Algenis Perez Soto, Richard Bull, Michael Gaston

SUGAR is a coming-of-age tale that follows Miguel Santos, a.k.a. “Azucar” (Sugar), a pitcher from the Dominican Republic town of San Pedro de Macoris, who grew up poor but talented, always believing b...( read more  read more... )aseball was his ticket out of poverty. Playing professionally at the Kansas City Knights baseball academy, Miguel finally gets his break at age 19 when he advances to the United States’ minor league system. Miguel travels to a small town in Iowa corn country, where he and other Latin American teammates are the only Spanish-speaking people and have trouble learning the new language and culture. Despite the welcoming efforts of his host family, Miguel is faced with an isolation he never before experienced. When his performance on the mound falters, he begins examining more closely the world around him, his place within it, and ultimately questions his life’s singular ambition.

Flixster Users

71% liked it

10,423 ratings

Critics

93% liked it

99 critics

R, 1 hr. 54 min.

Directed by: Anna Boden, Ryan Fleck

Release Date: January 21, 2008

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DVD Release Date: September 1, 2009

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Stats: 417 reviews

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Flixster Reviews (417)


  • November 17, 2009
    a wonderful baseball movie that sits tragically as a hidden gem. the end of the film left too much uncertainty for a character that we came to care about, but the journey we travel to the point of being left wondering is a heartfelt and worth while journey. if you love baseball...( read more) then watch this film, it leaves the normal cliches of overdone "feel good" sports films behind.
  • October 28, 2009
    "Sugar" may very well be one of the only baseball movies that never uses the line "the bases are loaded". It doesn't culminate with the major thrill of winning the big game, rather it contemplates everything that happens beyond life on the field. It's the second film by the team ...( read more)of Anna Boden and Ryan Fleck, and like "Half Nelson", it side-steps the major contrivances of it's genre, remaining grounded in a harsh reality.

    Miguel Santos (Algenis Perez Soto), nicknamed "azucar", or sugar, is a pitching prospect at a training camp for the fictional Kansas City Knights in the Dominican Republic. It's a farm system that produces many of the top talents in the MLB, but the fierce competition means that there's always someone behind you to take your spot.

    Santos' talents provide him the opportunity to play for the minor leagues in Iowa. He is boarded with an elderly couple, Helen and Earl Higgins (Anne Whitney and Richard Bull), who reside in a Catholic farming town in Iowa. The couple's daughter, Anne (Ellary Porterfield), is a bit of a temptress who strikes up a friendship with her new roommate. He and other fellow Dominicans make their way to a diner, and because Santos only knows the words "french toast" off the menu, he complains that American food is too sweet.

    The film is Algenis Perez Soto's acting debut, and his sincerity is refreshing. Santos is a humble fellow, completely in-over-his-head, and Soto's natural charisma makes him easy to sympathize with. Even when his frustrations get the better of him, we're with him each step of the way.

    There's enough baseball here to keep fans of the sport interested, but "Sugar" is mostly an immigrant tale. Santos is chasing an "American dream", if you will, but the film is realistic about the farming system of the major leagues. It's critical, displaying the homesick strangers in an unknown land, but at the same time it's aware that such a system provides income. Santos, as lost as he may be, is still better off than many of his friends and family back home.

    There are a few instances where "Sugar" doesn't ring true, such as when a teammate asks Santos - "have you ever heard of TV on the Radio?" - to cue a montage to one of their songs, but for the most part this is an authentic and touching portrait of an immigrant. With only two features under their belts, Fleck and Boden have solidified themselves as two major American directors.
  • October 20, 2009
    "Welcome to America, son!"

    Dominican baseball star Miguel "Sugar" Santos is recruited to play in the U.S. minor-leagues.

    REVIEW

    Filmed in quasi-documentary style, the film appears on the surfac...( read more)e to be about the Latino dream of making it to the major leagues. Upon closer review, the family and friends of Sugar only ask "Are you going to the states?". The crux of the film lies not so much in the long odds of making it to the show, but moreso, simply escaping the homeland ... it's just that baseball is viewed as the quickest ticket out.

    The "Half Nelson" writer/director team of Anna Boden and Ryan Fleck score again with "Sugar". What really hit home with me was how many people miss out on their real chance because they just have a simple shortage of passion for their talent. When Sugar bashes the water cooler, it's not because he pitched poorly, but rather because he fears he will be shipped back home.

    There are many fine moments in this and the final act twist is not just terrific story telling, but fitting as well. It does what a final act should do ... connect the dots. Think back to the domino scene when one guy spouts that he once hit 98 in spring training. The recognition that he is back home playing dominoes is the real story. Good stuff.

    First time actor Algenis Perez Soto perfectly captures the charm and innocence of Sugar and finally the harsh reality of the situation. This is one to see.
  • October 14, 2009
    Fictional biography of a Dominican baseball player who is invited to try out in U.S. minor leagues, with the ultimate dream to play in the majors. Engrossing journey of our hero, Miguel 'Sugar' Santos takes us to places we do not expect to go in a typical sports drama. The event...( read more)s may not always be uplifting, but they are realistic, imbued with intelligence and heart. This quiet, but affecting story is anything but predictable. Directors Anna Boden and Ryan Fleck's worthy follow-up to Half Nelson.
  • September 26, 2009
    Intelligent immigrant tale with a lead performance played with an incredibly measured stillness and restraint by Soto. Stays clear of sentimentality and pat Hollywood cliches which often plague 'issue' movies.
  • November 24, 2009
    Early on in Sugar, our protagonist Miguel finds himself on a bus travelling through Phoenix after landing in the USA, far from his native soil of the Dominican Republic. As he journeys through this foreign city, we catch glimpses of stores, parking lots, all things commonplace in...( read more) an American town but seen through the eyes of a newcomer, to whom they are not at all common and completely unreal. What made this incredibly brief scene work (with a mix of distant shots, careful editing and performance) was how it perfectly captured the feeling of being an outsider, being the fish out of water, the stranger in a strange land. You can only truly appreciate that feeling if you've visited a new country for the first time and everything is so overwhelmingly odd that even the mundane becomes as alien.

    While Sugar focuses on a young immigrants personal journey to become a professional baseball player in the Major Leagues, this is not a film about baseball (a sport I find about as inscrutable as speaking Japanese backwards), it's a story about an immigrant trying to get his foot in a door. It's the age old story of finding the American Dream, as elusive as it is, and the hardships those that seek it come across along the way.

    This is the second film from the team behind the acclaimed Half Nelson, and it is a more honest, natural and well paced affair than it's predecessor, which, while ruled by a great performance by Ryan Gosling, was inscinere and unrealistic in it's storytelling. Sugar suffers from neither of these flaws and is fronted by a subtle, naturalistic performance from newcomer Algenis Perez Soto.

    A touching, thoughtful story which never lectures it's audience on it's meaning or panders to their needs with easy answers.
  • November 24, 2009
    A very good movie. Sugar is a very likable character.
  • November 24, 2009
    Excellent sports film that resolutely skips all the expected beats. What, no standing ovation at the end? No sage advice from a gnarled old pro at the three quarters stage? No montage of stunning action shots wowing the crowd at the half way mark? Instead this focusses on the im...( read more)migrant experience of getting into big money sport, the good and the bad, and suggests, in a hopeful ending so gentle you barely see it coming, that possibly there's shhh.... more to life than baseball after all. Well worth a watch.
  • November 13, 2009
    This movie was good up until a certain point when something very sick and disgusting happened.After that I just hated this whole movie.
  • November 12, 2009
    this sounds really good

Critic Reviews


June 5, 2009
Nigel Andrews, The Financial Times

Sugar is dazzlingly free of message creep. We are perplexed, yet fully persuaded. full review

April 23, 2009
Colin Covert, The Minneapolis Star Tribune

Put this one in the Win column. full review

April 23, 2009
Steven Rea, Philadelphia Inquirer

Anna Boden and Ryan Fleck's film is a modest but masterful triumph. full review

April 16, 2009
Claudia Puig, USA Today

Easily one of the year's best, Sugar is an intelligent and sublimely moving film that should not be missed. full review

April 16, 2009
Roger Ebert, Chicago Sun-Times

Algenis Perez Soto plays the character so openly, so naturally, that an interesting thing happens: Baseball is only the backdrop, not the subject. This is a wonderful film. full review

April 9, 2009
Ty Burr, Boston Globe

In its unhurried fashion, Sugar can take its place with the best baseball movies. Where most focus on the grand slam, this one's about the life that surrounds the game and everything that comes after. full review

April 9, 2009
Bob Mondello, NPR

Scenes that would usually be mere setup ... become engaging in their own right. ... game and practice sequences have an easy authenticity from the start. full review

April 3, 2009
Pete Hammond, Hollywood.com

A striking document of an immigrant's journey, in some ways reminiscent of Elia Kazan's Oscar nominated 1963 film, "America, America". full review

April 2, 2009
A.O. Scott, The New York Times

It is both sad and hopeful, but the film's sorrow and its optimism arise from its rarest and most thrilling quality, which is its deep and humane honesty. full review

April 2, 2009
Peter Travers, Rolling Stone

Boden and Fleck are exceptional talents who refuse to sweeten Sugar for mass consumption. The result is raw and riveting. full review

View more Sugar reviews at RottenTomatoes.com

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