Anita Pallenberg, Anne Wiazemsky, Bill Wyman

A free-form, part fiction, part documentary piece juxtaposes Rolling Stones performances with images of civilization's destruction.

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63% liked it

2,500 ratings

Critics

50% liked it

6 critics

Unrated, 1 hr. 40 min.

Directed by: Jean-Luc Godard

Release Date: January 1, 1968

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DVD Release Date: October 21, 2003

Stats: 127 reviews

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Flixster Reviews (127)


  • April 6, 2008
    The director's cut of this is called "One Plus One", which is exactly what it is, footage of the Rolling Stones recording plus footage of Godard's take on 1960's politics.
    If you are not interested in The Rolling Stones or are an avid Godard fan then I doubt this will be for yo...( read more)u. Watching The Stones recording Sympathy For The Devil and seeing the track progress is interesting. Then you have the politically segments including The Black Panthers citing Black Power philosophy and shooting white women, an interview with "Eve Democracy", and finally workers of an adult bookshop whose customers leave by giving the Nazi salute.
    Overall this is quite a strange film.
  • April 19, 2009
    This film can be a trap for inveterate fans of Rolling Stones that, inadvertently, seek for only a few more takes of scenes from backstage, such as "Gimme Shelter" bring to us, for example. Why use the term "trap"? Because, yes, I am an inveterate lover of Stones. And yes, I fell...( read more) in this trap. Not that there are not Jagger, Richards, Jones, Wyman, Watts, Hopkins, Marianne Faithfull and Anita Pallemberg. They're all there. But the movie isn't "about the Stones" AT ALL. Godard takes the recordings of the fabulous "brazilian samba" Sympathy for the Devil (Mick's words) that opens the Beggars Banquet to show a picture of the counterculture in the late 60's. It's, therefore, a film-manifest. The film was finished in 68 and shows Godard and his recent approach with Marxism. But you know what? It's a film that gives the impression of having been made only for catechize who sees with his political-ideological discourse and practice techniques of editing and dubbing. I don't know if even the fans of Godard are satisfied with this movie. So, if you search for Rolling Stones here (after all, the idea of a film that reunite political and aesthetic concepts, interspersed by the symbolic music of The Rolling Stones, is excellent, but, please, don't illude yourselves, however), go find "Gimme Shelter". Not to say that there is nothing that the Stones could have done for the film, note that at one point in the film, Jagger has changed the lyrics from "Who killed Kennedy?" to the now classic "Who killed the Kennedys?" While no comment is made on it, this is days after Robert Kennedy has been shot dead (the two murders are also alluded to in Godard's own title One Plus One). The song grew out of the times. Honestly, I assume that this film gave me fear. Godard ended the "intelligentsia". And this is my final word.
  • April 12, 2009
    Este documental muestra un momento clave en la historia de The Rolling Stones. Mas alla de la puesta en escena propuesta por Godard, aca en este filme se puede evidenciar la situacion por la que estaba pasando Brian Jones y la banda. No es tan notoria, pero en el fondo esa ruptur...( read more)a que estaba por venir, se puede percibir.
  • March 1, 2009
    Godard intercuts the Stones sessions with endless scenes of revolutionaries in the streets. He aims for political context, but he mainly proves that it was the Sixties and nobody had invented the fast-forward button yet.
  • January 10, 2009
    No thankyou - Not interested.
  • September 19, 2008
    nice and intriguing but for now I think it's a bit tiring.
  • May 27, 2008
    Godard Plus Rolling Stones canīt be anyway wrong.
  • April 26, 2008
    A great deal of this film is extremely experimental. In this case, I found it isolating. However, the other half of the film is The Rolling Stones working on their classic song which is absolutely amazing to watch. All in all, an interesting metaphorical approach to evolution, gr...( read more)owth and change.

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