Akira Kurosawa, Eijirô Tono, Eiko Miyoshi

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90% liked it

6,640 ratings

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92% liked it

12 critics

Unrated, 2 hrs. 2 min.

Directed by: Akira Kurosawa, Nora Inu

Release Date: January 1, 1949

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DVD Release Date: May 25, 2004

Stats: 323 reviews

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Flixster Reviews (323)


  • June 29, 2009
    Not that there was ever any doubt, but Kurosawa doesn't necessarily need all the trappings of an epic period piece in order to tell a good story. Here we have a crime drama set in post-war Japan that's as engrossing and entertaining as they come. Compared to films like Seven...( read more) Samurai, Ran or Throne of Blood, Stray Dog is almost 'contemporary' but it's smaller scale doesn't seem to lessen it's impact. American viewers might find the pace a little slower than they're accustomed to but Akira wasn't out to make a fast film, just a really good one.
  • May 11, 2009
    Det. Murakami: Just give me a hint, help me find him.

    It was nice to see a film by Akira Kurosawa that wasn't a period samurai film. While I love those movies as well, I greatly appreciated the fact that I can now see this director past the films he is most known for.

    This is a...( read more) contemporary story set in Japan during the late 1940s, following Japan's loss in WWII. Kurosawa regular, Toshiro Mifune stars as a rookie police detective, whose pistol has been stolen from him. He soon learns that his missing pistol is being used to kill many people around town. This leads to a team up between Mifune and another older officer, in an attempt to capture this killer, amidst this very hot weathered Japan setting.

    The story is solid, as are the performances. The movie looks great, with Kurosawa showing a strong sense in dealing with noir type films, just as he does with period pieces. The pace is a bit slow, but the film is certainly an interesting watch.

    Det. Sato: A stray dog becomes a mad dog.
  • September 20, 2008
    a very good noir from kurosawa about a rookie homicide detective who has all kinds of trouble recovering his stolen gun. filmed pseudo documentary style in part with interesting views of postwar tokyo including actual black markets and a baseball game and scored with popular m...( read more)usic of the day. i really enjoyed seeing young mifune and shimura playing cops. this was the first japanese suspense film, made in 1949
  • March 28, 2008
    A very young looking Toshiro Mifune plays a fresh young police officer who becomes increasingly obsessive when tracking down his stolen gun when it is used in a series of violent crimes. Kurosawa's low key detective thriller borrows heavily from contemporary noir, and uses that i...( read more)nfluence to contrast the hardship and poverty of post war Japan with the urban glamour and decadence of it's American counterpart. It's an interesting snapshot of the Japan of the period, often shot in a documentary style although I did feel a lot of the somewhat unnecessary background detail did interfere with the narrative pacing, slowing things down considerably. His usual strong moral message is also in evidence, as he shows the criminal and detective as both sides of the same coin, a theme that has recurred again and again in Asian crime drama ever since. Yet another hugely influential and brilliantly made film that despite it's ponderous pace never fails to fascinate.
  • November 27, 2007
    Intense japanese post-war drama heavily inspired by the crudeness of american film-noir and, on a smaller degree, by the italian neorealism. Takashi Shimura and Toshiro Mifune are great as the veteran detective and his companion, respectively. There are some excellent moments of ...( read more)suspense, like the baseball game and the train station climax.
  • October 8, 2009
    I feel this movie had the potential to be a lot better given the plot. It felt somewhat tame for a crime thriller. Maybe because of the sweltering heat.
  • May 16, 2009
    If Drunken Angel was the beginning of Akira Kurosawa?s proper career, this one was his first as a world class filmmaker. This seems (perhaps unconsciously) to be a companion to Drunken Angel. Both are set on the streets of Occupation-era Tokyo and both deal with its criminal un...( read more)derbelly. Both feature Toshiro Mifune in his prime, and both feature fight scenes in which the two combatants find themselves covered in a substance (white paint in DA, mud here). This one is even more enjoyable because it?s a real thriller rather than a melodrama and it addresses social issues in a much subtler way. It?s almost like a film noir, except that most of it is set in broad daylight. In fact this movie seems to be a blueprint for every cop movie made since its release to feature a dichotomy between a rookie cop and a veteran officer. I say ?seems? rather than ?is? simply because this didn?t really see the light of day outside of Japan until decades after its release. I think the reason isn?t so much direct influence so much as Kurosawa having read the same crime novels that set up the other movies also copied. This is still a great flick, it could have used a little trimming, but its still a tense thriller worth anyone?s time.
  • March 22, 2009
    Pretty interesting to watch unfold. I liked it, but I would recommend Rashomon over it.
  • February 10, 2009
    A Japanese Film Noir!
  • January 26, 2009
    lo que me sorprende de Kurosawa es que nada en sus películas parece casual cada persona cada cosa cada elemento párese hacer parte de un perfecto tejido

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