want to see it
(610 ratings)
A young woman finds herself torn between the promise of autonomous adulthood and the demands of subservience to a lover in Stolen Life, a contemporary feminist parable by acclaimed 6th Generation Chinese Filmmaker Li Shaohong (Blush). For Yanni (Zhou Xun), life has never been easy; bereft by her… More A young woman finds herself torn between the promise of autonomous adulthood and the demands of subservience to a lover in Stolen Life, a contemporary feminist parable by acclaimed 6th Generation Chinese Filmmaker Li Shaohong (Blush). For Yanni (Zhou Xun), life has never been easy; bereft by her mother at six years old and shuttled off to live with her grandmother and aunt, she felt neither loved nor accepted. Yanni's future prospects unexpectedly open up six years later, when her biological mother and father turn up and promise to send the 14-year-old through university. Just when the horizon looks brightest, however, Yanni's path haphazardly crisscrosses with that of a handsome truck driver, Mu-yu (Wu Jun) who plies her with flattery and gifts - to such a degree that he inadvertently sways her away from her studies and convinces her to move into his dank and sordid sub-floor apartment. In complete disregard for her own future, she begins to spend every waking moment with Mu-yu, makes him the focal point of her universe, and may even sacrifice collegiate enrollment simply to be with him. ~ Nathan Southern, Rovi
- Directed By
- Li Shaohong
- Genres
- Art House & International, Drama
Critic Reviews
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Janice Page, Boston Globe
This one hits home in places, but overall it begs for a lighter touch.
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Kelly Vance, East Bay Express
For all its rough immediacy and cool tone, Stolen Life is nothing more or less than an old-fashioned class-antagonism melodrama.
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Don Willmott, Filmcritic.com
Powerful stuff.
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MaryAnn Johanson, Flick Filosopher
[A] wonder of hushed feminist horror, gently flaying modern Chinese society for its hypocrisy on the condition of women...
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Prairie Miller, WBAI Web Radio
What might be termed the new 'market economy cinema' in China, is teeming with at least a subconsciously processed observation and awareness of how human relations have been acutely affected by this Western economic incursion.
See more critic ratings and reviews on Rotten Tomatoes
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