Featured Audience Ratings

• Michael G

  
  Superfly is one of those movies where the soundtrack is better than the actual film, but in this case not by much. (To be fair, Curtis Mayfield's soundtrack is one of the best ever.) Superfly is gritty and one of the high points of the blaxploitation movement from the 70s. Its… More
  Superfly is one of those movies where the soundtrack is better than the actual film, but in this case not by much. (To be fair, Curtis Mayfield's soundtrack is one of the best ever.) Superfly is gritty and one of the high points of the blaxploitation movement from the 70s. Its more fun than it is good but that sure doesn't make it a bad movie.

• Chris W

  
  If I were reviewing just the soundtrack, I'd give it 5 stars easy. Now,since I'm having to review the film as well, things are different. And no, the bulk of the rating isn't just for the music. This movie has some good merits on its own. The cars and clothes are… More
  If I were reviewing just the soundtrack, I'd give it 5 stars easy. Now,since I'm having to review the film as well, things are different. And no, the bulk of the rating isn't just for the music. This movie has some good merits on its own. The cars and clothes are awesome. The gritty NYC locationwork is great adding a nice touch of realism and relatability, the acting is mostly decent (for what it is), and the same goes for the dialogue. I'm generally very kind to every type of movie I watch, I always try to focus on the positives and be asforgiving andunderstanding as I can with the short comings. For some of those short comings, if they don't impact the overall effect, they aren't a big deal and can be overlooked. This is one of the most well known, better made, and influential Blaxploitation. Even though it does have its fairshare of critical and scholarly haters, this film is pretty competently made, and does have some good subtext and deeper stuff going on. For that, I give it more props than I already do. Take some ofthat away, and the movie is still pretty entertaining, even if more shallow. While some of the film's content is responsible for some of the stereotyping that comes along with these films, it's played pretty straight and serious. Oh, there's humor, but it's intentional (most of it- some of the dialogue and racial slurs had me laughing when I probably shouldn't have found it that funny). As far assome of the backlash is concerned- this isn't nearly as violent asI thought it would be, or as it could have been. I will admit that it does glamorize drugs and the drug culture, (something the soundtrack does not do), but it doesn't really get too overboard with it. Honestly, I think this film is entertaining whether you watch it for what it is, or, like me, you want (and have to) read into it. (I'm writing a Master's seminar paper on Blaxploitation).

• Cassandra M

  
  As far as i'm concerned the street drug cocaine, refined but corrosive WHITE powder, (It is the hydrochloric acid used to make this powder that destroys the nose) is a superb metaphor for the white oppression that the character's in Super Fly are caught up in. The real… More
  As far as i'm concerned the street drug cocaine, refined but corrosive WHITE powder, (It is the hydrochloric acid used to make this powder that destroys the nose) is a superb metaphor for the white oppression that the character's in Super Fly are caught up in. The real pusherman in the film is white, and far more dangerous than any drug. Witness the scene when Scatter is killed with an overdose. A powerful message that seems to have been lost on most of the folks reviewing this film. The black characters in Super Fly are all victims, trying to make the best of what they have, and there is another, just as powerful message, about the emptiness of the white American dream. Priest may want out of the drugs business, not because he hates drugs, but because of the endless hassle that comes with selling anything illegal. When pressed by his lover as to what he intends to do once out of the life, he has no real answer to give. There is no answer. What is there to the modern world other than conformity and brain death. I suspect that a character as intelligent as Priest knows this all too well. Yet such is the addiction of The American Dream, Priest even utters the words "FREE TO THINK", and the audience is left with a feeling of ambiguity. What really happens when you get what you want, it becomes worthless / meaningless more evidence of the humanity present in this film and the position the characters occupy. The characters in this film are not one dimensional, they have great depth and like all real humans, are flawed, that is what gives the human race it's humanity and it is this humanity which is under threat. Witness the scene when Priest is approached by a group of activist's, who see him as a threat to themselves and their future, a future which is little more than the chance to get along with ones oppressors. Priest tells them that if they come back with an armed black America he will be only too happy to join them. Though they are misguided as a nation under oppression is the same no matter what colour skin your oppressor has. Priest knows this and so do the activist's. Another masterstroke of this film is to cast an actor who is neither black or white, but of mixed race, thus allowing any reasonable audience, to identify with the character. Which also makes him something of an outsider, straddling the world of blacks and whites a world we all know to be made of grey. Just as the ending is grey, Priest may have escaped his immediate oppressor, but his future is unclear. The final image of the film is one of the greatest of any film ever. The camera rests on the peek of a skyscraper, which looks all to like a junkie's needle topped syringe, a symbol of the addiction that is capitalism and the threat that capitalism holds over the entire planet. This film has so much to say about modern life, our struggle for personal identity, the pursuit of happiness and the endlessly shrinking line between freedom and enslavement that i could easily fill a book on it. At a time when on-screen human beings are being reduced to the level of silicone. Super fly is a breath of sanity in a world rapidly loosing it's mind, to the evil of control. The 1970's seem to me to be the most honest period of film making the screen has ever seen. It would be impossible to make such a film today.

• Saskia D

  
  I'm not really a fan of this one, but the soundtrack was awesome :) Curtis Mayfield is a legend!!! <a href="http://s199.photobucket.com/albums/aa52/laparolachiave/?action=view&current=cover_superfly.gif" target="_blank"><img… More
  I'm not really a fan of this one, but the soundtrack was awesome :) Curtis Mayfield is a legend!!! <a href="http://s199.photobucket.com/albums/aa52/laparolachiave/?action=view&current=cover_superfly.gif" target="_blank"><img src="http://i199.photobucket.com/albums/aa52/laparolachiave/cover_superfly.gif" border="0" alt="Curtis Mayfield"></a>

• El Hombre I

  
  One of the earliest, roughest-made and best above other "blaxploitation" films that followed, this film is going to make an excellent addition to libraries of film lovers. As African-American critics bashed its' influence on cocaine use and the glorification of… More
  One of the earliest, roughest-made and best above other "blaxploitation" films that followed, this film is going to make an excellent addition to libraries of film lovers. As African-American critics bashed its' influence on cocaine use and the glorification of criminals, the filmmakers observed that they were just telling it like it was. Superfly has it all, and hasn't a useless moment in it's running time which consists of slow scenes for fans of drama, enough action for thrillseekers, naturalistic dialogue, the charismatic Ron O'Neal and some badass fashion. Hardly a hero, he deals coke to his people, but wants to pull himself out of the scene and runs into trouble when greed and betrayal push him in a corner. Then there's the soundtrack layed down by Curtis Mayfield that no other film in the genre could match. <a href="http://s273.photobucket.com/albums/jj203/goji9000/?action=view¤t=superfly.jpg" target="_blank"><img src="http://i273.photobucket.com/albums/jj203/goji9000/superfly.jpg" border="0" alt="Photobucket"></a>

• Lenny M

  
  If Pimpin' was this easy I don't even know man. One of the best soundtracks ever, love Curtis.

• Daniel H

  
  A bit stretched thin, but it takes all of the standard blaxploitation conventions (crooked white cops, drugs, etc.) and mixes them into what is considered an unusual pro-drug sentiment (at least, for this particular genre, which likes to adopt the "crack-is-whack"… More
  A bit stretched thin, but it takes all of the standard blaxploitation conventions (crooked white cops, drugs, etc.) and mixes them into what is considered an unusual pro-drug sentiment (at least, for this particular genre, which likes to adopt the "crack-is-whack" standpoint.) But the pro-drug sentiment overblown: it is the racial commentary: that drug-dealing is really all that "the system" lets inner-city blacks do with their own ambition, which is what the films drug-plot really revolves around. Because of that, it's message and morality comes the closest to Sweet Sweetback out of any other blaxploitation movie I've seen thus far, and for that, it gets high marks, despite its slow pacing and lack of much dialog or action.

• Mister C

  
  A Blaxploitation classic. Watching Ron O'Neal in the title character was poetry in motion,not to mention that classic Curtis Mayfield's Grammy winning soundtrack.

• Ryan M

  
  ***1/2 out of **** Priest (Ron O'Neal) is a NYC cocaine dealer trying to figure out where he stands in both the business and in life. On the business side of things, he is successful and reasonably wealthy; but he'd also like nothing more than to get out of it… More
  ***1/2 out of **** Priest (Ron O'Neal) is a NYC cocaine dealer trying to figure out where he stands in both the business and in life. On the business side of things, he is successful and reasonably wealthy; but he'd also like nothing more than to get out of it all-together and start a new life elsewhere with his girlfriend. Of course, when Priest (whose first name is Youngblood) expresses these desires to his friends and colleagues, they practically laugh in his face. As Priest's business partner Eddie (Carl Lee) says: "You're gunna give all this up? Eight Track Stereo, color T.V. in every room, and can snort a half a piece of dope every day?" To both Eddie and Priest; this sounds very much like the idealistic "good life". We get an understanding of why Priest would want to leave the business. Early on, he's about to do a pick-up when two junkies assault him right there at the friend's place. This is just one thing that contributes; another thing might be the violence that concerns the trade. Priest's mentor Scatter (Julius Harris) has retired from dealing coke, and serves as an inspiration for the life that maybe Priest himself would like to live one day. But his friends are forever able to persuade him to stay with the business and most of the plot chronicles his downwards spiral as he fails to escape the white, powder-like nightmare. A lot of the film has to do with the mood-setting. The city is established as dark, unrelenting, but more or less home to the kind of people that make up the story's colorful cast. The shooting script was only 45 pages total, which explains the abundance of "street shots" and similar stylistic tricks, which help to give the film its authenticity. It's a rare movie that actually cares deeply about the cultures it is talking about and provides a sympathetic portrayal of its characters, who would otherwise be anti-heroes (a lot of them still are, but we can somehow identify with Priest). It's an otherwise simplistic and familiar story that is taken to new heights with its honest ambition alone. Director Gordon Parks Jr directs the material with an iron hand, although he's clearly not the only one at the reign. O'Neal's performance is absolutely dynamic, and his troubled drug dealer character is one for the books. Another key factor to the success of "Superfly" is Curtis Mayfield's original soundtrack-score, which is very commanding at times and takes over some of the film's best scenes; such as the one in Scatter's restaurant where Mayfield in his band are physically present and performing, and another still photograph montage showing Priest and his fellow dealers doing the deed after they've struck up a deal with the New York fuzz. There are other great scenes involving inspirational speeches and Priest's problems. The film was controversial for its time, obviously because of the "graphic" on-screen cocaine usage, which is aplenty. The critics initially labeled the film as exploitative and supportive of the abuse and business of the drug; although the filmmakers denied these claims saying that their intent was the complete opposite to whatever the detractors saw. In my opinion, it's not a pro-coke or pro-crime movie at all; it's trying to show that the life associated with the drug can be very cruel and dangerous. If anything, I think the film serves to convince people not to tread these waters. It's one of those things where, I assume; once you're in, you can't get back out. The film conveys this message through compelling images, music, and style; and what better way to do so? It works as a great slice of entertainment as well as a thoughtful historical piece; historical in the sense that it left its mark on exploitation cinema as one of the smartest and most influential for the genre. While the film possesses some of the bare essentials of a Blaxploitation film - sleaze (a gratuitous bathtub sex scene) for instance - it is also more intelligent than most. Don't be deceived by what you are presented with. "Superfly" has cars, girls, sex, drugs, and R&B music; and while it embraces its stylistic flourishes to the fullest, there's a lot more to it than the credentials of cool. I can recommend this one highly because it's not only fun, but also tragic and kind of sad at the center of it all. You may still find yourself questioning whether it's promoting or criticizing this lifestyle; but just remember that just because a film is showing something in its most stark form doesn't mean it believes in it.

• Lesley N

  
  Early blaxploitation film, about a sophisticated drug dealer running One Last Big Deal in order to get out of the life, while partners and corrupt police try to keep him.in. Cheaply made, and oh-so-seventies, wiith one of the greatest soundtracks of all time soaring above the action.

• Jonny C

  
  Excellent movie, with and awesome soundtrack, great story, and a wonderful hero. Superfly is well worth searching for.

• MJS M

  
  This has long been known as the ?other? blaxploitation film that kind of sits in the shadow of Shaft. I wouldn?t say that his is as good as that other film, mainly because Ron O'Neal is not as good as Richard Roundtree. Still, this is probably a more outlandish film as it uses… More
  This has long been known as the ?other? blaxploitation film that kind of sits in the shadow of Shaft. I wouldn?t say that his is as good as that other film, mainly because Ron O'Neal is not as good as Richard Roundtree. Still, this is probably a more outlandish film as it uses a criminal as its subject rather than a private investigator. The whole thing is rather crudely made and the action is not particularly exciting. I also found a lot of the very long and leery sex scenes to be in pretty bad taste, I?m no prude but the way this movie tends to stop its storytelling for a good five minute at a time in order to focus on gratuitous banging makes it closer to soft core porn than an actual film.

• rocko p

  
  Super Fly aka Priest is New Yorks top cocaine dealer. His daily routine consists of bitches and coke and ocassional visits with his connect. So what would make this man who seems to have it all wanna quit the business for good? guess you'll have to find out. A total 360 drug… More
  Super Fly aka Priest is New Yorks top cocaine dealer. His daily routine consists of bitches and coke and ocassional visits with his connect. So what would make this man who seems to have it all wanna quit the business for good? guess you'll have to find out. A total 360 drug movie it didn't romanticize or glamourize any aspects of his life like say Scarface did which is why I hate a certain percentage of the earth. You were just thrown in it during a time in which Priest has questioned his own lifestyle choices. Curtis Mayfield score and cameo appearance is top notch. Freddies Dead, that what I said.

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