"There's a hole in the world like a great black pit, and it's filled with people who are filled with shit, and the vermin of the world inhabit it, but not for loooong!"
Tim Burton is the only director that comes in mind that has his own recognizable unique style.… More
"There's a hole in the world like a great black pit, and it's filled with people who are filled with shit, and the vermin of the world inhabit it, but not for loooong!"
Tim Burton is the only director that comes in mind that has his own recognizable unique style. From the cover poster, the main title credits, it's all 100 percent Burton. His also one of the most successful directors worldwide, so he has he full trust from the production companies. Burton is one of my favourite directors and his imaginative gothic world has never failed (expect 'Planet of the Apes', but that movie really didn't look anything like Burton...). But I'm sure when Burton announced a screen adaptation of a hit musical, some were probably on alert. I wasn't. I was certain that this movie would nail it big time, for me that is.
Sweeney Todd (Johnny Depp) has been imprisoned for 15 years. Judge Turpin (Alan Rickman) had set his eyes on Todd's wife, Lucy. One day, when taking a walk with his family on a sunny day, without any warning, Todd is clubbed and put away. When he arrives back to London, there is no sunlight anywhere, the world of Todd is grim and moody. He has only one thing in mind, get it even with Judge Turpin. With the help of Mrs. Lovett, his silver razors and a meat grinder in Lovett's pie shops basement, Todd is a cut away from redemption. And the Londoners stomachs will love every bite of it...
"I can guarantee the closest shave you'll ever know."
'Sweeny Todd: The Demon Barber of Fleet Street' looks amazing. But that doesn't come as a surprise for those who are accustomed to Burton's visions. A beautiful musical for the mature audience, I'd say. Here in Finland, this movie got the highest PG rating possible. There is a lot of throat cutting, blood gushing etc, but it's all taken so over the top that there is zero horror factor in those particular scenes. Burton has almost made it all to a new form of art.
The art department in overall, costumes and so on are top notch. This movie won a Academy Award for Best Achievement in Art Direction and was nominated for Costume Design. But there's one thing I want to say about the streets of London. I understand that it's supposed to be dark an all but why are the streets so empty looking. The streets of London should be full of people, even in the darkest alleys. Because of the lack of pedestrians, the darkness of London seems a bit invasive.
The musical scenes in the movie work perfectly. The songs in the movie tell the story and makes it go forward. The songs doesn't interrupt the movie, which is like the biggest mistake a musical can do. When words can't explain the people's feelings better, a proper song fits perfectly as a cold razor on a 5 o'clock shadow. There's a lot of tension in the songs, they're not like the the old boring musical scenes were people look into the horizon sobbing like there would be no tomorrow. Or was it yesterday? I'm confused.
And then the actors. Tim Burton is famous for his nepotism. 'Sweeney Todd' was the 6th collaboration between them two. And the seventh came out 2 years later. Helena Bonham Carter is the mother of his children and she got the part, like in so many other films before and after this. But there's a reason why these two are in the movie: Depp and Bonham Carter are wonderful performers. I read that Burton wanted Stephen Sondheim, the man behind the stage musical, to approve them two to the roles. Depp hasn't sung in a movie ever and cant recall is she has either. But they auditioned and got the parts. In my opinion, Depp's voice fits perfectly to the part. There's a lot of anger, frustration in his voice and I prefer it so, rather than a high-pitched vocal. At times it feels as if he just speaks the words disguised into singing. Alan Rickman, the ever charismatic actor, is once again perfect. There's not a movie that I can't watch where Rickman performs. He has the thing that most actors lack of. The above mentioned charisma and now mentioned pure talent. Sacha Baron Cohen makes a small part as a hustler barber but he'll meet his match. In a very sharp way... In overall, the cast is perfect. All of the main characters, with the expection of Timothy Spall's Beadle Bamford, gives it a go with the singing and... what can I say? They hit the tones big time.
The only glimpses of joy in the movie are either flashbacks of a brighter past or dreams of a sunnier future. But they'll never take control of the movie. It's all supposed to be grim. I've wanted to understand more why the characters did what they did. Like the Anthony character that suddenly falls in love with Johanna, who is Todd's daughter. Why does he fall in love with her? Why is he ready to risk his life? Because her eyes are crying for help? And more importantly, I would've wanted to see more of Todd's brighter past with his wife before he was locked away. There would've probably been more emotion in his doings but now it just feels as if he's determined to get revenge because this is supposed to be done and not because he suffers for the loss. It's not like he's crying about it all the time. Maybe he shed his last tears before he got back? I'm confused, again. Not because of the movie but because of my writings...
But to give the film its final words, 'Sweeney Todd: The Demon Barber of Fleet Street' is my favourite musical. And trust me, I've seen lots of 'em starting from 'The Sound of Music' and ending with 'Chicago'. This just basically is what I want from a musical, a more mature vision of human determination. The cast is perfect, the songs have a meaning and its got Burton pulling the strings. That's all.