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[font=Arial][color=darkred]I've been neglecting doing this, but I have seen many many movies. Here are some… More
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[font=Arial][color=darkred]I've been neglecting doing this, but I have seen many many movies. Here are some brief opinions on recent releases.[/color][/font]
[font=Arial][color=darkred]Starsky and Hutch –The big screen adaptation of yet another 1970s television show has about one joke in it – that the 70s were funny. So after scene after scene of people with funny hair, in funny clothes, and talking funny, [i]Starsky and Hutch[/i] doesn’t so much coast as it skids to a flat, lifeless halt. Ben Stiller and Owen Wilson are an amiable duo and Vince Vaughn makes a credible cocaine creep, but director Todd Phillips ([i]Road Trip[/i], [i]Old School[/i]) is left to unsuccessfully hammer his film with sight gags. Scenes and jokes will stretch on much longer than their recommended shelf life. Will Ferrell makes a welcomed cameo to give the film its only moment of juice. Snoop is wasted. You may laugh at all this, but the Beastie Boys did it better with their [i]Sabotage[/i] video – and that was ten friggin’ years ago.[/color][/font]
[font=Arial][color=darkred]Nate’s Grade: C[/color][/font]
[font=Arial][color=darkred]Taking Lives – While viewing [i]Taking Lives[/i] my mind wandered quite a bit. There was one point where I actually gave credence to a theory that [i]Taking Lives[/i] was so intensely bland that is was parodying the glut of serial killer films. Then I just concluded that the movie was dumb. Angelina Jolie plays one of those hard-as-nails criminal investigators who just happen to be drop dead gorgeous. She’s on the hunt for a Canadian serial killer who murders then assumes the lives of his victims. He’s been doing this for over 20 years. My main question is ... how? Taking someone’s identity has so many variables to it. What if any family member found you? They’d know for sure you wouldn’t be their loved one. Oh yes, and the killer masks the identity of his victims by cutting off their hands and smashing their faces in. Would that even work? All you have to do is draw some blood and do a DNA test. [i]Taking Lives[/i] is so by-the-book that it even dares to have a scene where the serial killer calls Jolie and claims that he and her are exactly alike. The ending veers so far off track into the land of implausibility that it’s almost entertaining. Almost. The only reason to even poke your head in a theater to see this is for a gratuitous nude scene involving Jolie, and even that you’ve seen before in better movies.[/color][/font]
[font=Arial][color=darkred]Nate’s Grade: C-[/color][/font]
[font=Arial][color=darkred]Dawn of the Dead - For many, any notion of a remake of George Romero’s 1978 zombie classic [i]Dawn of the Dead [/i]would be heresy. There are only two things this remake has in common with its predecessor: 1) The characters are holed up in a mall for survival, and 2) There are zombies. That’s it. The social commentary of Romero’s [i]Dawn[/i] is stripped away, and in its place is a slick, lean action film with lots of very effective and suspenseful set pieces. Instead of thoughtless and lumbering zombies of Romero’s film, these zombies have taken a cue from Danny Boyle’s [i]28 Days Later[/i] brood and run, don’t walk, to nibble their meat. First time director Zack Snyder creates a movie rich in gruesome thrills and dark comedy but overloaded with characters, some of which you don’t even remember until they are eventually picked off. Indie stalwarts Sarah Polley and Ving Rhames nicely anchor the cast. [i]Dawn of the Dead[/i] is light on characters (except in numbers) and plot, but it starts with a cataclysmic bang and doesn’t let up until the lights go back on. If you want the film to end optimistically leave immediately upon the end credits, and if not, then stick around for some more goodies.[/color][/font]
[font=Arial][color=darkred]Nate’s Grade: B+[/color][/font]