Super 8 (2011)
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82% of critics liked it
(258 reviews) -
78% of users liked it
(96,188 ratings)
In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to… More In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth - something more terrifying than any of them could have imagined. -- (C) Official Site
- Rating, Runtime
- PG-13, 1 hr. 51 min.
- Directed By
- J.J. Abrams
- Written By
- J.J. Abrams
- Genres
- Action & Adventure, Science Fiction & Fantasy
- In Theaters
- Jun 10, 2011 Wide
- On DVD
- Nov 22, 2011
- Studio
- Paramount Pictures
Critic Reviews
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David Denby, New Yorker
Spielberg and Abrams are the unwitting targets of their own irony.
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Christopher Orr, The Atlantic
A love letter to a cinematic era, before 'blockbuster' became a synonym for 'franchise' or 'tent pole.'
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Tom Long, Detroit News
Remember the good old days? This is the movie you went to see on a Saturday afternoon in the good old days.
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Lisa Kennedy, Denver Post
There's much to like in this story of a group of young movie-makers who stumble upon an event right out of, well, the movies.
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Peter Rainer, Christian Science Monitor
If Abrams had stuck with the kids and cut way back on all the sci-fi hoo-ha, his film might have stood a fighting chance of being charming. Big is not always better, even when it comes to fantasies.
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James Berardinelli, ReelViews
Abrams remembers the simple rule that a majority of his contemporaries have forgotten: action and mayhem have meaning only when an audience cares about the people trapped within the maelstrom.
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Austin Kennedy, Sin Magazine
JJ Abrams' "thank you" to Steven Spielberg. It's like he said, "Thank you for making those movies while I was growing up. Now, here's what you inspired me to make". And it's a terrific ride that I can't wait to experience again.
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Enrique Buchichio, Uruguay Total
Verdadero homenaje al cine de Spielberg, Super 8 empieza siendo E.T. (o al menos una digna heredera) y termina como La guerra de los mundos, donde lo espectacular y la resolución fácil toman la delantera. Aún así, un buen entretenimiento.
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Shaun Munro, What Culture
J.J. Abrams demonstrates a real love for cinema - primarily Steven Spielberg's classic sci-fi pics - with this doting homage, which puts a frantic alien invasion plot secondary to an involving, emotionally resonant family narrative.
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R. L. Shaffer, IGN DVD
Super 8 works best when it isn't attempting to imitate '80s Spielberg.
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Rob Vaux, Sci-Fi Movie Page
The greatest Steven Spielberg film not actually directed by Steven Spielberg.
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Chris Cabin, Slant Magazine
This Blu-ray allows this striking film a second chance to prove that it actually transcends the Spielberg template that it's been criticized for mimicking.
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Kam Williams, AALBC.com
J.J. Abram's Close Encounter with E.T., Gremlins, Jaws and Jurassic Goonies.
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John J. Puccio, Movie Metropolis
You almost expect Richard Dreyfuss to show up looking for UFO's. (Blu-ray Combo edition)
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John J. Puccio, Movie Metropolis
While it's often tense and exciting, it's also more than a little exaggerated and corny at the end. You take what you get.
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Bruce Bennett, Spectrum (St. George, Utah)
The potty-mouthed script deserves a parental warning and casts the only regretful shadow on an otherwise sterling popcorn adventure...
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Leah Rozen, The Wrap
Super 8 is accomplished commercial filmmaking.
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Rich Cline, Shadows on the Wall
JJ Abrams and Steven Spielberg team up for this enjoyable alien thriller, which feels exactly how we nostalgically remember Spielberg's late-70s movies. But it's not nearly as earthy or thrilling as they actually were.
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Richard Edwards, SFX Magazine
For big kids, a chance to relive the classic films that forged their love of sci-fi. For the kids of today, it's a film they'll want to show their kids another 30 years down the line.
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Neil Pond, American Profile
Much richer, much deeper and much more moving than its 'monster movie' premise might suggest.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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John M
Amazing fun right out of the 70's. An excellent cast with top quality young and old creating one of the best movies ive seen in a long time. Like most reviews have said this is a loving homage to the Goonies, Stand By Me, ET all of the above. Just a wonderful movie with a few… More
Amazing fun right out of the 70's. An excellent cast with top quality young and old creating one of the best movies ive seen in a long time. Like most reviews have said this is a loving homage to the Goonies, Stand By Me, ET all of the above. Just a wonderful movie with a few jumps, a few laughs and ton of good old fashion summer movie fun! -
Rubia Carolina .
<br/> <i>The film according to J.J. Abrams was homage to the producer of the film, Steven Spielberg, and his films of the 1970's ranging reverence from Spielberg's directorial films like Close Encounters of the Third Kind & E.T.: The Extra-Terrestrial to… More
<br/> <i>The film according to J.J. Abrams was homage to the producer of the film, Steven Spielberg, and his films of the 1970's ranging reverence from Spielberg's directorial films like Close Encounters of the Third Kind & E.T.: The Extra-Terrestrial to Spielberg's produced films like The Goonies.</i> Unless the use of the preposition <i>according to</i> is meant to suggest that maybe, being Steven Spielberg the producer and having been reportedly on set many times ended up to determine the direction of the film, there is no excuse to use it. I mean, to me <i>according to</i> just sounds as something not checkable (or not that trustful) and there is no doubt that what we see here is a remake or, ok voilà, a tribute to Spielberg. This also makes me remember of some things I've read around, months ago, that now I know were nothing but repetitions but that, at that time, sounded like substantial observations. The thing is that not being into adventure fiction or into Spielberg's films, all I knew about <i>Super 8</i> was what I quiclky saw in the trailer, so simple comments like "Super 8 is a mix of Goonies, E.T. and The War of the Worlds" made me think that the person had a considerable cinematographic baggage. "Naïve me". I watch the trailer again and just comes to mind an article I read years ago about those whose job is to make movie trailers: creating trailers for mediocre movies is an art. Super 8 is not a bad film, but the package is definitely better than the content. It's the summer of 1979. A group of <i>kids</i> is shooting a zombie film when they witness a terrible train crash. What was supposed to be "only" an accident - even if one of large proportions - turned out to be the beginning of a chaos. Strange things start to happen and the Air Force transforms the crash site into a top secret mission. Charles has the idea of adding what their camera may have filmed during the crash to their own film. When the film is developed, they discover something scary. For those who, like me, liked E.T. and The Goonies, is such a pleasure to (re)watch these kids and those memorable 80's. Even more pleasure is to follow a group of amazing <i>losers</i> shooting around with a Super 8 (There's no doubt that those Super 8mm cameras were much cooler than the digital ones we have today. As also the whole process of filming, taking the film to be developed, the exciting waiting days, etc). Even if Joe is the typical nice boy, I really liked to see Charles in the command. "The fat boy" not only doesn't bring the stereotypes of "chicken" (by the way, was "pussy" an expresson in/of the 80's?) and laziness as he is smart and creative. Another great point is the anguish of coming of age and falling in love. <i>I know it sounds stupid. Why would she ever like me? I haven't lean out yet. Doctor says it's going to happen.</i> Peter Bradshaw brought up an interesting point on how <i>the growing intimacy between Joe and Alice, which develops from Joe pasting zombie makeup on Alice's face, has something of the Spielberg-fannishness in Kevin Williamson's Dawson's Creek.</i> Who used to watch Dawson's Creek knows what he is talking about. If the intimacy between Alice and Joe happens in a convincible way, without any over-sentimentalism, things start to go wrong when over-sentimentalism is put in scene with lot of explosions, last minute reconciliations and heroic acts. Now tell me that you don't know how this is going to end. (Being really honest, you know it from the early moment when the train crashes.) <br/> <br/> -
Dean !
A good film that centers around the close group of kids that are friends. It has a slight Stand by me vibe mixed with the adventure feeling of some of Spielberg's films form the 80's. It has a good young cast and doesn't try to overload you with the action scenes and… More
A good film that centers around the close group of kids that are friends. It has a slight Stand by me vibe mixed with the adventure feeling of some of Spielberg's films form the 80's. It has a good young cast and doesn't try to overload you with the action scenes and stunts. An enjoyable film filled with nostalgia for films from that era. -
Alexander D
SUPER 8 is truly an intense sci-fi film about a film. The action and plot twists never cease, and it never fails to thrill you. Ranked #9 of 2011. -
Albert K
J.J. Abrams. He's got the skill. I loved the 3rd installment of the Mission: Impossible series and though I was one of the few that disliked his adaptation of "Star Trek", I couldn't help but find that J.J. Abrams directed it, superbly. Most blockbuster movies… More
J.J. Abrams. He's got the skill. I loved the 3rd installment of the Mission: Impossible series and though I was one of the few that disliked his adaptation of "Star Trek", I couldn't help but find that J.J. Abrams directed it, superbly. Most blockbuster movies nowadays are always lacking in some aspect. With "Super 8", I pleasantly entertained and impressed with the entire package. The direction, editing, special effects, acting (especially the acting), cinematography, and screenplay -- all done great. "Super 8" unfortunately, begins to fall apart near the end. It's simply pacing issues. The movie can't hold itself up till the last moments. That's not to say that this is a bad movie. It was very entertaining. You're sure to have a good time. -
Carlos M
This intriguing adventure is a nostalgic return to the late 70's and early 80's of Spielberg's movies. But even if it offers exhilarating visual effects and solid performances, it has a poor script that gets ruined by a lame ending that comes with a cheesy resolution… More
This intriguing adventure is a nostalgic return to the late 70's and early 80's of Spielberg's movies. But even if it offers exhilarating visual effects and solid performances, it has a poor script that gets ruined by a lame ending that comes with a cheesy resolution for all the conflicts. -
Chris W
J.J. Abrams' loveletter to diy filmmaking and respectful homage to late 70s/early 80s Spielberg is quite an achievement. The is set in the suburbs of the small Ohio town of Lilian and takes place during the summer of 1979. A group of youngsters are out making a low budget zombie… More
J.J. Abrams' loveletter to diy filmmaking and respectful homage to late 70s/early 80s Spielberg is quite an achievement. The is set in the suburbs of the small Ohio town of Lilian and takes place during the summer of 1979. A group of youngsters are out making a low budget zombie film, and, to add some porestige and production value to the effort, decide to film at a train depot one night. It just so happens however that while filming, a train carrying some special cargo derails in front of them, making for a spectacular crash. The "Thing" the train was carrying escapes, and it doesn't take long before the military arrive to deal with things and some odd activities start taking place. For most of the running time, this film really cooks and some excellent moments are delivered up. Towards the end though, when the specifics begin to get really fleshed out, and the conclusion starts to come around, things do start to run out of steam a bit, and the strength of the script begins to weaken. That's not to say that the third act sucks, far from it, but the build up to it is so great that it is unfortunate that the great consistency doesn't hold up all the way through. I'm not totally upset with how the film ends, but it does seem somewhat underwhelming and some of the initial impact is lost. The film does regain some points though during the end credits by showing the complete version of the film the kids are shown making during the film's running time....and the results are the best kind of cheesy awesomeness. All in all, this film is a successful tribute to both low budget indie filmmaking and Golden Age Spielberg. Abrams really shows his love for these subjects, and it brought back tons of nostalgia for me as I sat there looking at my tv. Part of what really helps the film is that, not including Elle Fannin, almost all of the rest of the cast is made up of unknowns, all of whom are quite excellent, and display some great chemistry and chops...especially the kids, with Joel Courtney and Riley Griffiths being the real standouts. As for the music, there's no John Williams, but Abrams go to guy Michael Giacchino turns in a solid score that both works on its own terms, and smartly recalls some of the best of Williams' past works. All in all, this is a wonderfully entertaining and outstandingly well made sci-fi romance adventure film. There's a great amount of humor, pathos, and bit of horror too, and all of it blends fairly well for the most part. The film is kinda overstuffed, and since Abrams is trying to do so much, maybe it would have been better to extend the running time, but nevertheless, this is some great stuff that you should definitely check out. -
Samuel R
I had heard about this film for almost a year, and wasn't very convinced from what I've seen from the trailers. However, I felt a little less confident after hearing the main cast was full of children. However, my view of the film went in the other direction after watching… More
I had heard about this film for almost a year, and wasn't very convinced from what I've seen from the trailers. However, I felt a little less confident after hearing the main cast was full of children. However, my view of the film went in the other direction after watching this complete work of genius. The film is based around children making a film for a competition who then witness some sort of attack on a train, only to learn that it was containing some unknown creature that causes destruction within the town. Some of the key strengths about this film are its visual effects and tension building. The effects on the train wreck and the creature make them seem so realistic, along with the sound effects can make the audience feel like their having the same experience as the film actors. At the same time, the method of building up tension is one if the films greatest achievements, as everyone in the cinema kept jumping at very scare moment. However, the shock scenes may not get to movie goers who are used to moments like this. There are some flaws to this film that can make it quite disappointing. The first is that the train attack was quite exaggerated, I don't expect the destruction of a train cargo to be OTT. The second flaw that there is a lack of imagination with the creature, as it looks like a mutated spider with scales. The biggest problem with this film was its ending, it felt short and unsatisfying. There could've been better ways, but it all ends with the ship taking off and slowly fading out. Overall, Super 8 is a fantastic sci-fi with some unnoticable flaws. However, the film was too extreme for a 12A and definately isn't for young children. This film has some laughs, emotional moments and truly intense scenes that will satisfy many and possibly all science-fiction movie lovers. Positives: Fantastic visuals Superb tension building Brilliant storyline Funny B movie during credits Negatives: Disappointing ending Little imagination Not for young children -
Letitia L
Elle Fanning put on a captivating performance. The dialogue was pretty funny, and most of all Spielberg / Abrams kept me on my toes by interspersing a tight pace of progressing events with the sudden action 'shock' scenes. Thoroughly entertaining. -
Wildaly M
Interesting sci-fi installment. Thought it would be more epic though. -
Directors C
Super 8 has good emotional depth and dazzling effects and alien design, however I found myself laughing at the film and not too bothered about these dull kids. It's a standard Spielberg set up with an over-used story of childhood love, nothing new from him. I also found myself… More
Super 8 has good emotional depth and dazzling effects and alien design, however I found myself laughing at the film and not too bothered about these dull kids. It's a standard Spielberg set up with an over-used story of childhood love, nothing new from him. I also found myself hating the lead characters including the typical blonde female who hangs around with these movie geeks and the surpisingly good looking nerd. I would have prefered it to be a sequel to Cloverfield as planned. Hated all the characters but the film addict. -
Sophie B
Not as brilliant as I expected from Abrams, however the story was decent with some great performances. A huge annoyance, however was the many many lens flares. Give it up Abrams. -
paul o
Having the childish spirit of E.T, Super 8 delivers on the nostalgia that so many of us fondly remember in Spielberg films. Director J.J Abrams uses modern day CGI to create a remarkable environment that make many of us want to go back to the classic 80's. -
Daniel M
There's a very fine line between paying homage to a director and shamelessly ripping them off. This becomes even finer when said director happens to be closely involved. Super 8 has Steven Spielberg embedded in its DNA, and J. J. Abrams has made a conscious effort to express his… More
There's a very fine line between paying homage to a director and shamelessly ripping them off. This becomes even finer when said director happens to be closely involved. Super 8 has Steven Spielberg embedded in its DNA, and J. J. Abrams has made a conscious effort to express his admiration. But while the result is solidly entertaining, it lacks originality where it's most needed, and settles for just invoking Spielberg rather than explaining his appeal. You don't have to be an expert on Spielberg's back catalogue to spot all the little references to his work. The plot is essentially a reworking of E. T. and Close Encounters: a community is disrupted by the arrival of an extra-terrestrial, whose presence appears threatening at first but who gradually emerges as something more benevolent. The children are all classic Spielberg children, looking for a source of affection to replace or restore that of their parents. Like Spielberg's monster movies, the threat in Super 8 is ultimately a device for bringing the different family members closer together. In Jaws it is the death of the shark, in Jurassic Park the escape from the island, in War of the Worlds the defeat of the aliens - and in Super 8, the strange goings-on which allow the alien to leave. The alien's departure symbolises the lifting of all the grief the main character was carrying; as he lets go of the locket, his burden finally disappears. Super 8 is also a film which has affection for the origins of cinema, and in particular how the likes of Spielberg cut their teeth. Spielberg, George Lucas and many others from the 1970s and 1980s first pursued their interest in film by making shorts on Super 8mm. This was preferential to standard 8mm because of the wider amount of frame space and how simple it was to load and develop. The chaos of shooting a film is very well-evoked, celebrating the boundless enthusiasm of amateurs. More than this, however, Super 8 has affection for the cinema of Spielberg's peak. It harks back to a time when mainstream films, including the first genuine 'blockbusters', were created to appeal to the widest possible audience and have something for all the family. There is nothing about the premise of Super 8 which smacks of demographic profiling or obsession with opening weekends, and in an age where both are present in extremis, that is to be celebrated. But there's only so far that affection and celebration can go before Abrams has to bring something new to the party. And while he succeeds in knitting all the different threads of Spielberg into a decent premise, he is ultimately unable to add his own directorial stamp in many ways other than the improved effects. What you end up with is an early-1980s film with a 21st-century sheen, providing welcome and familiar thrills but not explaining why such a throwback is necessary. The moment which first raises alarm bells about Abrams is the lengthy train crash which occurs while the children are filming. Spielberg fans will recognise this as a nod to The Greatest Show on Earth, which Spielberg credits as the film which convinced him to become a director. But rather than just give us a decent crash and move on, Abrams sees his chance to play with his laptop and create the mother of all train crashes. The result is a crash which looks great in a trailer but goes on far too long and crucially loses sight of the emotions in the presence of all the effects. Throughout his career Abrams has been the master of hype. He knows how to edit a trailer, he knows how to assemble special effects, and he knows how to manage viral marketing campaigns to get fan-boys into a frenzy. What he hasn't yet mastered is integrating the human drama around these effects and sustaining the thrill that comes from the premise. In the end he seems more interested in how big the train crash can be than how we should feel about the people coming out of it. To be fair to Abrams, you could argue that this is indicative of what we have lost in filmmaking, both from Spielberg developing as a director and from the numerous changes in Hollywood since the late-1970s. The advance of CG effects since Jurassic Park, the relentless emphasis on marketing and the convention of opening a film everywhere at once have created a culture of homogenised, overly conservative filmmaking which has to look a certain way in order to sell. That's all very well, but the irony remains that Super 8 has less emotional depth than you might expect from a film with Spielberg as both executive producer and creative force. Because the story and execution is so familiar, scenes are often played with the assumption of emotional involvement rather than actually doing the legwork to create it. We have become so used to Spielberg's trademarks that we are almost obliged to well up or be engrossed when they turn up on screen - something which works in Super 8's favour but which ultimately feels dishonest. The central problem with Super 8 is this. If Spielberg were directing, giving us all the familiar awkward emotional moments, this would be regarded as an enjoyable but unremarkable example of the genuine article. Instead it feels like Spielberg is using Abrams as a proxy, getting him to make the kind of films which, if Terry Gilliam is to be believed, he has forgotten how to make himself. Given the choice between the real thing and a self-conscious, foul-mouthed imitation, I know which one I'd take. If we put these concerns to the back of our minds, Super 8 does pass the time very nicely as a piece of popcorn entertainment. The material may be familiar but Abrams plays it with a straight face, resisting the urge to slip into knowing pastiche. The various plot strands involving broken families, arguments between father and son and small town chaos are handled competently, and the effects in and of themselves are pretty spectacular, as you might expect from the man who produced Cloverfield. One aspect of Super 8 which does work well is the monsters. Joel Courtney's character does the zombie make-up and props for the short film, and speaks lovingly about building stuff to blow up or freak people out. This is where the affection for Spielberg's craft comes through, since his monsters have always had a tactility and personality. The alien when we finally see it may be CGI rather than something physical, but it still feels like it has had emotion poured into its creation. The other coup of Super 8 is being a big, romping blockbuster without many recognisable names in the cast list. Out of the leading child players only Elle Fanning has any kind of prior career, and both she and those surrounding her acquit themselves very well. Joel Courtney is very convincing as Joe, and we believe in his relationship with Alice (Fanning) as much as his quarrelling with the director Charles (Riley Griffiths). Most of the adult performers are confined to playing ciphers or conforming to clichés, but Kyle Chandler in particular makes the best of what he has. Super 8 is an enjoyable but far from brilliant film which will satisfy blockbuster audiences without offering them much that is new. The child cast is very convincing, and those in a nostalgic mood will find a lot to enjoy in the various nods to Spielberg. But while its familiarity is comforting, it is also the thing which works against the film, settling for convention and assumption instead of moving things on a little further. As a two-hour diversion it does its job, but one is left with the feeling that this could have been a lot more super. -
Thomas J
I feel this is an alien, scify, movie made and targeted to kids and young adults maybe. I just felt I was too old for this movie, But I do enjoy scify enough that I overlooked this aspect and enjoyed it anyway. -
Michael E
Speilberg was collabing with several people lately, Michael Bay, Peter Jackson, and now J.J. Abrams. And though I liked Tintin and Transformers is awesome, I think this is one of the best of his collabs. It's not nearly as good as Transformers but it is good and it does have a… More
Speilberg was collabing with several people lately, Michael Bay, Peter Jackson, and now J.J. Abrams. And though I liked Tintin and Transformers is awesome, I think this is one of the best of his collabs. It's not nearly as good as Transformers but it is good and it does have a very interesting and creative plot for a sci-fi film. Its interesting to make it kids being the protagonists unlike most action and sci-fi films nowadays and the acting is actually pretty decent for such young kids. -
Candy R
It''s the Goonies meets sci-fi. A group of kids are making a movie, when they witness a train crash. Afterwards there are manu disappearances. They discover that an alien has captured them underground. -
Anthony L
J.J. Abrams knows how to start a story and get you hooked - it's just shame he's not as good at ending them. Super 8 works as a tribute to the 80's film of Steven Spielberg but it adds nothing new to the 'Summer blockbuster' genres and it isn't as good. I… More
J.J. Abrams knows how to start a story and get you hooked - it's just shame he's not as good at ending them. Super 8 works as a tribute to the 80's film of Steven Spielberg but it adds nothing new to the 'Summer blockbuster' genres and it isn't as good. I give better reviews to films that have more original stories, even if the films don't end up as good. Super 8 is pleasant but does not live up to the hype - in fact the ending is just so disappointing, I felt stupid in getting so excited. I thought the original concept was that the whole thing was caught on camera by a group of kids on their Super 8 camera? In the end, the Super 8 film they were making was so unimportant that you wonder why it got its name. They should have got Frank Darabont in for a re-write and directional duties, then it would have been great instead of just good. PS. No more lens flare!!!! -
Summer W
JJ Abrams' homage to hero (and producer) Steven Spielberg's more fantastic films of the 70's and 80's really plays as a faithful tribute. It's E.T. meets Cloverfield, and so much fun. -
Paulo G
Action packed, thrilling, and visually satisfying. Accompanied with a stellar new generation of stars and a quick-paced plot, Super 8 delivers a very groundbreaking action adventure film. Elle Fanning and Joel Courtney were just perfect for the role for having perfect chemistry.… More
Action packed, thrilling, and visually satisfying. Accompanied with a stellar new generation of stars and a quick-paced plot, Super 8 delivers a very groundbreaking action adventure film. Elle Fanning and Joel Courtney were just perfect for the role for having perfect chemistry. Despite the rigorous events of some scenes, the directors were still able to create a subtle tale of romance between the two lead stars.
Cast
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Kyle Chandleras Jackson Lamb -
Elle Fanningas Alice Dainard -
Amanda Michalkaas Jen Kaznyk
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Joel Courtneyas Joe Lamb -
Gabriel Bassoas Martin -
Noah Emmerichas Nelec
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Ron Eldardas Louis Dainard -
Riley Griffithsas Charles -
Katie Lowesas Tina
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Ryan Leeas Cary -
Zach Millsas Preston -
Jessica Tuckas Mrs. Kaznyk
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Joel McKinnon Milleras Mr. Kaznyk -
Andrew Milleras Kaznyk Twin -
Jakob Milleras Kaznyk Twin
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Jade Griffithsas Benji Kaznyk -
Britt Flatmoas Peg Kaznyk -
Glynn E. Turmanas Dr. Woodward
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David Gallagheras Donny -
Richard T. Jonesas Overmyer -
Amanda Foremanas Lydia Connors - Ch 14 News Anchor
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Michael Giacchinoas Deputy Crawford -
Bruce Greenwoodas Cooper -
Dale Dickeyas Edie
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Jack Axelrodas Mr. Blakely -
Dan Castellanetaas Izzy -
Ben Gavinas Deputy Milner
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Jay Scullyas Deputy Skadden -
Michael Hitchcockas Deputy Rosko -
James Hebertas Deputy Tally
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Thomas F. Duffyas Rooney -
Teri Clark Lindenas Mrs. Babbit -
Tom Quinnas Mr. McCandless
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Katherine Yervesas Woman in Office -
Caitriona Balfeas Elizabeth Lamb -
Koa Melvinas Baby Joe
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Bingo O'Malleyas Mr. Harkin -
Brett Riceas Sheriff Pruitt -
Beau Knappas Breen
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Tony Gumaas Sergeant Walters -
Marco Sanchezas Hernandez -
Jonathan Dixonas Airman Nevil
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Tim Griffinas Commando -
Patrick St. Espritas Weapons Commander -
Tom Williamsas Flame Thrower
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Emerson Brooksas Military Bus Driver -
Robert B. Quirozas Boy in EVAC -
Greg Grunbergas Sitcom Actor
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