Carole Laure, Pierre Clémenti, John Vernon

The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard for sex, de...( read more  read more... )ath, and revolutionary talk.

Flixster Users

72% liked it

473 ratings

Critics

41% liked it

17 critics

Unrated, 99 min.

Directed by: Dusan Makavejev

Release Date: May 1, 1974

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DVD Release Date: June 19, 2007

Stats: 229 reviews

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Flixster Reviews (229)


  • December 31, 2008
    There are some films that are designed to shock, some designed to titillate, some that delight in disgusting the view. For Makavejev, shock, disgust and titillation are never the purpose, but a means to a form of psycho-liberation. Makavejev in Sweet Movie hurtles us head first i...( read more)nto the confronting theses of Post-Freudian Wilhelm Reich. We are forced to confront our relationship to our primal beings. He literally smears our consciousness with faeces, vomit and carnality.

    We cannot watch orgiastic scenes of regressive acts, a sensual striptease played out inches from the faces of young boys, Carol Laure masturbating in a pool of molten chocolate without a visceral reaction. We are forced to confront our own repressed desires and shine a light in the dark recesses of our own psyche.

    Here is revolution at it's most personal, montaged together with lashings of wild humour. Allow your head to give up control and come along for the ride. Recommended to anyone who is willing to put their concept of themselves on the line a risk a flirtation with prurient madness.
  • December 7, 2007
    WITHOUT A DOUBT, THE MOST DISGUSTING FILM EVER MADE. This makes Pink Flamingos look like a Sunday night family comedy. Murder, pedophilia, puking, public defecation, piss drinking, whatever debauchery you can name of this has it. Carole Laure is hot and looks very tasty drench...( read more)ed in chocolate.
  • October 3, 2007
    A thoroughly pretentious, incoherent, arty piece of nonsense from start to finish. There are a couple of good scenes (and they're not necessarily the more startling ones) but they're not really worth waiting for. The film was rejected by the BBFC in 1975 and would almost certainl...( read more)y fall foul of the same censor today on child protection grounds. The one star I am awarding is for the excellent use of music throughout; as others have said, the soundtrack is amazing.
  • October 6, 2009
    Too much mess less sweet. Experimental. Wild Bunch.
  • September 24, 2009
    Dusan Makavejev's Sweet Movie gave me the exact same problem Ai No Corrida (1976) gave me: it could have been a masterpiece. Don't get me wrong; films made by visionary auteurs that actually dare to establish their filmmaking style through a groundbreaking and controversial persp...( read more)ective, slapping the faces of both communism and anarchy are immediate objects of my utter admiration. However, the film felt too short and not as ambitious as this scandalous project required. I was left empty. Astonishing and slightly disturbing sequences take the cake and added cult quality to the film, but the rest felt flat. Outstanding and daring project which balls and courageusness surpass its shock value with a predominant and unique brilliance!

    86/100
  • July 11, 2009
    A jumbled mess. The chocolate scene was sexy, but that was about it.
  • July 10, 2009
    Some great gags and a great cast, but no matter how avant garde it is, it still needs a plot.
  • July 7, 2009
    Director: Dusan Makavejev
    Country: Canada / France / West Germany
    Genre: Comedy / Drama
    Length: 98 min

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    In the contest of the "most virgin" Miss Monde 1984, Miss Canada (Carole Laure) wins, and prize is the marriage with the milk industry tycoon (John Vernon) with his 50 billion dollars fortune. In their honeymoon, Miss Canada "does not accept" the golden penis of her husband, and with the support of the black man Jeremiah Muscle (Roy Callender), she runaways to Paris. There she meets a Latin singer, El Macho (Sami Frey), they have an intercourse in Eiffel Tour and they get stuck together. She moves to a weird anarchic community and later she becomes an actress working in a chocolate advertisement. Meanwhile, the revolutionary, pedophile, and mad killer Anna Planeta (Anna Prucnal) makes candy in her boat while sailing through the canals of a city that seems to be Amsterdam. She meets the sailor Potemkin (Pierre Clémenti) and they have a torrid affair. Meanwhile she uses her candies to seduce young boys and kill her lovers. In the middle of the story, it is presented what seem to be footages of a Nazi doctor and a slaughter in a war with many dead bodies.
  • June 22, 2009
    Forgettable. Not nearly as shocking as people claim it is.
  • June 20, 2009
    on the sexual freedom and perversion. of the 1970's in Europe. a side-story goes shows the perspective of a communist/gypsy camp on the seas.

    Yes, it does strip the boundaries, well, tears the conventional boundaries apart for film making but in Yugoslavia in the 1974..I mean i...( read more)t was different time. probably too many 'WTF' moments for the average viewer, you have to be somewhat perverted to like this movie. However, it's a ride to be rode.

    ps all the criticism is a waste of time, you have to see it to gain an opinion.

Critic Reviews


October 23, 2004
Roger Ebert, Chicago Sun-Times

I didn't hate it, although it affected me in bewildering and sometimes unpleasant ways. I didn't find it a success, but I found it an audacious attempt, and it's filled with images impossible to forget. full review

View more Sweet Movie reviews at RottenTomatoes.com

Comments


  • haleh27
    January 30, 2008
    Sweet Movie by Dusan Makavejev is disturbing movie. It simply has child molestation scenes as enjoyable acts and obviously the companies that have endorsed this movie have approved these acts. It is unbelievable how child abuse and children work are acceptable in entertainment industry. It was a shame and absolutely disturbing movie.
  • oliverrs
    August 15, 2007
    I liked this movie, and am glad Criterion released it.

    I thinkf olks who like "extreme cinema," for lack of a better term, would enjoy it. It's in a class of films that could include John Waters's Pink Flamingos (and his whole 70s ouevre, basically), Pier Paolo Pasolini's Salo: The 120 Days of Sodom, Myra Breckenridge, Jean-Luc Godard's Weekend, and other experiments in cinematic excess. I enjoyed it; the Criterion print is nice and clean-looking.

    I've heard Salo will be reissued by Criterion in 2008.
  • henrycovert67
    July 1, 2007
    wow. a lot of hating on SWEET MOVIE. too bad; with the official US release on Criterion (who did a beautiful job), Dusan's classic is primed to provoke and, yes, dismay and even disgust a new generation. perhaps it boils down to the cliche "either you get it or you don't", though some would prefer "every generation gets the art it deserves".
    i'm unwavering in my conviction that this is the most unique film ever attempted (and yes, it succeeds magnificently); my own personal # 1 favourite; and possibly the greatest ever.
    hail Makavejev!!
    (i'll write an 'official' review one of these days.)

    Henry Covert
    author of feature review of SWEET MOVIE for the Spring 1998 issue of VIDEO EYEBALL, magazine. Makavejev himself called my review "insightful and intelligent" (i was stunned.. but in a good way).
  • henrycovert67
    May 10, 2007
    one more month til the Criterion DVD of SWEET MOVIE arrives... finally!!

Critic ratings and reviews powered by RottenTomatoes.com

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