Critic Reviews
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Charles Gant, Variety
A London self-storage facility provides an appropriately eerie location for Storage 24, an amiably routine genre pic that combines sci-fi and horror elements.
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Frank Scheck, Hollywood Reporter
This low-budget Alien knock-off set in a London self-storage facility inspires more claustrophobia than chills.
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Jeannette Catsoulis, NPR
Derivative and dorky, Storage 24 still entertains more often than it exasperates.
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Nick Schager, Village Voice
A monster from a familiar mother.
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Nigel Floyd, Time Out
Feels like the germ of an idea with stuff lifted from 'Alien' et al and bolted on.
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Scott Weinberg, FEARnet
The headache you'll get from the first half of the flick is not worth the meager thrills you'll get from the second.
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Brian Orndorf, Blu-ray.com
Certainly an acceptable matinee distraction and an effective creature feature, at least in rare moments where the monster actually resembles a monster and not a PS3 glitch.
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Ed Gonzalez, Slant Magazine
More chilling than the horror of the alien's close-quarters assault is the rank misogyny that more than offensively underscores the Melrose Place-grade human drama.
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Matt Donato, We Got This Covered
While sluggishly starting in a fashion horror/sci-fi fans are all too familiar with, Storage 24 takes an unexpected turn for the awesome with bouts of ooey-gooey creature horror - but still leaves us wanting a tad more.
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James O'Ehley, Sci-Fi Movie Page
B-movie fodder ideal for low-expectation late evening TV viewing.
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Calvin Baxter, SFX Magazine
While Storage 24 passes muster compared to Alien knock-offs of yore like Inseminoid or Contamination, it can't hold a candle to the work of Ridley Scott and Dan O'Bannon.
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Graham Young, Birmingham Post
Literally feels like it's 24 hours long.
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Ed Whitfield, The Ooh Tray
An Open Letter to Young British Filmmakers...
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Shaun Munro, What Culture
The film is, as Clarke's hooded Kidulthood character might say, 'well gash, innit'.
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MaryAnn Johanson, Flick Filosopher
[C]ross[es] the line into misogy-wah! territory, and conflate[s] an attack by an alien monster with an attack by mean ol' b*tches on innocent men who didn't do nothin' to deserve it.
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Alan Jones, Radio Times
Makes the most of a simple premise and single location setting, the cast are uniformly good, and the impressive creature delivers nastily effective splatter chaos.
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, This is London
With Johannes Roberts directing, this apocalyptic piece of cheaply made science fiction wends its way through an absurd plot with some energy.
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Grant Rollings, Sun Online
Storage 24 is destined to be packed into a cardboard box and forgotten about by everyone.
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Jordan Farley, SFX Magazine
Never quite scary enough to be a horror, nowhere near funny enough to be a comedy and not exciting enough to be an action movie, but stitches all three elements together into a satisfying whole.
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, Liverpool Echo
Storage 24 is solid, entertaining but unremarkable genre fare, littered with two-dimensional characters and predictable twists.
Read all 21 critic reviews
Featured Audience Ratings
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Disappointing film, when I saw the trailers I thought it could've been one of those rare low budget gems......but it's just not very interesting and apart from Noel Clarke the acting is rather poor as well. Didn't think the alien creature design was the best either.… More
Disappointing film, when I saw the trailers I thought it could've been one of those rare low budget gems......but it's just not very interesting and apart from Noel Clarke the acting is rather poor as well. Didn't think the alien creature design was the best either. It's a missed opportunity.
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The only difference between this low budget chiller and a SyFy channel production is that it features the old school technique of a stuntman in a rubber monster suit rather than a dodgy CG creation. I applaud the decision and it is a pretty impressive costume but otherwise this is… More
The only difference between this low budget chiller and a SyFy channel production is that it features the old school technique of a stuntman in a rubber monster suit rather than a dodgy CG creation. I applaud the decision and it is a pretty impressive costume but otherwise this is just your standard spam in a cabin flick. The usual group dynamic cliches are on display. Clarke has been dumped by Campbell-Hughes who is conducting an affair with his best mate O'Donoghue. You won't need to be a genius to figure out how this plotline will resolve itself.
When a movie of this type has a formulaic script it relies on it's set-pieces. In Roberts' hands they fall flat, the kills are particularly dull and uninventive. Most characters meet their fate by being simply pulled off screen. A "family" movie like "Jurassic Park" is far more gruesome in this respect. In an attempt to liven up the dialogue scenes which make up most of the running time, he shakes his camera and shoves it in his actors faces. A master of suspense he's not.
The uninspired script is written by the film's leading man Clarke. In the past half decade he's become something of a young British Roger Corman, churning out movies as a writer, director and actor. They usually tend towards an urban London aesthetic and I've avoided them for this reason. Perhaps he should stick to gritty dramas set on council estates as horror movies set in storage facilities don't seem to be his thing.
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The alien monster looks pretty effective (kind of like the '82 'The Thing') and the gory deaths are done well but I didn't find myself warming to ant of the characters (except for the old man who was living in the storage unit) and therefore didn't care about… More
The alien monster looks pretty effective (kind of like the '82 'The Thing') and the gory deaths are done well but I didn't find myself warming to ant of the characters (except for the old man who was living in the storage unit) and therefore didn't care about their fates. I applaud the fact that a low budget British movie has attempted to produce a horror/sci-fi film that is trying to compete with an American market but the charcters are sketched too thin, the plot is predictable (it's clear which characters are going to die and which survive) and the limited budget has meant that some obvious scene are missing (where is the scene with the alien taking Campbell-Hughes?). The set-up at the end suggests a sequel that will never be made with this budget and I can't say I'm bothered. Extra brownie points for the toy dog with fireworks strapped to it. I laughed at that scene!
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