Subarashiki Nichiyobi (One Wonderful Sunday)

Subarashiki Nichiyobi (One Wonderful Sunday) (1947)

  • 86% of critics liked it
    (7 reviews)

  • 76% of users liked it
    (505 ratings)

Akira Kurosawa directs this romantic comedy about a pair of lovers struggling to have a pleasant Sunday outing. A young laborer named Yuzo (Isao Numazaki) and his fiancée, Masako (Chieko Nakakita), meet at the train station on their day off. With the weather beautiful and only a scant 35 yen in… More

Unrated,
Directed By
Genres
Drama, Romance, Art House & International, Comedy
In Theaters
Jun 25, 1947 Wide
Criterion Collection

Critic Reviews

  • Vincent Canby, New York Times

    It's a carefully composed, elegant, sometimes prescient work, a small-scale love story set against a background of tumultuous social and political change.

  • Rita Kempley, Washington Post

    It's like looking for footprints, tracking the master this apprentice was to become.

  • Dave Kehr, Chicago Reader

    It's a 'little people' comedy in the Frank Capra vein

  • Fernando F. Croce, CinePassion

    A curious mixture of the striking and the woeful

  • John A. Nesbit, Old School Reviews

    microcosm of the Japanese post-war experience

Read all 6 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • AJ V


    Two young lovers go wandering around town on one wonderful Sunday, but the movie is more serious as it sounds as they think about their futures. I really enjoyed this movie.

  • danny d


    a charming and severely underrated kurosawa film. a delightful romance, an easy atmosphere, and the symphony scene at the end was majestic. a bit slow mooving at points, but only because the film seeks to be genuine, and in my mind kurosawa accomplishes his purposes.

  • Gevvy S


    It went on too long and featured characters who I could not care about whatsoever despite the film's attempts to get me to feel sorry for them. The usage and depiction of post-war Japan is interesting, not interesting enough that it makes me want to like or rewatch this campy,… More

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